| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1924 |
| Prevalence of Second Most Common Vertical Interval |
0.19 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9875 |
| Vertical Unisons |
0.03055 |
| Vertical Minor Seconds |
0.006361 |
| Vertical Thirds |
0.3143 |
| Vertical Tritones |
0.01098 |
| Vertical Perfect Fourths |
0.09892 |
| Vertical Perfect Fifths |
0.1924 |
| Vertical Sixths |
0.1384 |
| Vertical Sevenths |
0.02877 |
| Vertical Octaves |
0.1595 |
| Perfect Vertical Intervals |
0.4813 |
| Vertical Dissonance Ratio |
0.07062 |
| Vertical Minor Third Prevalence |
0.513 |
| Vertical Major Third Prevalence |
0.434 |
| Chord Duration |
2.244 |
| Partial Chords |
0.3353 |
| Standard Triads |
0.4735 |
| Diminished and Augmented Triads |
0.02419 |
| Dominant Seventh Chords |
0.002304 |
| Seventh Chords |
0.0288 |
| Non-Standard Chords |
0.1624 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.664 |
| Average Number of Simultaneous Pitch Classes |
2.62 |
| Variability of Number of Simultaneous Pitch Classes |
0.6851 |
| Average Number of Simultaneous Pitches |
3.252 |
| Variability of Number of Simultaneous Pitches |
0.8298 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.347 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
60.16 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2544 |
| Stepwise Motion |
0.716 |
| Melodic Thirds |
0.1162 |
| Melodic Perfect Fourths |
0.05482 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04496 |
| Melodic Sixths |
0.005482 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007675 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.029 |
| Melodic Embellishments |
0.02183 |
| Direction of Melodic Motion |
0.4606 |
| Average Length of Melodic Arcs |
2.009 |
| Average Interval Spanned by Melodic Arcs |
4.844 |
| Melodic Pitch Variety |
5.238 |
| Mean Melodic Interval |
2.289 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4616 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5511 |
| Amount of Arpeggiation |
0.2237 |
| Repeated Notes |
0.05482 |
| Importance of Middle Register |
0.7402 |
| Importance of High Register |
0.01965 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.49 |
| Mean Pitch Class |
5.317 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08952 |
| Prevalence of Most Common Pitch Class |
0.1692 |
| Relative Prevalence of Top Pitches |
0.9634 |
| Relative Prevalence of Top Pitch Classes |
0.9935 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.147 |
| Pitch Class Variability |
3.524 |
| Pitch Class Variability After Folding |
3.166 |
| Pitch Skewness |
-0.02291 |
| Pitch Class Skewness |
0.2695 |
| Pitch Class Skewness After Folding |
0.3827 |
| Pitch Kurtosis |
5.196 |
| Pitch Class Kurtosis |
4.912 |
| Pitch Class Kurtosis After Folding |
6.998 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2402 |
| Note Density per Quarter Note |
0.9903 |
| Note Density per Quarter Note per Voice |
0.2476 |
| Note Density per Quarter Note Variability |
0.4908 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5469 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8177 |
| Prevalence of Very Long Rhythmic Values |
0.1408 |
| Prevalence of Dotted Notes |
0.1255 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.258 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3646 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7156 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.381 |
| Rhythmic Value Skewness |
1.584 |
| Rhythmic Value Kurtosis |
9.521 |
| Mean Rhythmic Value Run Length |
1.678 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.269 |
| Mean Rhythmic Value Offset |
0.1572 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.601 |
| Complete Rests Fraction |
0.001192 |
| Partial Rests Fraction |
0.4403 |
| Average Rest Fraction Across Voices |
0.1558 |
| Longest Complete Rest |
1.103 |
| Longest Partial Rest |
73.41 |
| Mean Complete Rest Duration |
1.103 |
| Mean Partial Rest Duration |
9.771 |
| Median Complete Rest Duration |
1.103 |
| Median Partial Rest Duration |
3.584 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.37 |
| Variability Across Voices of Combined Rests |
24.43 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6234 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1884 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.308 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8118 |
| Rhythmic Variability - Tempo Standardized |
0.05323 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
916.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.264 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7929 |
| Variability of Note Durations |
0.7462 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
261.1 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.3019 |
| Strength of Second Strongest Rhythmic Pulse |
0.2753 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.097 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5773 |
| Rhythmic Variability |
0.03885 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.98 |
| Duration in Seconds |
215.1 |
| Note Density |
4.259 |
| Note Density Variability |
1.57 |
| Average Time Between Attacks |
0.4466 |
| Average Time Between Attacks for Each Voice |
0.9663 |
| Variability of Time Between Attacks |
0.256 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.3478 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.2969 |
| Relative Note Durations of Lowest Line |
0.9113 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8035 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.04459 |
| Average Number of Independent Voices |
3.385 |
| Similar Motion |
0.1256 |
| Contrary Motion |
0.1711 |
| Oblique Motion |
0.6588 |
| Parallel Fifths |
0.00273 |
| Parallel Octaves |
0.0009099 |
| Variability of Number of Independent Voices |
0.821 |
| Voice Equality - Number of Notes |
60.16 |
| Voice Equality - Note Duration |
5.681 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
10.0 |