| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1993 |
| Prevalence of Second Most Common Vertical Interval |
0.1759 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8825 |
| Vertical Unisons |
0.02517 |
| Vertical Minor Seconds |
0.006548 |
| Vertical Thirds |
0.3204 |
| Vertical Tritones |
0.01286 |
| Vertical Perfect Fourths |
0.1051 |
| Vertical Perfect Fifths |
0.1759 |
| Vertical Sixths |
0.1325 |
| Vertical Sevenths |
0.02964 |
| Vertical Octaves |
0.1742 |
| Perfect Vertical Intervals |
0.4803 |
| Vertical Dissonance Ratio |
0.07156 |
| Vertical Minor Third Prevalence |
0.448 |
| Vertical Major Third Prevalence |
0.4301 |
| Chord Duration |
2.009 |
| Partial Chords |
0.4033 |
| Standard Triads |
0.4239 |
| Diminished and Augmented Triads |
0.02556 |
| Dominant Seventh Chords |
0.001111 |
| Seventh Chords |
0.007222 |
| Non-Standard Chords |
0.1656 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8933 |
| Average Number of Simultaneous Pitch Classes |
2.538 |
| Variability of Number of Simultaneous Pitch Classes |
0.6446 |
| Average Number of Simultaneous Pitches |
3.157 |
| Variability of Number of Simultaneous Pitches |
0.7913 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.008 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
38.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2291 |
| Stepwise Motion |
0.6797 |
| Melodic Thirds |
0.1474 |
| Melodic Perfect Fourths |
0.05408 |
| Melodic Tritones |
0.00106 |
| Melodic Perfect Fifths |
0.03075 |
| Melodic Sixths |
0.002121 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0106 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.022 |
| Melodic Embellishments |
0.01162 |
| Direction of Melodic Motion |
0.4616 |
| Average Length of Melodic Arcs |
1.722 |
| Average Interval Spanned by Melodic Arcs |
4.164 |
| Melodic Pitch Variety |
4.79 |
| Mean Melodic Interval |
2.259 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4507 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5082 |
| Amount of Arpeggiation |
0.263 |
| Repeated Notes |
0.07423 |
| Importance of Middle Register |
0.623 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.07 |
| Mean Pitch Class |
5.326 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.0982 |
| Prevalence of Most Common Pitch Class |
0.1658 |
| Relative Prevalence of Top Pitches |
0.9355 |
| Relative Prevalence of Top Pitch Classes |
0.9873 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.904 |
| Pitch Class Variability |
3.449 |
| Pitch Class Variability After Folding |
4.149 |
| Pitch Skewness |
-0.2363 |
| Pitch Class Skewness |
0.2839 |
| Pitch Class Skewness After Folding |
1.022 |
| Pitch Kurtosis |
5.314 |
| Pitch Class Kurtosis |
4.768 |
| Pitch Class Kurtosis After Folding |
4.741 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.377 |
| Note Density per Quarter Note |
0.9937 |
| Note Density per Quarter Note per Voice |
0.2484 |
| Note Density per Quarter Note Variability |
0.4682 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006336 |
| Prevalence of Medium Rhythmic Values |
0.5459 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8194 |
| Prevalence of Very Long Rhythmic Values |
0.1299 |
| Prevalence of Dotted Notes |
0.09926 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.189 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3654 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7543 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.219 |
| Rhythmic Value Skewness |
1.608 |
| Rhythmic Value Kurtosis |
9.046 |
| Mean Rhythmic Value Run Length |
1.647 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.373 |
| Mean Rhythmic Value Offset |
0.08448 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7972 |
| Complete Rests Fraction |
0.001041 |
| Partial Rests Fraction |
0.5509 |
| Average Rest Fraction Across Voices |
0.1868 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
316.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.28 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
41.72 |
| Variability Across Voices of Combined Rests |
132.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6393 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.179 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.571 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8184 |
| Rhythmic Variability - Tempo Standardized |
0.05395 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
947.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.764 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.682 |
| Variability of Note Durations |
0.5531 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2724 |
| Strength of Second Strongest Rhythmic Pulse |
0.2639 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.032 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5363 |
| Rhythmic Variability |
0.0366 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000242 |
| Duration in Seconds |
198.5 |
| Note Density |
4.77 |
| Note Density Variability |
1.562 |
| Average Time Between Attacks |
0.3932 |
| Average Time Between Attacks for Each Voice |
0.8233 |
| Variability of Time Between Attacks |
0.2194 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4465 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2746 |
| Relative Note Durations of Lowest Line |
1.031 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8479 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.0436 |
| Average Number of Independent Voices |
3.256 |
| Similar Motion |
0.1232 |
| Contrary Motion |
0.1583 |
| Oblique Motion |
0.6749 |
| Parallel Fifths |
0.001896 |
| Parallel Octaves |
0.003791 |
| Variability of Number of Independent Voices |
0.7922 |
| Voice Equality - Number of Notes |
38.74 |
| Voice Equality - Note Duration |
27.69 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
10.0 |