| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2076 |
| Prevalence of Second Most Common Vertical Interval |
0.1846 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8892 |
| Vertical Unisons |
0.02522 |
| Vertical Minor Seconds |
0.003358 |
| Vertical Thirds |
0.3254 |
| Vertical Tritones |
0.007568 |
| Vertical Perfect Fourths |
0.08839 |
| Vertical Perfect Fifths |
0.1846 |
| Vertical Sixths |
0.1433 |
| Vertical Sevenths |
0.02666 |
| Vertical Octaves |
0.1824 |
| Perfect Vertical Intervals |
0.4806 |
| Vertical Dissonance Ratio |
0.05356 |
| Vertical Minor Third Prevalence |
0.441 |
| Vertical Major Third Prevalence |
0.3422 |
| Chord Duration |
2.105 |
| Partial Chords |
0.5164 |
| Standard Triads |
0.3796 |
| Diminished and Augmented Triads |
0.01276 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008508 |
| Non-Standard Chords |
0.09555 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.367 |
| Average Number of Simultaneous Pitch Classes |
2.342 |
| Variability of Number of Simultaneous Pitch Classes |
0.7052 |
| Average Number of Simultaneous Pitches |
2.895 |
| Variability of Number of Simultaneous Pitches |
0.9413 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.586 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
93.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2134 |
| Stepwise Motion |
0.6385 |
| Melodic Thirds |
0.1413 |
| Melodic Perfect Fourths |
0.06783 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04045 |
| Melodic Sixths |
0.0056 |
| Melodic Sevenths |
0.0006223 |
| Melodic Octaves |
0.008712 |
| Melodic Large Intervals |
0.0006223 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.405 |
| Melodic Embellishments |
0.01055 |
| Direction of Melodic Motion |
0.4814 |
| Average Length of Melodic Arcs |
1.741 |
| Average Interval Spanned by Melodic Arcs |
4.416 |
| Melodic Pitch Variety |
4.707 |
| Mean Melodic Interval |
2.302 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.425 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5022 |
| Amount of Arpeggiation |
0.2881 |
| Repeated Notes |
0.09645 |
| Importance of Middle Register |
0.7629 |
| Importance of High Register |
0.02421 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.67 |
| Mean Pitch Class |
5.25 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1037 |
| Prevalence of Most Common Pitch Class |
0.1769 |
| Relative Prevalence of Top Pitches |
0.7784 |
| Relative Prevalence of Top Pitch Classes |
0.9228 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.388 |
| Pitch Class Variability |
3.437 |
| Pitch Class Variability After Folding |
3.943 |
| Pitch Skewness |
0.1142 |
| Pitch Class Skewness |
0.2178 |
| Pitch Class Skewness After Folding |
0.9097 |
| Pitch Kurtosis |
5.299 |
| Pitch Class Kurtosis |
4.669 |
| Pitch Class Kurtosis After Folding |
5.012 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2129 |
| Note Density per Quarter Note |
0.9361 |
| Note Density per Quarter Note per Voice |
0.234 |
| Note Density per Quarter Note Variability |
0.4306 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004966 |
| Prevalence of Medium Rhythmic Values |
0.5487 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7666 |
| Prevalence of Very Long Rhythmic Values |
0.121 |
| Prevalence of Dotted Notes |
0.1086 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.135 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3153 |
| Relative Prevalence of Most Common Rhythmic Values |
0.811 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.345 |
| Rhythmic Value Skewness |
1.451 |
| Rhythmic Value Kurtosis |
9.166 |
| Mean Rhythmic Value Run Length |
1.537 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.156 |
| Mean Rhythmic Value Offset |
0.04469 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6597 |
| Complete Rests Fraction |
0.0005762 |
| Partial Rests Fraction |
0.6107 |
| Average Rest Fraction Across Voices |
0.256 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
392.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
17.8 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
50.28 |
| Variability Across Voices of Combined Rests |
150.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.525 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2406 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.182 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7655 |
| Rhythmic Variability - Tempo Standardized |
0.04872 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1611.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.83 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6624 |
| Variability of Note Durations |
0.5404 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2647 |
| Strength of Second Strongest Rhythmic Pulse |
0.2316 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.143 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4963 |
| Rhythmic Variability |
0.0346 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000001064 |
| Duration in Seconds |
358.5 |
| Note Density |
4.493 |
| Note Density Variability |
1.242 |
| Average Time Between Attacks |
0.404 |
| Average Time Between Attacks for Each Voice |
0.9249 |
| Variability of Time Between Attacks |
0.2701 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.3853 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1688 |
| Relative Note Durations of Lowest Line |
1.014 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8107 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04615 |
| Average Number of Independent Voices |
2.978 |
| Similar Motion |
0.1346 |
| Contrary Motion |
0.2263 |
| Oblique Motion |
0.5929 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002564 |
| Variability of Number of Independent Voices |
0.933 |
| Voice Equality - Number of Notes |
93.3 |
| Voice Equality - Note Duration |
31.32 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
10.0 |