| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2376 |
| Prevalence of Second Most Common Vertical Interval |
0.1617 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6806 |
| Vertical Unisons |
0.03464 |
| Vertical Minor Seconds |
0.005271 |
| Vertical Thirds |
0.2669 |
| Vertical Tritones |
0.008352 |
| Vertical Perfect Fourths |
0.1231 |
| Vertical Perfect Fifths |
0.1617 |
| Vertical Sixths |
0.1432 |
| Vertical Sevenths |
0.03304 |
| Vertical Octaves |
0.203 |
| Perfect Vertical Intervals |
0.5225 |
| Vertical Dissonance Ratio |
0.07227 |
| Vertical Minor Third Prevalence |
0.4429 |
| Vertical Major Third Prevalence |
0.4024 |
| Chord Duration |
2.199 |
| Partial Chords |
0.4197 |
| Standard Triads |
0.3871 |
| Diminished and Augmented Triads |
0.02001 |
| Dominant Seventh Chords |
0.004002 |
| Seventh Chords |
0.03774 |
| Non-Standard Chords |
0.1555 |
| Complex Chords |
0.002859 |
| Minor Major Triad Ratio |
0.7816 |
| Average Number of Simultaneous Pitch Classes |
2.514 |
| Variability of Number of Simultaneous Pitch Classes |
0.7724 |
| Average Number of Simultaneous Pitches |
3.374 |
| Variability of Number of Simultaneous Pitches |
1.23 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.887 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
78.88 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2041 |
| Stepwise Motion |
0.6845 |
| Melodic Thirds |
0.1345 |
| Melodic Perfect Fourths |
0.05804 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03455 |
| Melodic Sixths |
0.005067 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009673 |
| Melodic Large Intervals |
0.0004606 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.631 |
| Melodic Embellishments |
0.01241 |
| Direction of Melodic Motion |
0.4667 |
| Average Length of Melodic Arcs |
1.814 |
| Average Interval Spanned by Melodic Arcs |
4.519 |
| Melodic Pitch Variety |
4.925 |
| Mean Melodic Interval |
2.319 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4804 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4247 |
| Amount of Arpeggiation |
0.2524 |
| Repeated Notes |
0.07324 |
| Importance of Middle Register |
0.7206 |
| Importance of High Register |
0.01103 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.82 |
| Mean Pitch Class |
5.256 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09053 |
| Prevalence of Most Common Pitch Class |
0.1723 |
| Relative Prevalence of Top Pitches |
0.9898 |
| Relative Prevalence of Top Pitch Classes |
0.9947 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.4 |
| Pitch Class Variability |
3.559 |
| Pitch Class Variability After Folding |
3.105 |
| Pitch Skewness |
-0.3106 |
| Pitch Class Skewness |
0.2158 |
| Pitch Class Skewness After Folding |
0.2696 |
| Pitch Kurtosis |
5.198 |
| Pitch Class Kurtosis |
4.82 |
| Pitch Class Kurtosis After Folding |
7.272 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2684 |
| Note Density per Quarter Note |
1.128 |
| Note Density per Quarter Note per Voice |
0.2256 |
| Note Density per Quarter Note Variability |
0.5827 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001838 |
| Prevalence of Medium Rhythmic Values |
0.5712 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7482 |
| Prevalence of Very Long Rhythmic Values |
0.1098 |
| Prevalence of Dotted Notes |
0.1163 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.045 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3194 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8029 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.351 |
| Rhythmic Value Skewness |
1.334 |
| Rhythmic Value Kurtosis |
10.37 |
| Mean Rhythmic Value Run Length |
1.642 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.172 |
| Mean Rhythmic Value Offset |
0.1066 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8336 |
| Complete Rests Fraction |
0.001471 |
| Partial Rests Fraction |
0.6646 |
| Average Rest Fraction Across Voices |
0.2842 |
| Longest Complete Rest |
1.897 |
| Longest Partial Rest |
343.9 |
| Mean Complete Rest Duration |
1.419 |
| Mean Partial Rest Duration |
20.92 |
| Median Complete Rest Duration |
1.897 |
| Median Partial Rest Duration |
3.794 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6764 |
| Variability of Partial Rest Durations |
57.37 |
| Variability Across Voices of Combined Rests |
238.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5599 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2212 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.531 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.781 |
| Rhythmic Variability - Tempo Standardized |
0.05023 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2176.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.546 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.692 |
| Variability of Note Durations |
0.6294 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.4 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2548 |
| Strength of Second Strongest Rhythmic Pulse |
0.2441 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4989 |
| Rhythmic Variability |
0.03503 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
23.5 |
| Duration in Seconds |
420.7 |
| Note Density |
5.172 |
| Note Density Variability |
1.943 |
| Average Time Between Attacks |
0.3817 |
| Average Time Between Attacks for Each Voice |
1.075 |
| Variability of Time Between Attacks |
0.2388 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5254 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1562 |
| Relative Note Durations of Lowest Line |
1.085 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8125 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05862 |
| Average Number of Independent Voices |
3.561 |
| Similar Motion |
0.1371 |
| Contrary Motion |
0.1491 |
| Oblique Motion |
0.6552 |
| Parallel Fifths |
0.001293 |
| Parallel Octaves |
0.002586 |
| Variability of Number of Independent Voices |
1.278 |
| Voice Equality - Number of Notes |
147.8 |
| Voice Equality - Note Duration |
52.08 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.608 |
| Importance of Loudest Voice |
12.5 |