Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2194 |
Prevalence of Second Most Common Vertical Interval |
0.1848 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8422 |
Vertical Unisons |
0.05273 |
Vertical Minor Seconds |
0.003762 |
Vertical Thirds |
0.2946 |
Vertical Tritones |
0.01521 |
Vertical Perfect Fourths |
0.07065 |
Vertical Perfect Fifths |
0.1848 |
Vertical Sixths |
0.1602 |
Vertical Sevenths |
0.02954 |
Vertical Octaves |
0.1667 |
Perfect Vertical Intervals |
0.4748 |
Vertical Dissonance Ratio |
0.07573 |
Vertical Minor Third Prevalence |
0.294 |
Vertical Major Third Prevalence |
0.2465 |
Chord Duration |
2.296 |
Partial Chords |
0.713 |
Standard Triads |
0.1987 |
Diminished and Augmented Triads |
0.01299 |
Dominant Seventh Chords |
0.005195 |
Seventh Chords |
0.01299 |
Non-Standard Chords |
0.07532 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.942 |
Average Number of Simultaneous Pitch Classes |
2.172 |
Variability of Number of Simultaneous Pitch Classes |
0.6413 |
Average Number of Simultaneous Pitches |
2.53 |
Variability of Number of Simultaneous Pitches |
0.8174 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.575 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
17.93 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2414 |
Stepwise Motion |
0.7171 |
Melodic Thirds |
0.1314 |
Melodic Perfect Fourths |
0.03571 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02143 |
Melodic Sixths |
0.005714 |
Melodic Sevenths |
0.001429 |
Melodic Octaves |
0.002857 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
4.111 |
Melodic Embellishments |
0.01847 |
Direction of Melodic Motion |
0.4431 |
Average Length of Melodic Arcs |
2.074 |
Average Interval Spanned by Melodic Arcs |
4.576 |
Melodic Pitch Variety |
4.671 |
Mean Melodic Interval |
2.039 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4757 |
Relative Prevalence of Most Common Melodic Intervals |
0.5075 |
Amount of Arpeggiation |
0.2414 |
Repeated Notes |
0.08429 |
Importance of Middle Register |
0.7898 |
Importance of High Register |
0.07955 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
61.48 |
Mean Pitch Class |
5.327 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1151 |
Prevalence of Most Common Pitch Class |
0.2003 |
Relative Prevalence of Top Pitches |
0.8025 |
Relative Prevalence of Top Pitch Classes |
0.8936 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.195 |
Pitch Class Variability |
3.37 |
Pitch Class Variability After Folding |
3.857 |
Pitch Skewness |
-0.02725 |
Pitch Class Skewness |
0.2908 |
Pitch Class Skewness After Folding |
0.895 |
Pitch Kurtosis |
5.346 |
Pitch Class Kurtosis |
4.683 |
Pitch Class Kurtosis After Folding |
5.079 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
29.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.1307 |
Note Density per Quarter Note |
0.8139 |
Note Density per Quarter Note per Voice |
0.2035 |
Note Density per Quarter Note Variability |
0.5168 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.4716 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8324 |
Prevalence of Very Long Rhythmic Values |
0.1051 |
Prevalence of Dotted Notes |
0.09801 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.227 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3693 |
Relative Prevalence of Most Common Rhythmic Values |
0.8231 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.984 |
Rhythmic Value Skewness |
0.3436 |
Rhythmic Value Kurtosis |
9.37 |
Mean Rhythmic Value Run Length |
1.76 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.229 |
Mean Rhythmic Value Offset |
0.04545 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4749 |
Complete Rests Fraction |
0.001146 |
Partial Rests Fraction |
0.7434 |
Average Rest Fraction Across Voices |
0.3341 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
128.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
21.41 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
10.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
31.26 |
Variability Across Voices of Combined Rests |
44.84 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6144 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.202 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.042 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8165 |
Rhythmic Variability - Tempo Standardized |
0.05279 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
704.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
2.305 |
Minimum Note Duration |
0.2083 |
Maximum Note Duration |
4.167 |
Average Note Duration |
0.6818 |
Variability of Note Durations |
0.464 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2975 |
Strength of Second Strongest Rhythmic Pulse |
0.2451 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.214 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5426 |
Rhythmic Variability |
0.03655 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000001696 |
Duration in Seconds |
180.2 |
Note Density |
3.907 |
Note Density Variability |
2.01 |
Average Time Between Attacks |
0.4364 |
Average Time Between Attacks for Each Voice |
0.9799 |
Variability of Time Between Attacks |
0.2357 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5152 |
Relative Range Isolation of Loudest Voice |
0.4145 |
Relative Range of Highest Line |
0.5152 |
Relative Note Density of Highest Line |
0.3977 |
Relative Note Durations of Lowest Line |
1.053 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.7955 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.517 |
Parallel Motion |
0.04618 |
Average Number of Independent Voices |
2.667 |
Similar Motion |
0.1226 |
Contrary Motion |
0.2043 |
Oblique Motion |
0.627 |
Parallel Fifths |
0.003552 |
Parallel Octaves |
0.003552 |
Variability of Number of Independent Voices |
0.9027 |
Voice Equality - Number of Notes |
17.93 |
Voice Equality - Note Duration |
9.342 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
0.9574 |
Importance of Loudest Voice |
11.67 |