| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2291 |
| Prevalence of Second Most Common Vertical Interval |
0.1731 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7556 |
| Vertical Unisons |
0.03637 |
| Vertical Minor Seconds |
0.004717 |
| Vertical Thirds |
0.3011 |
| Vertical Tritones |
0.01009 |
| Vertical Perfect Fourths |
0.08837 |
| Vertical Perfect Fifths |
0.1731 |
| Vertical Sixths |
0.1419 |
| Vertical Sevenths |
0.03081 |
| Vertical Octaves |
0.1927 |
| Perfect Vertical Intervals |
0.4905 |
| Vertical Dissonance Ratio |
0.07121 |
| Vertical Minor Third Prevalence |
0.3942 |
| Vertical Major Third Prevalence |
0.3244 |
| Chord Duration |
2.233 |
| Partial Chords |
0.5854 |
| Standard Triads |
0.2659 |
| Diminished and Augmented Triads |
0.01541 |
| Dominant Seventh Chords |
0.001401 |
| Seventh Chords |
0.0112 |
| Non-Standard Chords |
0.1375 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.315 |
| Average Number of Simultaneous Pitch Classes |
2.294 |
| Variability of Number of Simultaneous Pitch Classes |
0.6964 |
| Average Number of Simultaneous Pitches |
2.815 |
| Variability of Number of Simultaneous Pitches |
0.921 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.187 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.81 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2019 |
| Stepwise Motion |
0.6046 |
| Melodic Thirds |
0.1983 |
| Melodic Perfect Fourths |
0.08759 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04623 |
| Melodic Sixths |
0.001217 |
| Melodic Sevenths |
0.001217 |
| Melodic Octaves |
0.007299 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.587 |
| Melodic Embellishments |
0.01572 |
| Direction of Melodic Motion |
0.482 |
| Average Length of Melodic Arcs |
1.699 |
| Average Interval Spanned by Melodic Arcs |
4.548 |
| Melodic Pitch Variety |
5.131 |
| Mean Melodic Interval |
2.551 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4027 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5015 |
| Amount of Arpeggiation |
0.3066 |
| Repeated Notes |
0.05353 |
| Importance of Middle Register |
0.7062 |
| Importance of High Register |
0.009674 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.31 |
| Mean Pitch Class |
5.572 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09674 |
| Prevalence of Most Common Pitch Class |
0.1826 |
| Relative Prevalence of Top Pitches |
0.9 |
| Relative Prevalence of Top Pitch Classes |
0.8675 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.47 |
| Pitch Class Variability |
3.527 |
| Pitch Class Variability After Folding |
2.832 |
| Pitch Skewness |
-0.07042 |
| Pitch Class Skewness |
0.4865 |
| Pitch Class Skewness After Folding |
0.2497 |
| Pitch Kurtosis |
5.259 |
| Pitch Class Kurtosis |
4.869 |
| Pitch Class Kurtosis After Folding |
7.926 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2842 |
| Note Density per Quarter Note |
1.022 |
| Note Density per Quarter Note per Voice |
0.2556 |
| Note Density per Quarter Note Variability |
0.523 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002418 |
| Prevalence of Medium Rhythmic Values |
0.6324 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8404 |
| Prevalence of Very Long Rhythmic Values |
0.07376 |
| Prevalence of Dotted Notes |
0.1173 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.806 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4728 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4629 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.888 |
| Rhythmic Value Skewness |
1.28 |
| Rhythmic Value Kurtosis |
13.65 |
| Mean Rhythmic Value Run Length |
1.609 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.224 |
| Mean Rhythmic Value Offset |
0.03446 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6058 |
| Complete Rests Fraction |
0.009987 |
| Partial Rests Fraction |
0.6668 |
| Average Rest Fraction Across Voices |
0.2794 |
| Longest Complete Rest |
7.188 |
| Longest Partial Rest |
127.2 |
| Mean Complete Rest Duration |
4.04 |
| Mean Partial Rest Duration |
14.35 |
| Median Complete Rest Duration |
7.188 |
| Median Partial Rest Duration |
3.594 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.453 |
| Variability of Partial Rest Durations |
25.67 |
| Variability Across Voices of Combined Rests |
65.92 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6335 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1862 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.402 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8198 |
| Rhythmic Variability - Tempo Standardized |
0.05354 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
827.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.414 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6231 |
| Variability of Note Durations |
0.4952 |
| Amount of Staccato |
0.002418 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.6 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2843 |
| Strength of Second Strongest Rhythmic Pulse |
0.2781 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.023 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5624 |
| Rhythmic Variability |
0.03859 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.75 |
| Duration in Seconds |
177.7 |
| Note Density |
4.654 |
| Note Density Variability |
1.773 |
| Average Time Between Attacks |
0.3926 |
| Average Time Between Attacks for Each Voice |
0.7943 |
| Variability of Time Between Attacks |
0.2519 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.4823 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.3241 |
| Relative Note Durations of Lowest Line |
1.104 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8041 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06422 |
| Average Number of Independent Voices |
2.92 |
| Similar Motion |
0.1324 |
| Contrary Motion |
0.1664 |
| Oblique Motion |
0.637 |
| Parallel Fifths |
0.006553 |
| Parallel Octaves |
0.002621 |
| Variability of Number of Independent Voices |
0.9075 |
| Voice Equality - Number of Notes |
36.81 |
| Voice Equality - Note Duration |
14.48 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
11.67 |