| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2152 |
| Prevalence of Second Most Common Vertical Interval |
0.1852 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8604 |
| Vertical Unisons |
0.03157 |
| Vertical Minor Seconds |
0.00538 |
| Vertical Thirds |
0.321 |
| Vertical Tritones |
0.0101 |
| Vertical Perfect Fourths |
0.1012 |
| Vertical Perfect Fifths |
0.1587 |
| Vertical Sixths |
0.1425 |
| Vertical Sevenths |
0.02981 |
| Vertical Octaves |
0.1836 |
| Perfect Vertical Intervals |
0.4752 |
| Vertical Dissonance Ratio |
0.06527 |
| Vertical Minor Third Prevalence |
0.443 |
| Vertical Major Third Prevalence |
0.3755 |
| Chord Duration |
1.861 |
| Partial Chords |
0.4831 |
| Standard Triads |
0.3805 |
| Diminished and Augmented Triads |
0.01494 |
| Dominant Seventh Chords |
0.00498 |
| Seventh Chords |
0.01743 |
| Non-Standard Chords |
0.119 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.032 |
| Average Number of Simultaneous Pitch Classes |
2.441 |
| Variability of Number of Simultaneous Pitch Classes |
0.6955 |
| Average Number of Simultaneous Pitches |
3.061 |
| Variability of Number of Simultaneous Pitches |
0.8901 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.32 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
41.49 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2092 |
| Stepwise Motion |
0.6641 |
| Melodic Thirds |
0.1606 |
| Melodic Perfect Fourths |
0.05295 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04514 |
| Melodic Sixths |
0.005208 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00434 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.19 |
| Melodic Embellishments |
0.009516 |
| Direction of Melodic Motion |
0.4739 |
| Average Length of Melodic Arcs |
1.766 |
| Average Interval Spanned by Melodic Arcs |
4.385 |
| Melodic Pitch Variety |
4.845 |
| Mean Melodic Interval |
2.327 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4549 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4599 |
| Amount of Arpeggiation |
0.2778 |
| Repeated Notes |
0.06771 |
| Importance of Middle Register |
0.7933 |
| Importance of High Register |
0.1081 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
63.44 |
| Mean Pitch Class |
5.465 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1151 |
| Prevalence of Most Common Pitch Class |
0.1886 |
| Relative Prevalence of Top Pitches |
0.9023 |
| Relative Prevalence of Top Pitch Classes |
0.9817 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.061 |
| Pitch Class Variability |
3.407 |
| Pitch Class Variability After Folding |
3.162 |
| Pitch Skewness |
0.09335 |
| Pitch Class Skewness |
0.4099 |
| Pitch Class Skewness After Folding |
0.6549 |
| Pitch Kurtosis |
5.286 |
| Pitch Class Kurtosis |
4.891 |
| Pitch Class Kurtosis After Folding |
6.813 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.09862 |
| Note Density per Quarter Note |
1.062 |
| Note Density per Quarter Note per Voice |
0.2654 |
| Note Density per Quarter Note Variability |
0.4639 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00519 |
| Prevalence of Medium Rhythmic Values |
0.5562 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7379 |
| Prevalence of Very Long Rhythmic Values |
0.09602 |
| Prevalence of Dotted Notes |
0.09775 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.955 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2941 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9235 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.119 |
| Rhythmic Value Skewness |
1.352 |
| Rhythmic Value Kurtosis |
9.433 |
| Mean Rhythmic Value Run Length |
1.603 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.021 |
| Mean Rhythmic Value Offset |
0.04152 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4976 |
| Complete Rests Fraction |
0.0009106 |
| Partial Rests Fraction |
0.517 |
| Average Rest Fraction Across Voices |
0.2048 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
58.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.88 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.5 |
| Variability Across Voices of Combined Rests |
32.94 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5173 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2427 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.132 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.76 |
| Rhythmic Variability - Tempo Standardized |
0.04845 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1156.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.434 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.775 |
| Variability of Note Durations |
0.606 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3656 |
| Strength of Second Strongest Rhythmic Pulse |
0.3249 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.125 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6905 |
| Rhythmic Variability |
0.04173 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.000000000446 |
| Duration in Seconds |
281.6 |
| Note Density |
4.105 |
| Note Density Variability |
1.333 |
| Average Time Between Attacks |
0.4612 |
| Average Time Between Attacks for Each Voice |
0.9732 |
| Variability of Time Between Attacks |
0.2828 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.1784 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2457 |
| Relative Note Durations of Lowest Line |
1.088 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8486 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06383 |
| Average Number of Independent Voices |
3.184 |
| Similar Motion |
0.1408 |
| Contrary Motion |
0.1768 |
| Oblique Motion |
0.6187 |
| Parallel Fifths |
0.004092 |
| Parallel Octaves |
0.001637 |
| Variability of Number of Independent Voices |
0.8907 |
| Voice Equality - Number of Notes |
41.49 |
| Voice Equality - Note Duration |
8.52 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |