Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2139 |
Prevalence of Second Most Common Vertical Interval |
0.1832 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8565 |
Vertical Unisons |
0.03102 |
Vertical Minor Seconds |
0.01035 |
Vertical Thirds |
0.3115 |
Vertical Tritones |
0.008979 |
Vertical Perfect Fourths |
0.08115 |
Vertical Perfect Fifths |
0.1807 |
Vertical Sixths |
0.153 |
Vertical Sevenths |
0.02718 |
Vertical Octaves |
0.1829 |
Perfect Vertical Intervals |
0.4757 |
Vertical Dissonance Ratio |
0.06358 |
Vertical Minor Third Prevalence |
0.4173 |
Vertical Major Third Prevalence |
0.3387 |
Chord Duration |
2.505 |
Partial Chords |
0.5526 |
Standard Triads |
0.326 |
Diminished and Augmented Triads |
0.008772 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01096 |
Non-Standard Chords |
0.1104 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
2.22 |
Average Number of Simultaneous Pitch Classes |
2.348 |
Variability of Number of Simultaneous Pitch Classes |
0.6769 |
Average Number of Simultaneous Pitches |
2.879 |
Variability of Number of Simultaneous Pitches |
0.8687 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.619 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
63.76 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1816 |
Stepwise Motion |
0.5281 |
Melodic Thirds |
0.1492 |
Melodic Perfect Fourths |
0.04869 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04307 |
Melodic Sixths |
0.003121 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01311 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.988 |
Melodic Embellishments |
0.02117 |
Direction of Melodic Motion |
0.4515 |
Average Length of Melodic Arcs |
1.73 |
Average Interval Spanned by Melodic Arcs |
4.608 |
Melodic Pitch Variety |
4.421 |
Mean Melodic Interval |
2.1 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3464 |
Relative Prevalence of Most Common Melodic Intervals |
0.6198 |
Amount of Arpeggiation |
0.4201 |
Repeated Notes |
0.2147 |
Importance of Middle Register |
0.7559 |
Importance of High Register |
0.009963 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.31 |
Mean Pitch Class |
5.941 |
Most Common Pitch |
59.0 |
Most Common Pitch Class |
11.0 |
Prevalence of Most Common Pitch |
0.1171 |
Prevalence of Most Common Pitch Class |
0.1912 |
Relative Prevalence of Top Pitches |
0.7713 |
Relative Prevalence of Top Pitch Classes |
0.9251 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.176 |
Pitch Class Variability |
3.689 |
Pitch Class Variability After Folding |
2.609 |
Pitch Skewness |
0.234 |
Pitch Class Skewness |
-0.8614 |
Pitch Class Skewness After Folding |
0.2756 |
Pitch Kurtosis |
5.365 |
Pitch Class Kurtosis |
4.791 |
Pitch Class Kurtosis After Folding |
8.274 |
Major or Minor |
0.0 |
First Pitch |
64.0 |
First Pitch Class |
4.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.2341 |
Note Density per Quarter Note |
1.07 |
Note Density per Quarter Note per Voice |
0.2675 |
Note Density per Quarter Note Variability |
0.4638 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01121 |
Prevalence of Medium Rhythmic Values |
0.6395 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8387 |
Prevalence of Very Long Rhythmic Values |
0.06351 |
Prevalence of Dotted Notes |
0.08904 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.745 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4782 |
Relative Prevalence of Most Common Rhythmic Values |
0.4909 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.763 |
Rhythmic Value Skewness |
1.267 |
Rhythmic Value Kurtosis |
13.04 |
Mean Rhythmic Value Run Length |
1.775 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.351 |
Mean Rhythmic Value Offset |
0.04234 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.6684 |
Complete Rests Fraction |
0.0006425 |
Partial Rests Fraction |
0.653 |
Average Rest Fraction Across Voices |
0.2547 |
Longest Complete Rest |
0.9644 |
Longest Partial Rest |
85.58 |
Mean Complete Rest Duration |
0.9644 |
Mean Partial Rest Duration |
12.23 |
Median Complete Rest Duration |
0.9644 |
Median Partial Rest Duration |
7.244 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
15.15 |
Variability Across Voices of Combined Rests |
77.56 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6461 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1817 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.557 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8278 |
Rhythmic Variability - Tempo Standardized |
0.05429 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1606.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
1.341 |
Minimum Note Duration |
0.1042 |
Maximum Note Duration |
6.667 |
Average Note Duration |
0.5968 |
Variability of Note Durations |
0.445 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
290.0 |
Strongest Rhythmic Pulse |
70.0 |
Second Strongest Rhythmic Pulse |
47.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
Strength of Strongest Rhythmic Pulse |
0.2733 |
Strength of Second Strongest Rhythmic Pulse |
0.2587 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.056 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.532 |
Rhythmic Variability |
0.03647 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
60.27 |
Duration in Seconds |
321.5 |
Note Density |
4.995 |
Note Density Variability |
1.504 |
Average Time Between Attacks |
0.3933 |
Average Time Between Attacks for Each Voice |
0.8013 |
Variability of Time Between Attacks |
0.1813 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.5041 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.1669 |
Relative Note Durations of Lowest Line |
1.118 |
Relative Size of Melodic Intervals in Lowest Line |
1.143 |
Voice Overlap |
0.774 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.04211 |
Average Number of Independent Voices |
2.984 |
Similar Motion |
0.1401 |
Contrary Motion |
0.1765 |
Oblique Motion |
0.6413 |
Parallel Fifths |
0.0008097 |
Parallel Octaves |
0.0008097 |
Variability of Number of Independent Voices |
0.8762 |
Voice Equality - Number of Notes |
63.76 |
Voice Equality - Note Duration |
16.62 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.414 |
Importance of Loudest Voice |
11.67 |