Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2055 |
Prevalence of Second Most Common Vertical Interval |
0.2039 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9922 |
Vertical Unisons |
0.03465 |
Vertical Minor Seconds |
0.006984 |
Vertical Thirds |
0.2966 |
Vertical Tritones |
0.009503 |
Vertical Perfect Fourths |
0.09875 |
Vertical Perfect Fifths |
0.2039 |
Vertical Sixths |
0.1322 |
Vertical Sevenths |
0.02559 |
Vertical Octaves |
0.1709 |
Perfect Vertical Intervals |
0.5082 |
Vertical Dissonance Ratio |
0.06716 |
Vertical Minor Third Prevalence |
0.4827 |
Vertical Major Third Prevalence |
0.498 |
Chord Duration |
2.284 |
Partial Chords |
0.2967 |
Standard Triads |
0.5108 |
Diminished and Augmented Triads |
0.02168 |
Dominant Seventh Chords |
0.004743 |
Seventh Chords |
0.01694 |
Non-Standard Chords |
0.1755 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6463 |
Average Number of Simultaneous Pitch Classes |
2.725 |
Variability of Number of Simultaneous Pitch Classes |
0.5858 |
Average Number of Simultaneous Pitches |
3.455 |
Variability of Number of Simultaneous Pitches |
0.63 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.98 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
37.57 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2252 |
Stepwise Motion |
0.6821 |
Melodic Thirds |
0.1081 |
Melodic Perfect Fourths |
0.05663 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04376 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01931 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.36 |
Melodic Embellishments |
0.01665 |
Direction of Melodic Motion |
0.4173 |
Average Length of Melodic Arcs |
1.986 |
Average Interval Spanned by Melodic Arcs |
5.014 |
Melodic Pitch Variety |
5.344 |
Mean Melodic Interval |
2.317 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4569 |
Relative Prevalence of Most Common Melodic Intervals |
0.493 |
Amount of Arpeggiation |
0.2613 |
Repeated Notes |
0.09009 |
Importance of Middle Register |
0.7542 |
Importance of High Register |
0.04353 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
60.96 |
Mean Pitch Class |
4.886 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1088 |
Prevalence of Most Common Pitch Class |
0.2074 |
Relative Prevalence of Top Pitches |
0.8118 |
Relative Prevalence of Top Pitch Classes |
0.8025 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.25 |
Pitch Class Variability |
3.259 |
Pitch Class Variability After Folding |
4.19 |
Pitch Skewness |
-0.2299 |
Pitch Class Skewness |
-0.1049 |
Pitch Class Skewness After Folding |
1.097 |
Pitch Kurtosis |
5.335 |
Pitch Class Kurtosis |
4.932 |
Pitch Class Kurtosis After Folding |
4.768 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
26.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
1.0 |
Range |
38.0 |
Importance of Bass Register |
0.2023 |
Note Density per Quarter Note |
1.037 |
Note Density per Quarter Note per Voice |
0.2593 |
Note Density per Quarter Note Variability |
0.4801 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.005122 |
Prevalence of Medium Rhythmic Values |
0.5198 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7452 |
Prevalence of Very Long Rhythmic Values |
0.1421 |
Prevalence of Dotted Notes |
0.1421 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.303 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.2753 |
Relative Prevalence of Most Common Rhythmic Values |
0.9628 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.61 |
Rhythmic Value Skewness |
1.498 |
Rhythmic Value Kurtosis |
9.149 |
Mean Rhythmic Value Run Length |
1.553 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.9903 |
Mean Rhythmic Value Offset |
0.1844 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.113 |
Complete Rests Fraction |
0.001223 |
Partial Rests Fraction |
0.3261 |
Average Rest Fraction Across Voices |
0.09414 |
Longest Complete Rest |
0.9208 |
Longest Partial Rest |
27.66 |
Mean Complete Rest Duration |
0.9208 |
Mean Partial Rest Duration |
5.671 |
Median Complete Rest Duration |
0.9208 |
Median Partial Rest Duration |
2.305 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.228 |
Variability Across Voices of Combined Rests |
26.17 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5523 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2434 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.269 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7958 |
Rhythmic Variability - Tempo Standardized |
0.04987 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
781.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9661 |
Minimum Note Duration |
0.1293 |
Maximum Note Duration |
6.207 |
Average Note Duration |
0.7838 |
Variability of Note Durations |
0.745 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
5.0 |
Mean Tempo |
270.2 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
45.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
Strength of Strongest Rhythmic Pulse |
0.2777 |
Strength of Second Strongest Rhythmic Pulse |
0.2717 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5494 |
Rhythmic Variability |
0.03766 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.4 |
Tempo Variability |
26.1 |
Duration in Seconds |
168.9 |
Note Density |
4.623 |
Note Density Variability |
1.448 |
Average Time Between Attacks |
0.4076 |
Average Time Between Attacks for Each Voice |
0.8687 |
Variability of Time Between Attacks |
0.2467 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4474 |
Relative Range Isolation of Loudest Voice |
0.3378 |
Relative Range of Highest Line |
0.4474 |
Relative Note Density of Highest Line |
0.3534 |
Relative Note Durations of Lowest Line |
1.069 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8182 |
Voice Separation |
5.667 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.0522 |
Average Number of Independent Voices |
3.622 |
Similar Motion |
0.1249 |
Contrary Motion |
0.1341 |
Oblique Motion |
0.6888 |
Parallel Fifths |
0.004094 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.5797 |
Voice Equality - Number of Notes |
37.57 |
Voice Equality - Note Duration |
5.872 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
2.5 |
Importance of Loudest Voice |
10.0 |