| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2295 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8284 |
| Vertical Unisons |
0.02666 |
| Vertical Minor Seconds |
0.001335 |
| Vertical Thirds |
0.3091 |
| Vertical Tritones |
0.006019 |
| Vertical Perfect Fourths |
0.09522 |
| Vertical Perfect Fifths |
0.1901 |
| Vertical Sixths |
0.1351 |
| Vertical Sevenths |
0.01741 |
| Vertical Octaves |
0.2028 |
| Perfect Vertical Intervals |
0.5147 |
| Vertical Dissonance Ratio |
0.04273 |
| Vertical Minor Third Prevalence |
0.4759 |
| Vertical Major Third Prevalence |
0.5284 |
| Chord Duration |
2.534 |
| Partial Chords |
0.3525 |
| Standard Triads |
0.5173 |
| Diminished and Augmented Triads |
0.02303 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.004798 |
| Non-Standard Chords |
0.1254 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.004 |
| Average Number of Simultaneous Pitch Classes |
2.619 |
| Variability of Number of Simultaneous Pitch Classes |
0.6045 |
| Average Number of Simultaneous Pitches |
3.467 |
| Variability of Number of Simultaneous Pitches |
0.6644 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.557 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1509 |
| Stepwise Motion |
0.5521 |
| Melodic Thirds |
0.1977 |
| Melodic Perfect Fourths |
0.07927 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06017 |
| Melodic Sixths |
0.0009551 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009551 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.764 |
| Melodic Embellishments |
0.009515 |
| Direction of Melodic Motion |
0.4904 |
| Average Length of Melodic Arcs |
1.673 |
| Average Interval Spanned by Melodic Arcs |
4.693 |
| Melodic Pitch Variety |
4.501 |
| Mean Melodic Interval |
2.539 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4011 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3762 |
| Amount of Arpeggiation |
0.3677 |
| Repeated Notes |
0.1003 |
| Importance of Middle Register |
0.7583 |
| Importance of High Register |
0.02188 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.73 |
| Mean Pitch Class |
5.474 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1265 |
| Prevalence of Most Common Pitch Class |
0.2217 |
| Relative Prevalence of Top Pitches |
0.8647 |
| Relative Prevalence of Top Pitch Classes |
0.8541 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.401 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
2.941 |
| Pitch Skewness |
-0.007328 |
| Pitch Class Skewness |
0.4104 |
| Pitch Class Skewness After Folding |
1.185 |
| Pitch Kurtosis |
5.255 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
7.87 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2198 |
| Note Density per Quarter Note |
0.9723 |
| Note Density per Quarter Note per Voice |
0.2431 |
| Note Density per Quarter Note Variability |
0.4495 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4929 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8716 |
| Prevalence of Very Long Rhythmic Values |
0.156 |
| Prevalence of Dotted Notes |
0.1275 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.569 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3644 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8407 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.51 |
| Rhythmic Value Skewness |
0.6801 |
| Rhythmic Value Kurtosis |
8.58 |
| Mean Rhythmic Value Run Length |
1.79 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.634 |
| Mean Rhythmic Value Offset |
0.1456 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.311 |
| Complete Rests Fraction |
0.001009 |
| Partial Rests Fraction |
0.3317 |
| Average Rest Fraction Across Voices |
0.09962 |
| Longest Complete Rest |
1.091 |
| Longest Partial Rest |
38.98 |
| Mean Complete Rest Duration |
1.091 |
| Mean Partial Rest Duration |
5.128 |
| Median Complete Rest Duration |
1.091 |
| Median Partial Rest Duration |
2.199 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.388 |
| Variability Across Voices of Combined Rests |
35.97 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6879 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1175 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.856 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8054 |
| Rhythmic Variability - Tempo Standardized |
0.05572 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1051.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9942 |
| Minimum Note Duration |
0.1724 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.8712 |
| Variability of Note Durations |
0.7641 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
258.1 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.3307 |
| Strength of Second Strongest Rhythmic Pulse |
0.2722 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.215 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6029 |
| Rhythmic Variability |
0.03955 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.94 |
| Duration in Seconds |
254.2 |
| Note Density |
4.134 |
| Note Density Variability |
1.294 |
| Average Time Between Attacks |
0.5007 |
| Average Time Between Attacks for Each Voice |
1.032 |
| Variability of Time Between Attacks |
0.3132 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3722 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2588 |
| Relative Note Durations of Lowest Line |
0.944 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7678 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.055 |
| Average Number of Independent Voices |
3.598 |
| Similar Motion |
0.1551 |
| Contrary Motion |
0.1641 |
| Oblique Motion |
0.6258 |
| Parallel Fifths |
0.00541 |
| Parallel Octaves |
0.002705 |
| Variability of Number of Independent Voices |
0.6233 |
| Voice Equality - Number of Notes |
72.3 |
| Voice Equality - Note Duration |
8.46 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
11.67 |