| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1865 |
| Prevalence of Second Most Common Vertical Interval |
0.1776 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9524 |
| Vertical Unisons |
0.02573 |
| Vertical Minor Seconds |
0.005628 |
| Vertical Thirds |
0.3127 |
| Vertical Tritones |
0.01627 |
| Vertical Perfect Fourths |
0.08547 |
| Vertical Perfect Fifths |
0.1865 |
| Vertical Sixths |
0.1716 |
| Vertical Sevenths |
0.02837 |
| Vertical Octaves |
0.1519 |
| Perfect Vertical Intervals |
0.4496 |
| Vertical Dissonance Ratio |
0.07088 |
| Vertical Minor Third Prevalence |
0.438 |
| Vertical Major Third Prevalence |
0.3647 |
| Chord Duration |
2.28 |
| Partial Chords |
0.4938 |
| Standard Triads |
0.3451 |
| Diminished and Augmented Triads |
0.02816 |
| Dominant Seventh Chords |
0.001965 |
| Seventh Chords |
0.01572 |
| Non-Standard Chords |
0.1454 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.395 |
| Average Number of Simultaneous Pitch Classes |
2.48 |
| Variability of Number of Simultaneous Pitch Classes |
0.6432 |
| Average Number of Simultaneous Pitches |
2.945 |
| Variability of Number of Simultaneous Pitches |
0.7626 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.469 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
173.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2527 |
| Stepwise Motion |
0.7038 |
| Melodic Thirds |
0.1085 |
| Melodic Perfect Fourths |
0.03814 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.059 |
| Melodic Sixths |
0.004172 |
| Melodic Sevenths |
0.001192 |
| Melodic Octaves |
0.01371 |
| Melodic Large Intervals |
0.0005959 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.563 |
| Melodic Embellishments |
0.02614 |
| Direction of Melodic Motion |
0.4971 |
| Average Length of Melodic Arcs |
1.937 |
| Average Interval Spanned by Melodic Arcs |
4.858 |
| Melodic Pitch Variety |
5.193 |
| Mean Melodic Interval |
2.346 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4511 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5601 |
| Amount of Arpeggiation |
0.2533 |
| Repeated Notes |
0.07092 |
| Importance of Middle Register |
0.7273 |
| Importance of High Register |
0.008318 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.1 |
| Mean Pitch Class |
5.505 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.0921 |
| Prevalence of Most Common Pitch Class |
0.1741 |
| Relative Prevalence of Top Pitches |
0.9355 |
| Relative Prevalence of Top Pitch Classes |
0.9215 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.141 |
| Pitch Class Variability |
3.479 |
| Pitch Class Variability After Folding |
3.126 |
| Pitch Skewness |
-0.2753 |
| Pitch Class Skewness |
0.4355 |
| Pitch Class Skewness After Folding |
0.5736 |
| Pitch Kurtosis |
5.258 |
| Pitch Class Kurtosis |
4.854 |
| Pitch Class Kurtosis After Folding |
6.935 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2644 |
| Note Density per Quarter Note |
1.054 |
| Note Density per Quarter Note per Voice |
0.2635 |
| Note Density per Quarter Note Variability |
0.44 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5769 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8491 |
| Prevalence of Very Long Rhythmic Values |
0.04932 |
| Prevalence of Dotted Notes |
0.082 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.845 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.426 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7378 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.696 |
| Rhythmic Value Skewness |
1.494 |
| Rhythmic Value Kurtosis |
13.86 |
| Mean Rhythmic Value Run Length |
1.804 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.497 |
| Mean Rhythmic Value Offset |
0.0309 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5925 |
| Complete Rests Fraction |
0.0005656 |
| Partial Rests Fraction |
0.7033 |
| Average Rest Fraction Across Voices |
0.2427 |
| Longest Complete Rest |
0.9033 |
| Longest Partial Rest |
614.0 |
| Mean Complete Rest Duration |
0.9033 |
| Mean Partial Rest Duration |
14.91 |
| Median Complete Rest Duration |
0.9033 |
| Median Partial Rest Duration |
3.846 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
61.07 |
| Variability Across Voices of Combined Rests |
370.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6613 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1719 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.846 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8332 |
| Rhythmic Variability - Tempo Standardized |
0.05525 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1683.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.284 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6242 |
| Variability of Note Durations |
0.4396 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
284.6 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2838 |
| Strength of Second Strongest Rhythmic Pulse |
0.2638 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.076 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5476 |
| Rhythmic Variability |
0.03725 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
51.14 |
| Duration in Seconds |
346.0 |
| Note Density |
4.864 |
| Note Density Variability |
1.543 |
| Average Time Between Attacks |
0.3889 |
| Average Time Between Attacks for Each Voice |
1.017 |
| Variability of Time Between Attacks |
0.1933 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.464 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.1592 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8116 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.05122 |
| Average Number of Independent Voices |
3.025 |
| Similar Motion |
0.1316 |
| Contrary Motion |
0.2216 |
| Oblique Motion |
0.5956 |
| Parallel Fifths |
0.003574 |
| Parallel Octaves |
0.001191 |
| Variability of Number of Independent Voices |
0.7588 |
| Voice Equality - Number of Notes |
173.5 |
| Voice Equality - Note Duration |
80.3 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |