| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1992 |
| Prevalence of Second Most Common Vertical Interval |
0.1692 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8494 |
| Vertical Unisons |
0.01618 |
| Vertical Minor Seconds |
0.0104 |
| Vertical Thirds |
0.2946 |
| Vertical Tritones |
0.01563 |
| Vertical Perfect Fourths |
0.09138 |
| Vertical Perfect Fifths |
0.1692 |
| Vertical Sixths |
0.1596 |
| Vertical Sevenths |
0.04089 |
| Vertical Octaves |
0.1831 |
| Perfect Vertical Intervals |
0.4598 |
| Vertical Dissonance Ratio |
0.09411 |
| Vertical Minor Third Prevalence |
0.366 |
| Vertical Major Third Prevalence |
0.3408 |
| Chord Duration |
2.561 |
| Partial Chords |
0.5311 |
| Standard Triads |
0.3078 |
| Diminished and Augmented Triads |
0.02196 |
| Dominant Seventh Chords |
0.0007321 |
| Seventh Chords |
0.01318 |
| Non-Standard Chords |
0.1479 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.031 |
| Average Number of Simultaneous Pitch Classes |
2.362 |
| Variability of Number of Simultaneous Pitch Classes |
0.6945 |
| Average Number of Simultaneous Pitches |
2.899 |
| Variability of Number of Simultaneous Pitches |
0.8233 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.273 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
162.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2302 |
| Stepwise Motion |
0.6669 |
| Melodic Thirds |
0.1533 |
| Melodic Perfect Fourths |
0.07138 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03009 |
| Melodic Sixths |
0.0006998 |
| Melodic Sevenths |
0.0014 |
| Melodic Octaves |
0.004899 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.281 |
| Melodic Embellishments |
0.02373 |
| Direction of Melodic Motion |
0.4635 |
| Average Length of Melodic Arcs |
1.89 |
| Average Interval Spanned by Melodic Arcs |
4.61 |
| Melodic Pitch Variety |
4.903 |
| Mean Melodic Interval |
2.277 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4367 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5272 |
| Amount of Arpeggiation |
0.261 |
| Repeated Notes |
0.07138 |
| Importance of Middle Register |
0.7509 |
| Importance of High Register |
0.1284 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.29 |
| Mean Pitch Class |
5.215 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1026 |
| Prevalence of Most Common Pitch Class |
0.1968 |
| Relative Prevalence of Top Pitches |
0.8095 |
| Relative Prevalence of Top Pitch Classes |
0.766 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.524 |
| Pitch Class Variability |
3.429 |
| Pitch Class Variability After Folding |
3.305 |
| Pitch Skewness |
-0.17 |
| Pitch Class Skewness |
0.1881 |
| Pitch Class Skewness After Folding |
0.6765 |
| Pitch Kurtosis |
5.117 |
| Pitch Class Kurtosis |
4.964 |
| Pitch Class Kurtosis After Folding |
6.471 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1207 |
| Note Density per Quarter Note |
0.9496 |
| Note Density per Quarter Note per Voice |
0.2374 |
| Note Density per Quarter Note Variability |
0.4975 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004187 |
| Prevalence of Medium Rhythmic Values |
0.5715 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8123 |
| Prevalence of Very Long Rhythmic Values |
0.1221 |
| Prevalence of Dotted Notes |
0.09839 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.079 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3838 |
| Relative Prevalence of Most Common Rhythmic Values |
0.66 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.127 |
| Rhythmic Value Skewness |
1.521 |
| Rhythmic Value Kurtosis |
9.019 |
| Mean Rhythmic Value Run Length |
1.737 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.273 |
| Mean Rhythmic Value Offset |
0.02791 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4219 |
| Complete Rests Fraction |
0.0006706 |
| Partial Rests Fraction |
0.7355 |
| Average Rest Fraction Across Voices |
0.2703 |
| Longest Complete Rest |
1.012 |
| Longest Partial Rest |
424.1 |
| Mean Complete Rest Duration |
1.012 |
| Mean Partial Rest Duration |
18.33 |
| Median Complete Rest Duration |
1.012 |
| Median Partial Rest Duration |
2.696 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
61.28 |
| Variability Across Voices of Combined Rests |
393.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6044 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2025 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.984 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8069 |
| Rhythmic Variability - Tempo Standardized |
0.0522 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1433.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.639 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6231 |
| Variability of Note Durations |
0.463 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2768 |
| Strength of Second Strongest Rhythmic Pulse |
0.246 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.125 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5229 |
| Rhythmic Variability |
0.03591 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
76.46 |
| Duration in Seconds |
305.9 |
| Note Density |
4.684 |
| Note Density Variability |
1.61 |
| Average Time Between Attacks |
0.3906 |
| Average Time Between Attacks for Each Voice |
0.9375 |
| Variability of Time Between Attacks |
0.2067 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4153 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.201 |
| Relative Note Durations of Lowest Line |
1.079 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7509 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.04449 |
| Average Number of Independent Voices |
2.952 |
| Similar Motion |
0.1399 |
| Contrary Motion |
0.2005 |
| Oblique Motion |
0.6151 |
| Parallel Fifths |
0.001934 |
| Parallel Octaves |
0.001289 |
| Variability of Number of Independent Voices |
0.8307 |
| Voice Equality - Number of Notes |
162.0 |
| Voice Equality - Note Duration |
79.84 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
10.0 |