Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.1906 |
Prevalence of Second Most Common Vertical Interval |
0.1866 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9793 |
Vertical Unisons |
0.0177 |
Vertical Minor Seconds |
0.005079 |
Vertical Thirds |
0.3201 |
Vertical Tritones |
0.01192 |
Vertical Perfect Fourths |
0.1248 |
Vertical Perfect Fifths |
0.185 |
Vertical Sixths |
0.1281 |
Vertical Sevenths |
0.0218 |
Vertical Octaves |
0.1689 |
Perfect Vertical Intervals |
0.4964 |
Vertical Dissonance Ratio |
0.0586 |
Vertical Minor Third Prevalence |
0.6485 |
Vertical Major Third Prevalence |
0.5071 |
Chord Duration |
1.959 |
Partial Chords |
0.1958 |
Standard Triads |
0.5987 |
Diminished and Augmented Triads |
0.03306 |
Dominant Seventh Chords |
0.003099 |
Seventh Chords |
0.02944 |
Non-Standard Chords |
0.1761 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.972 |
Average Number of Simultaneous Pitch Classes |
2.83 |
Variability of Number of Simultaneous Pitch Classes |
0.5636 |
Average Number of Simultaneous Pitches |
3.656 |
Variability of Number of Simultaneous Pitches |
0.6133 |
Most Common Vertical Interval |
3.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
4.0 |
Variation of Dynamics |
1.81 |
Variation of Dynamics In Each Voice |
1.813 |
Average Note to Note Change in Dynamics |
2.159 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1583 |
Stepwise Motion |
0.554 |
Melodic Thirds |
0.1376 |
Melodic Perfect Fourths |
0.07027 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03033 |
Melodic Sixths |
0.002219 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01036 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.647 |
Melodic Embellishments |
0.02581 |
Direction of Melodic Motion |
0.4559 |
Average Length of Melodic Arcs |
1.664 |
Average Interval Spanned by Melodic Arcs |
4.332 |
Melodic Pitch Variety |
4.423 |
Mean Melodic Interval |
2.106 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3957 |
Relative Prevalence of Most Common Melodic Intervals |
0.4935 |
Amount of Arpeggiation |
0.3735 |
Repeated Notes |
0.1953 |
Importance of Middle Register |
0.8591 |
Importance of High Register |
0.03245 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
61.72 |
Mean Pitch Class |
5.26 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1291 |
Prevalence of Most Common Pitch Class |
0.1954 |
Relative Prevalence of Top Pitches |
0.7943 |
Relative Prevalence of Top Pitch Classes |
0.9321 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.287 |
Pitch Class Variability |
3.332 |
Pitch Class Variability After Folding |
3.983 |
Pitch Skewness |
0.1031 |
Pitch Class Skewness |
0.2344 |
Pitch Class Skewness After Folding |
1.599 |
Pitch Kurtosis |
5.342 |
Pitch Class Kurtosis |
4.732 |
Pitch Class Kurtosis After Folding |
5.073 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
18.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
29.0 |
Importance of Bass Register |
0.1084 |
Note Density per Quarter Note |
1.367 |
Note Density per Quarter Note per Voice |
0.3417 |
Note Density per Quarter Note Variability |
0.4579 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01622 |
Prevalence of Medium Rhythmic Values |
0.6475 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8665 |
Prevalence of Very Long Rhythmic Values |
0.04351 |
Prevalence of Dotted Notes |
0.0885 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.684 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.514 |
Relative Prevalence of Most Common Rhythmic Values |
0.472 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.629 |
Rhythmic Value Skewness |
1.26 |
Rhythmic Value Kurtosis |
16.28 |
Mean Rhythmic Value Run Length |
2.006 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.712 |
Mean Rhythmic Value Offset |
0.0531 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.84 |
Complete Rests Fraction |
0.002017 |
Partial Rests Fraction |
0.1915 |
Average Rest Fraction Across Voices |
0.06452 |
Longest Complete Rest |
2.0 |
Longest Partial Rest |
18.0 |
Mean Complete Rest Duration |
2.0 |
Mean Partial Rest Duration |
3.459 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
3.381 |
Variability Across Voices of Combined Rests |
21.42 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6981 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1536 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.544 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8517 |
Rhythmic Variability - Tempo Standardized |
0.05721 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1356.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.4506 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
7.5 |
Average Note Duration |
0.5133 |
Variability of Note Durations |
0.391 |
Amount of Staccato |
0.01622 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.224 |
Strength of Second Strongest Rhythmic Pulse |
0.2133 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.05 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4373 |
Rhythmic Variability |
0.03366 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.75 |
Tempo Variability |
0.0 |
Duration in Seconds |
186.0 |
Note Density |
7.29 |
Note Density Variability |
1.989 |
Average Time Between Attacks |
0.3325 |
Average Time Between Attacks for Each Voice |
0.5438 |
Variability of Time Between Attacks |
0.1932 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5172 |
Relative Range Isolation of Loudest Voice |
0.1415 |
Relative Range of Highest Line |
0.5172 |
Relative Note Density of Highest Line |
0.2035 |
Relative Note Durations of Lowest Line |
1.041 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.9019 |
Voice Separation |
5.0 |
Variability of Voice Separation |
2.646 |
Parallel Motion |
0.06098 |
Average Number of Independent Voices |
3.749 |
Similar Motion |
0.168 |
Contrary Motion |
0.2005 |
Oblique Motion |
0.5705 |
Parallel Fifths |
0.00271 |
Parallel Octaves |
0.00271 |
Variability of Number of Independent Voices |
0.5631 |
Voice Equality - Number of Notes |
26.98 |
Voice Equality - Note Duration |
4.016 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
2.16 |
Importance of Loudest Voice |
0.0 |