Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1898 |
Prevalence of Second Most Common Vertical Interval |
0.1868 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9843 |
Vertical Unisons |
0.02172 |
Vertical Minor Seconds |
0.008349 |
Vertical Thirds |
0.3038 |
Vertical Tritones |
0.01815 |
Vertical Perfect Fourths |
0.09296 |
Vertical Perfect Fifths |
0.1898 |
Vertical Sixths |
0.1378 |
Vertical Sevenths |
0.04266 |
Vertical Octaves |
0.1651 |
Perfect Vertical Intervals |
0.4696 |
Vertical Dissonance Ratio |
0.09757 |
Vertical Minor Third Prevalence |
0.4904 |
Vertical Major Third Prevalence |
0.3654 |
Chord Duration |
1.74 |
Partial Chords |
0.3892 |
Standard Triads |
0.3955 |
Diminished and Augmented Triads |
0.03401 |
Dominant Seventh Chords |
0.002519 |
Seventh Chords |
0.01511 |
Non-Standard Chords |
0.2003 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.151 |
Average Number of Simultaneous Pitch Classes |
2.596 |
Variability of Number of Simultaneous Pitch Classes |
0.6707 |
Average Number of Simultaneous Pitches |
3.195 |
Variability of Number of Simultaneous Pitches |
0.7985 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.615 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
13.03 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2173 |
Stepwise Motion |
0.6646 |
Melodic Thirds |
0.07384 |
Melodic Perfect Fourths |
0.05274 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03376 |
Melodic Sixths |
0.00211 |
Melodic Sevenths |
0.00211 |
Melodic Octaves |
0.006329 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.692 |
Melodic Embellishments |
0.004184 |
Direction of Melodic Motion |
0.452 |
Average Length of Melodic Arcs |
1.99 |
Average Interval Spanned by Melodic Arcs |
4.638 |
Melodic Pitch Variety |
4.67 |
Mean Melodic Interval |
1.975 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4473 |
Relative Prevalence of Most Common Melodic Intervals |
0.4858 |
Amount of Arpeggiation |
0.2806 |
Repeated Notes |
0.1646 |
Importance of Middle Register |
0.6548 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
56.59 |
Mean Pitch Class |
5.37 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1109 |
Prevalence of Most Common Pitch Class |
0.205 |
Relative Prevalence of Top Pitches |
0.8868 |
Relative Prevalence of Top Pitch Classes |
0.8776 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
8.116 |
Pitch Class Variability |
3.334 |
Pitch Class Variability After Folding |
4.017 |
Pitch Skewness |
-0.03325 |
Pitch Class Skewness |
0.3332 |
Pitch Class Skewness After Folding |
1.627 |
Pitch Kurtosis |
5.311 |
Pitch Class Kurtosis |
4.776 |
Pitch Class Kurtosis After Folding |
4.965 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
34.0 |
Importance of Bass Register |
0.3452 |
Note Density per Quarter Note |
1.146 |
Note Density per Quarter Note per Voice |
0.2866 |
Note Density per Quarter Note Variability |
0.4148 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01255 |
Prevalence of Medium Rhythmic Values |
0.6192 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7594 |
Prevalence of Very Long Rhythmic Values |
0.1109 |
Prevalence of Dotted Notes |
0.08787 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.849 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3787 |
Relative Prevalence of Most Common Rhythmic Values |
0.6022 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.989 |
Rhythmic Value Skewness |
1.281 |
Rhythmic Value Kurtosis |
7.935 |
Mean Rhythmic Value Run Length |
1.784 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.118 |
Mean Rhythmic Value Offset |
0.008368 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.183 |
Complete Rests Fraction |
0.002378 |
Partial Rests Fraction |
0.5348 |
Average Rest Fraction Across Voices |
0.181 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
32.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
7.022 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.289 |
Variability Across Voices of Combined Rests |
22.83 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5762 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2099 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.745 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7862 |
Rhythmic Variability - Tempo Standardized |
0.0508 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
478.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7832 |
Minimum Note Duration |
0.1042 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.5954 |
Variability of Note Durations |
0.4241 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2514 |
Strength of Second Strongest Rhythmic Pulse |
0.2505 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.502 |
Rhythmic Variability |
0.03501 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.3333 |
Tempo Variability |
0.0000000003672 |
Duration in Seconds |
86.87 |
Note Density |
5.502 |
Note Density Variability |
1.422 |
Average Time Between Attacks |
0.341 |
Average Time Between Attacks for Each Voice |
0.6994 |
Variability of Time Between Attacks |
0.1765 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.2941 |
Relative Range Isolation of Loudest Voice |
0.6552 |
Relative Range of Highest Line |
0.2941 |
Relative Note Density of Highest Line |
0.5607 |
Relative Note Durations of Lowest Line |
1.099 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.7008 |
Voice Separation |
7.333 |
Variability of Voice Separation |
3.786 |
Parallel Motion |
0.02682 |
Average Number of Independent Voices |
3.284 |
Similar Motion |
0.1169 |
Contrary Motion |
0.1743 |
Oblique Motion |
0.682 |
Parallel Fifths |
0.001916 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.7604 |
Voice Equality - Number of Notes |
13.03 |
Voice Equality - Note Duration |
4.755 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
2.217 |
Importance of Loudest Voice |
10.0 |