| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2358 |
| Prevalence of Second Most Common Vertical Interval |
0.1799 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7629 |
| Vertical Unisons |
0.05384 |
| Vertical Minor Seconds |
0.006296 |
| Vertical Thirds |
0.2827 |
| Vertical Tritones |
0.01092 |
| Vertical Perfect Fourths |
0.1072 |
| Vertical Perfect Fifths |
0.1799 |
| Vertical Sixths |
0.1238 |
| Vertical Sevenths |
0.02661 |
| Vertical Octaves |
0.1819 |
| Perfect Vertical Intervals |
0.5228 |
| Vertical Dissonance Ratio |
0.07608 |
| Vertical Minor Third Prevalence |
0.4449 |
| Vertical Major Third Prevalence |
0.4474 |
| Chord Duration |
2.236 |
| Partial Chords |
0.4308 |
| Standard Triads |
0.3822 |
| Diminished and Augmented Triads |
0.02233 |
| Dominant Seventh Chords |
0.00394 |
| Seventh Chords |
0.01664 |
| Non-Standard Chords |
0.1703 |
| Complex Chords |
0.003065 |
| Minor Major Triad Ratio |
0.4722 |
| Average Number of Simultaneous Pitch Classes |
2.522 |
| Variability of Number of Simultaneous Pitch Classes |
0.7168 |
| Average Number of Simultaneous Pitches |
3.289 |
| Variability of Number of Simultaneous Pitches |
1.058 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.279 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
105.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1939 |
| Stepwise Motion |
0.6052 |
| Melodic Thirds |
0.1187 |
| Melodic Perfect Fourths |
0.06322 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04395 |
| Melodic Sixths |
0.003084 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01002 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.632 |
| Melodic Embellishments |
0.01077 |
| Direction of Melodic Motion |
0.4763 |
| Average Length of Melodic Arcs |
1.938 |
| Average Interval Spanned by Melodic Arcs |
5.011 |
| Melodic Pitch Variety |
5.014 |
| Mean Melodic Interval |
2.188 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4113 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4714 |
| Amount of Arpeggiation |
0.3285 |
| Repeated Notes |
0.1557 |
| Importance of Middle Register |
0.7403 |
| Importance of High Register |
0.01077 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.44 |
| Mean Pitch Class |
5.219 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1147 |
| Prevalence of Most Common Pitch Class |
0.1985 |
| Relative Prevalence of Top Pitches |
0.8154 |
| Relative Prevalence of Top Pitch Classes |
0.843 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.861 |
| Pitch Class Variability |
3.486 |
| Pitch Class Variability After Folding |
3.215 |
| Pitch Skewness |
-0.008076 |
| Pitch Class Skewness |
0.1888 |
| Pitch Class Skewness After Folding |
1.205 |
| Pitch Kurtosis |
5.368 |
| Pitch Class Kurtosis |
4.868 |
| Pitch Class Kurtosis After Folding |
7.064 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2489 |
| Note Density per Quarter Note |
1.06 |
| Note Density per Quarter Note per Voice |
0.2119 |
| Note Density per Quarter Note Variability |
0.4532 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5402 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8469 |
| Prevalence of Very Long Rhythmic Values |
0.1081 |
| Prevalence of Dotted Notes |
0.1047 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.19 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3871 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7594 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.22 |
| Rhythmic Value Skewness |
1.609 |
| Rhythmic Value Kurtosis |
10.53 |
| Mean Rhythmic Value Run Length |
1.76 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.357 |
| Mean Rhythmic Value Offset |
0.1662 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.26 |
| Complete Rests Fraction |
0.0002787 |
| Partial Rests Fraction |
0.7407 |
| Average Rest Fraction Across Voices |
0.2965 |
| Longest Complete Rest |
0.6836 |
| Longest Partial Rest |
167.0 |
| Mean Complete Rest Duration |
0.6836 |
| Mean Partial Rest Duration |
17.65 |
| Median Complete Rest Duration |
0.6836 |
| Median Partial Rest Duration |
6.261 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.84 |
| Variability Across Voices of Combined Rests |
223.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6435 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1824 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.527 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.826 |
| Rhythmic Variability - Tempo Standardized |
0.05428 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2599.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.775 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
11.48 |
| Average Note Duration |
0.6583 |
| Variability of Note Durations |
0.6229 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
308.3 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.308 |
| Strength of Second Strongest Rhythmic Pulse |
0.2528 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.218 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5608 |
| Rhythmic Variability |
0.03733 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
48.89 |
| Duration in Seconds |
486.4 |
| Note Density |
5.344 |
| Note Density Variability |
1.526 |
| Average Time Between Attacks |
0.3763 |
| Average Time Between Attacks for Each Voice |
0.9238 |
| Variability of Time Between Attacks |
0.1933 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2601 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.1289 |
| Relative Note Durations of Lowest Line |
1.08 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.9077 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.05533 |
| Average Number of Independent Voices |
3.558 |
| Similar Motion |
0.1251 |
| Contrary Motion |
0.1408 |
| Oblique Motion |
0.6788 |
| Parallel Fifths |
0.00135 |
| Parallel Octaves |
0.002249 |
| Variability of Number of Independent Voices |
1.111 |
| Voice Equality - Number of Notes |
107.2 |
| Voice Equality - Note Duration |
44.38 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.817 |
| Importance of Loudest Voice |
8.75 |