Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.223 |
Prevalence of Second Most Common Vertical Interval |
0.1942 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.871 |
Vertical Unisons |
0.03677 |
Vertical Minor Seconds |
0.003728 |
Vertical Thirds |
0.3268 |
Vertical Tritones |
0.007943 |
Vertical Perfect Fourths |
0.08379 |
Vertical Perfect Fifths |
0.1942 |
Vertical Sixths |
0.13 |
Vertical Sevenths |
0.01429 |
Vertical Octaves |
0.1862 |
Perfect Vertical Intervals |
0.501 |
Vertical Dissonance Ratio |
0.0441 |
Vertical Minor Third Prevalence |
0.6245 |
Vertical Major Third Prevalence |
0.6117 |
Chord Duration |
2.195 |
Partial Chords |
0.2395 |
Standard Triads |
0.6116 |
Diminished and Augmented Triads |
0.02544 |
Dominant Seventh Chords |
0.001731 |
Seventh Chords |
0.01817 |
Non-Standard Chords |
0.1307 |
Complex Chords |
0.002423 |
Minor Major Triad Ratio |
0.8406 |
Average Number of Simultaneous Pitch Classes |
2.78 |
Variability of Number of Simultaneous Pitch Classes |
0.5959 |
Average Number of Simultaneous Pitches |
3.803 |
Variability of Number of Simultaneous Pitches |
0.9323 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.905 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
162.4 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1742 |
Stepwise Motion |
0.5558 |
Melodic Thirds |
0.151 |
Melodic Perfect Fourths |
0.06387 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03982 |
Melodic Sixths |
0.001659 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01244 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.984 |
Melodic Embellishments |
0.02235 |
Direction of Melodic Motion |
0.508 |
Average Length of Melodic Arcs |
1.758 |
Average Interval Spanned by Melodic Arcs |
4.682 |
Melodic Pitch Variety |
4.627 |
Mean Melodic Interval |
2.203 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3816 |
Relative Prevalence of Most Common Melodic Intervals |
0.4598 |
Amount of Arpeggiation |
0.3787 |
Repeated Notes |
0.1754 |
Importance of Middle Register |
0.6424 |
Importance of High Register |
0.01159 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
56.52 |
Mean Pitch Class |
5.193 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1213 |
Prevalence of Most Common Pitch Class |
0.2198 |
Relative Prevalence of Top Pitches |
0.8396 |
Relative Prevalence of Top Pitch Classes |
0.8531 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.399 |
Pitch Class Variability |
3.372 |
Pitch Class Variability After Folding |
3.206 |
Pitch Skewness |
0.09566 |
Pitch Class Skewness |
0.1716 |
Pitch Class Skewness After Folding |
1.184 |
Pitch Kurtosis |
5.334 |
Pitch Class Kurtosis |
4.889 |
Pitch Class Kurtosis After Folding |
7.054 |
Major or Minor |
0.0 |
First Pitch |
64.0 |
First Pitch Class |
4.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
29.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
12.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.346 |
Note Density per Quarter Note |
1.222 |
Note Density per Quarter Note per Voice |
0.2444 |
Note Density per Quarter Note Variability |
0.4423 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.4135 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8762 |
Prevalence of Very Long Rhythmic Values |
0.1209 |
Prevalence of Dotted Notes |
0.2041 |
Shortest Rhythmic Value |
0.75 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.322 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3402 |
Relative Prevalence of Most Common Rhythmic Values |
0.8516 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.845 |
Rhythmic Value Skewness |
0.5243 |
Rhythmic Value Kurtosis |
8.551 |
Mean Rhythmic Value Run Length |
1.917 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.717 |
Mean Rhythmic Value Offset |
0.09065 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.713 |
Complete Rests Fraction |
0.0005016 |
Partial Rests Fraction |
0.6122 |
Average Rest Fraction Across Voices |
0.1923 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
46.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
8.411 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.717 |
Variability Across Voices of Combined Rests |
44.11 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5373 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1506 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.569 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6879 |
Rhythmic Variability - Tempo Standardized |
0.04629 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
2416.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
0.8896 |
Minimum Note Duration |
0.1389 |
Maximum Note Duration |
6.667 |
Average Note Duration |
0.6885 |
Variability of Note Durations |
0.4389 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
9.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3028 |
Strength of Second Strongest Rhythmic Pulse |
0.2083 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.454 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.511 |
Rhythmic Variability |
0.03385 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.000000001285 |
Duration in Seconds |
411.9 |
Note Density |
5.866 |
Note Density Variability |
1.655 |
Average Time Between Attacks |
0.4006 |
Average Time Between Attacks for Each Voice |
0.8486 |
Variability of Time Between Attacks |
0.2107 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.6364 |
Relative Range Isolation of Loudest Voice |
0.3358 |
Relative Range of Highest Line |
0.6364 |
Relative Note Density of Highest Line |
0.1366 |
Relative Note Durations of Lowest Line |
1.038 |
Relative Size of Melodic Intervals in Lowest Line |
1.25 |
Voice Overlap |
0.8324 |
Voice Separation |
4.75 |
Variability of Voice Separation |
3.304 |
Parallel Motion |
0.05032 |
Average Number of Independent Voices |
4.04 |
Similar Motion |
0.1412 |
Contrary Motion |
0.1928 |
Oblique Motion |
0.6158 |
Parallel Fifths |
0.002132 |
Parallel Octaves |
0.004264 |
Variability of Number of Independent Voices |
0.9655 |
Voice Equality - Number of Notes |
60.77 |
Voice Equality - Note Duration |
9.189 |
Voice Equality - Dynamics |
8.944 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
4.604 |
Importance of Loudest Voice |
13.75 |