| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.209 |
| Prevalence of Second Most Common Vertical Interval |
0.2014 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9633 |
| Vertical Unisons |
0.02994 |
| Vertical Minor Seconds |
0.002935 |
| Vertical Thirds |
0.3115 |
| Vertical Tritones |
0.007552 |
| Vertical Perfect Fourths |
0.1135 |
| Vertical Perfect Fifths |
0.2014 |
| Vertical Sixths |
0.122 |
| Vertical Sevenths |
0.01604 |
| Vertical Octaves |
0.1791 |
| Perfect Vertical Intervals |
0.5239 |
| Vertical Dissonance Ratio |
0.04442 |
| Vertical Minor Third Prevalence |
0.4906 |
| Vertical Major Third Prevalence |
0.6 |
| Chord Duration |
2.649 |
| Partial Chords |
0.3049 |
| Standard Triads |
0.5624 |
| Diminished and Augmented Triads |
0.01422 |
| Dominant Seventh Chords |
0.004739 |
| Seventh Chords |
0.03002 |
| Non-Standard Chords |
0.1027 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4183 |
| Average Number of Simultaneous Pitch Classes |
2.736 |
| Variability of Number of Simultaneous Pitch Classes |
0.5788 |
| Average Number of Simultaneous Pitches |
3.545 |
| Variability of Number of Simultaneous Pitches |
0.6877 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.913 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
31.35 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1869 |
| Stepwise Motion |
0.6145 |
| Melodic Thirds |
0.1364 |
| Melodic Perfect Fourths |
0.07071 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05892 |
| Melodic Sixths |
0.001684 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008418 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.7 |
| Melodic Embellishments |
0.02007 |
| Direction of Melodic Motion |
0.4802 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.961 |
| Melodic Pitch Variety |
5.055 |
| Mean Melodic Interval |
2.384 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4276 |
| Relative Prevalence of Most Common Melodic Intervals |
0.437 |
| Amount of Arpeggiation |
0.3131 |
| Repeated Notes |
0.1094 |
| Importance of Middle Register |
0.5669 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.93 |
| Mean Pitch Class |
4.985 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1254 |
| Prevalence of Most Common Pitch Class |
0.2191 |
| Relative Prevalence of Top Pitches |
0.8533 |
| Relative Prevalence of Top Pitch Classes |
0.7405 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.57 |
| Pitch Class Variability |
3.569 |
| Pitch Class Variability After Folding |
4.119 |
| Pitch Skewness |
-0.2787 |
| Pitch Class Skewness |
-0.01265 |
| Pitch Class Skewness After Folding |
0.7369 |
| Pitch Kurtosis |
5.4 |
| Pitch Class Kurtosis |
4.692 |
| Pitch Class Kurtosis After Folding |
5.015 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
36.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4331 |
| Note Density per Quarter Note |
0.9329 |
| Note Density per Quarter Note per Voice |
0.2332 |
| Note Density per Quarter Note Variability |
0.5069 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4515 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8495 |
| Prevalence of Very Long Rhythmic Values |
0.2258 |
| Prevalence of Dotted Notes |
0.1388 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.9 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.301 |
| Relative Prevalence of Most Common Rhythmic Values |
0.85 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.826 |
| Rhythmic Value Skewness |
0.955 |
| Rhythmic Value Kurtosis |
6.915 |
| Mean Rhythmic Value Run Length |
1.549 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.014 |
| Mean Rhythmic Value Offset |
0.0602 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4874 |
| Complete Rests Fraction |
0.001664 |
| Partial Rests Fraction |
0.2168 |
| Average Rest Fraction Across Voices |
0.07781 |
| Longest Complete Rest |
1.067 |
| Longest Partial Rest |
25.82 |
| Mean Complete Rest Duration |
1.067 |
| Mean Partial Rest Duration |
5.392 |
| Median Complete Rest Duration |
1.067 |
| Median Partial Rest Duration |
4.303 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.423 |
| Variability Across Voices of Combined Rests |
8.535 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6014 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2053 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.929 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8067 |
| Rhythmic Variability - Tempo Standardized |
0.05214 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
598.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8773 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.9506 |
| Variability of Note Durations |
0.7066 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.3 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.315 |
| Strength of Second Strongest Rhythmic Pulse |
0.2681 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.175 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5831 |
| Rhythmic Variability |
0.0389 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
26.91 |
| Duration in Seconds |
154.1 |
| Note Density |
3.88 |
| Note Density Variability |
1.27 |
| Average Time Between Attacks |
0.5307 |
| Average Time Between Attacks for Each Voice |
1.051 |
| Variability of Time Between Attacks |
0.4348 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2928 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.4013 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7559 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.05797 |
| Average Number of Independent Voices |
3.7 |
| Similar Motion |
0.1594 |
| Contrary Motion |
0.1754 |
| Oblique Motion |
0.6072 |
| Parallel Fifths |
0.001449 |
| Parallel Octaves |
0.004348 |
| Variability of Number of Independent Voices |
0.6403 |
| Voice Equality - Number of Notes |
31.35 |
| Voice Equality - Note Duration |
2.052 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
3.096 |
| Importance of Loudest Voice |
10.0 |