| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2045 |
| Prevalence of Second Most Common Vertical Interval |
0.1848 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9038 |
| Vertical Unisons |
0.02686 |
| Vertical Minor Seconds |
0.004372 |
| Vertical Thirds |
0.3171 |
| Vertical Tritones |
0.011 |
| Vertical Perfect Fourths |
0.09256 |
| Vertical Perfect Fifths |
0.1848 |
| Vertical Sixths |
0.1345 |
| Vertical Sevenths |
0.02791 |
| Vertical Octaves |
0.1776 |
| Perfect Vertical Intervals |
0.4818 |
| Vertical Dissonance Ratio |
0.07138 |
| Vertical Minor Third Prevalence |
0.6023 |
| Vertical Major Third Prevalence |
0.6139 |
| Chord Duration |
2.05 |
| Partial Chords |
0.2051 |
| Standard Triads |
0.5702 |
| Diminished and Augmented Triads |
0.03156 |
| Dominant Seventh Chords |
0.003264 |
| Seventh Chords |
0.0272 |
| Non-Standard Chords |
0.1975 |
| Complex Chords |
0.007617 |
| Minor Major Triad Ratio |
0.6688 |
| Average Number of Simultaneous Pitch Classes |
2.836 |
| Variability of Number of Simultaneous Pitch Classes |
0.6364 |
| Average Number of Simultaneous Pitches |
3.799 |
| Variability of Number of Simultaneous Pitches |
0.9922 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.077 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
70.75 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2149 |
| Stepwise Motion |
0.6833 |
| Melodic Thirds |
0.1193 |
| Melodic Perfect Fourths |
0.06316 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03421 |
| Melodic Sixths |
0.001754 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007895 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.473 |
| Melodic Embellishments |
0.008734 |
| Direction of Melodic Motion |
0.4947 |
| Average Length of Melodic Arcs |
1.975 |
| Average Interval Spanned by Melodic Arcs |
4.802 |
| Melodic Pitch Variety |
4.978 |
| Mean Melodic Interval |
2.223 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4684 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4588 |
| Amount of Arpeggiation |
0.2518 |
| Repeated Notes |
0.09035 |
| Importance of Middle Register |
0.7266 |
| Importance of High Register |
0.009607 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.42 |
| Mean Pitch Class |
5.388 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09782 |
| Prevalence of Most Common Pitch Class |
0.1729 |
| Relative Prevalence of Top Pitches |
0.8661 |
| Relative Prevalence of Top Pitch Classes |
0.8838 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.314 |
| Pitch Class Variability |
3.514 |
| Pitch Class Variability After Folding |
3.193 |
| Pitch Skewness |
0.02364 |
| Pitch Class Skewness |
0.3311 |
| Pitch Class Skewness After Folding |
0.407 |
| Pitch Kurtosis |
5.383 |
| Pitch Class Kurtosis |
4.896 |
| Pitch Class Kurtosis After Folding |
6.98 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2638 |
| Note Density per Quarter Note |
1.207 |
| Note Density per Quarter Note per Voice |
0.2413 |
| Note Density per Quarter Note Variability |
0.6263 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0008734 |
| Prevalence of Medium Rhythmic Values |
0.5948 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7223 |
| Prevalence of Very Long Rhythmic Values |
0.1205 |
| Prevalence of Dotted Notes |
0.1258 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.053 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.317 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8705 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.529 |
| Rhythmic Value Skewness |
1.25 |
| Rhythmic Value Kurtosis |
9.905 |
| Mean Rhythmic Value Run Length |
1.588 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.143 |
| Mean Rhythmic Value Offset |
0.2341 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.669 |
| Complete Rests Fraction |
0.001116 |
| Partial Rests Fraction |
0.6345 |
| Average Rest Fraction Across Voices |
0.2084 |
| Longest Complete Rest |
1.059 |
| Longest Partial Rest |
64.1 |
| Mean Complete Rest Duration |
1.059 |
| Mean Partial Rest Duration |
12.68 |
| Median Complete Rest Duration |
1.059 |
| Median Partial Rest Duration |
6.885 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.2 |
| Variability Across Voices of Combined Rests |
48.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5161 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2463 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.096 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7624 |
| Rhythmic Variability - Tempo Standardized |
0.04852 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1145.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.731 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7941 |
| Variability of Note Durations |
0.8849 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
250.4 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.264 |
| Strength of Second Strongest Rhythmic Pulse |
0.2553 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5193 |
| Rhythmic Variability |
0.03685 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
26.31 |
| Duration in Seconds |
229.7 |
| Note Density |
4.984 |
| Note Density Variability |
1.854 |
| Average Time Between Attacks |
0.4227 |
| Average Time Between Attacks for Each Voice |
1.025 |
| Variability of Time Between Attacks |
0.283 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.6345 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.2969 |
| Relative Note Durations of Lowest Line |
0.99 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8192 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
1.258 |
| Parallel Motion |
0.05063 |
| Average Number of Independent Voices |
3.97 |
| Similar Motion |
0.1549 |
| Contrary Motion |
0.1497 |
| Oblique Motion |
0.6448 |
| Parallel Fifths |
0.001489 |
| Parallel Octaves |
0.002978 |
| Variability of Number of Independent Voices |
0.9804 |
| Voice Equality - Number of Notes |
50.53 |
| Voice Equality - Note Duration |
11.65 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
1.871 |
| Importance of Loudest Voice |
12.5 |