| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2744 |
| Prevalence of Second Most Common Vertical Interval |
0.23 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8384 |
| Vertical Unisons |
0.05279 |
| Vertical Minor Seconds |
0.008998 |
| Vertical Thirds |
0.3333 |
| Vertical Tritones |
0.01194 |
| Vertical Perfect Fourths |
0.04819 |
| Vertical Perfect Fifths |
0.1375 |
| Vertical Sixths |
0.113 |
| Vertical Sevenths |
0.03712 |
| Vertical Octaves |
0.2216 |
| Perfect Vertical Intervals |
0.4601 |
| Vertical Dissonance Ratio |
0.1033 |
| Vertical Minor Third Prevalence |
0.4614 |
| Vertical Major Third Prevalence |
0.236 |
| Chord Duration |
2.126 |
| Partial Chords |
0.6445 |
| Standard Triads |
0.1897 |
| Diminished and Augmented Triads |
0.03063 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.001332 |
| Non-Standard Chords |
0.1644 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9792 |
| Average Number of Simultaneous Pitch Classes |
2.199 |
| Variability of Number of Simultaneous Pitch Classes |
0.6505 |
| Average Number of Simultaneous Pitches |
2.769 |
| Variability of Number of Simultaneous Pitches |
0.7614 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.111 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
45.39 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1945 |
| Stepwise Motion |
0.5455 |
| Melodic Thirds |
0.1024 |
| Melodic Perfect Fourths |
0.05869 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03797 |
| Melodic Sixths |
0.006904 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009206 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.562 |
| Melodic Embellishments |
0.01031 |
| Direction of Melodic Motion |
0.4418 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.764 |
| Melodic Pitch Variety |
4.821 |
| Mean Melodic Interval |
1.947 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.351 |
| Relative Prevalence of Most Common Melodic Intervals |
0.682 |
| Amount of Arpeggiation |
0.389 |
| Repeated Notes |
0.2394 |
| Importance of Middle Register |
0.6564 |
| Importance of High Register |
0.001145 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.81 |
| Mean Pitch Class |
5.222 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09622 |
| Prevalence of Most Common Pitch Class |
0.1787 |
| Relative Prevalence of Top Pitches |
0.9405 |
| Relative Prevalence of Top Pitch Classes |
0.9295 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.471 |
| Pitch Class Variability |
3.362 |
| Pitch Class Variability After Folding |
3.195 |
| Pitch Skewness |
0.4645 |
| Pitch Class Skewness |
0.1983 |
| Pitch Class Skewness After Folding |
0.441 |
| Pitch Kurtosis |
5.08 |
| Pitch Class Kurtosis |
4.903 |
| Pitch Class Kurtosis After Folding |
6.989 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3425 |
| Note Density per Quarter Note |
1.019 |
| Note Density per Quarter Note per Voice |
0.2547 |
| Note Density per Quarter Note Variability |
0.3854 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002291 |
| Prevalence of Medium Rhythmic Values |
0.6014 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7973 |
| Prevalence of Very Long Rhythmic Values |
0.06873 |
| Prevalence of Dotted Notes |
0.08362 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.813 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3986 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6839 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.847 |
| Rhythmic Value Skewness |
1.321 |
| Rhythmic Value Kurtosis |
11.72 |
| Mean Rhythmic Value Run Length |
1.736 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.279 |
| Mean Rhythmic Value Offset |
0.06415 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.012 |
| Complete Rests Fraction |
0.001157 |
| Partial Rests Fraction |
0.7713 |
| Average Rest Fraction Across Voices |
0.2672 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
50.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
17.28 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
14.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.27 |
| Variability Across Voices of Combined Rests |
108.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5966 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2043 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.92 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8009 |
| Rhythmic Variability - Tempo Standardized |
0.05187 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
873.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.322 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.5953 |
| Variability of Note Durations |
0.4903 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2763 |
| Strength of Second Strongest Rhythmic Pulse |
0.2537 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.089 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.53 |
| Rhythmic Variability |
0.03605 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005712 |
| Duration in Seconds |
177.3 |
| Note Density |
4.924 |
| Note Density Variability |
1.019 |
| Average Time Between Attacks |
0.3623 |
| Average Time Between Attacks for Each Voice |
0.8013 |
| Variability of Time Between Attacks |
0.1572 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.4601 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.307 |
| Relative Note Durations of Lowest Line |
0.9654 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7766 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.02591 |
| Average Number of Independent Voices |
2.935 |
| Similar Motion |
0.1006 |
| Contrary Motion |
0.1509 |
| Oblique Motion |
0.7226 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7428 |
| Voice Equality - Number of Notes |
45.39 |
| Voice Equality - Note Duration |
22.45 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
5.657 |
| Importance of Loudest Voice |
10.0 |