| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2269 |
| Prevalence of Second Most Common Vertical Interval |
0.1627 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7172 |
| Vertical Unisons |
0.04817 |
| Vertical Minor Seconds |
0.003858 |
| Vertical Thirds |
0.2612 |
| Vertical Tritones |
0.01472 |
| Vertical Perfect Fourths |
0.1262 |
| Vertical Perfect Fifths |
0.1627 |
| Vertical Sixths |
0.1305 |
| Vertical Sevenths |
0.04066 |
| Vertical Octaves |
0.1787 |
| Perfect Vertical Intervals |
0.5157 |
| Vertical Dissonance Ratio |
0.102 |
| Vertical Minor Third Prevalence |
0.4434 |
| Vertical Major Third Prevalence |
0.434 |
| Chord Duration |
1.592 |
| Partial Chords |
0.3439 |
| Standard Triads |
0.3561 |
| Diminished and Augmented Triads |
0.04878 |
| Dominant Seventh Chords |
0.002439 |
| Seventh Chords |
0.02195 |
| Non-Standard Chords |
0.278 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4747 |
| Average Number of Simultaneous Pitch Classes |
2.665 |
| Variability of Number of Simultaneous Pitch Classes |
0.6451 |
| Average Number of Simultaneous Pitches |
3.394 |
| Variability of Number of Simultaneous Pitches |
0.8812 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.391 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
83.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2275 |
| Stepwise Motion |
0.6197 |
| Melodic Thirds |
0.107 |
| Melodic Perfect Fourths |
0.05263 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03056 |
| Melodic Sixths |
0.001698 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01188 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.25 |
| Melodic Embellishments |
0.01852 |
| Direction of Melodic Motion |
0.4515 |
| Average Length of Melodic Arcs |
1.844 |
| Average Interval Spanned by Melodic Arcs |
4.411 |
| Melodic Pitch Variety |
4.562 |
| Mean Melodic Interval |
2.014 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3922 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5801 |
| Amount of Arpeggiation |
0.326 |
| Repeated Notes |
0.1766 |
| Importance of Middle Register |
0.7811 |
| Importance of High Register |
0.006734 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.92 |
| Mean Pitch Class |
5.342 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1111 |
| Prevalence of Most Common Pitch Class |
0.1953 |
| Relative Prevalence of Top Pitches |
0.8636 |
| Relative Prevalence of Top Pitch Classes |
0.819 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.655 |
| Pitch Class Variability |
3.468 |
| Pitch Class Variability After Folding |
3.26 |
| Pitch Skewness |
-0.2057 |
| Pitch Class Skewness |
0.2956 |
| Pitch Class Skewness After Folding |
0.3609 |
| Pitch Kurtosis |
5.459 |
| Pitch Class Kurtosis |
4.899 |
| Pitch Class Kurtosis After Folding |
6.876 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2121 |
| Note Density per Quarter Note |
1.398 |
| Note Density per Quarter Note per Voice |
0.2795 |
| Note Density per Quarter Note Variability |
0.574 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6953 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7357 |
| Prevalence of Very Long Rhythmic Values |
0.04714 |
| Prevalence of Dotted Notes |
0.1027 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.515 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.431 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6133 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.885 |
| Rhythmic Value Skewness |
0.82 |
| Rhythmic Value Kurtosis |
16.32 |
| Mean Rhythmic Value Run Length |
1.763 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.366 |
| Mean Rhythmic Value Offset |
0.08754 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8166 |
| Complete Rests Fraction |
0.002333 |
| Partial Rests Fraction |
0.7741 |
| Average Rest Fraction Across Voices |
0.2725 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.87 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.46 |
| Variability Across Voices of Combined Rests |
38.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5443 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2318 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.348 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7762 |
| Rhythmic Variability - Tempo Standardized |
0.04962 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
594.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.129 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.5385 |
| Variability of Note Durations |
0.5018 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2345 |
| Strength of Second Strongest Rhythmic Pulse |
0.2344 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4689 |
| Rhythmic Variability |
0.03424 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000001905 |
| Duration in Seconds |
87.93 |
| Note Density |
6.755 |
| Note Density Variability |
1.936 |
| Average Time Between Attacks |
0.3024 |
| Average Time Between Attacks for Each Voice |
0.6809 |
| Variability of Time Between Attacks |
0.1133 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.4853 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.564 |
| Relative Note Durations of Lowest Line |
1.109 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8603 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.16 |
| Parallel Motion |
0.04138 |
| Average Number of Independent Voices |
3.646 |
| Similar Motion |
0.1207 |
| Contrary Motion |
0.1241 |
| Oblique Motion |
0.7138 |
| Parallel Fifths |
0.001724 |
| Parallel Octaves |
0.003448 |
| Variability of Number of Independent Voices |
0.9627 |
| Voice Equality - Number of Notes |
23.08 |
| Voice Equality - Note Duration |
8.0 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
13.75 |