| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2209 |
| Prevalence of Second Most Common Vertical Interval |
0.1771 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8017 |
| Vertical Unisons |
0.03673 |
| Vertical Minor Seconds |
0.007203 |
| Vertical Thirds |
0.3085 |
| Vertical Tritones |
0.006349 |
| Vertical Perfect Fourths |
0.08846 |
| Vertical Perfect Fifths |
0.1771 |
| Vertical Sixths |
0.1393 |
| Vertical Sevenths |
0.02951 |
| Vertical Octaves |
0.1841 |
| Perfect Vertical Intervals |
0.4864 |
| Vertical Dissonance Ratio |
0.07039 |
| Vertical Minor Third Prevalence |
0.455 |
| Vertical Major Third Prevalence |
0.4012 |
| Chord Duration |
2.356 |
| Partial Chords |
0.4444 |
| Standard Triads |
0.4079 |
| Diminished and Augmented Triads |
0.01219 |
| Dominant Seventh Chords |
0.002867 |
| Seventh Chords |
0.01434 |
| Non-Standard Chords |
0.1333 |
| Complex Chords |
0.005735 |
| Minor Major Triad Ratio |
1.267 |
| Average Number of Simultaneous Pitch Classes |
2.419 |
| Variability of Number of Simultaneous Pitch Classes |
0.7967 |
| Average Number of Simultaneous Pitches |
3.138 |
| Variability of Number of Simultaneous Pitches |
1.259 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.888 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
83.44 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2152 |
| Stepwise Motion |
0.6753 |
| Melodic Thirds |
0.1465 |
| Melodic Perfect Fourths |
0.05768 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03435 |
| Melodic Sixths |
0.004537 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005833 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.26 |
| Melodic Embellishments |
0.004516 |
| Direction of Melodic Motion |
0.4712 |
| Average Length of Melodic Arcs |
1.817 |
| Average Interval Spanned by Melodic Arcs |
4.442 |
| Melodic Pitch Variety |
4.878 |
| Mean Melodic Interval |
2.275 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4601 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4676 |
| Amount of Arpeggiation |
0.2625 |
| Repeated Notes |
0.07583 |
| Importance of Middle Register |
0.72 |
| Importance of High Register |
0.007097 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.33 |
| Mean Pitch Class |
5.237 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09806 |
| Prevalence of Most Common Pitch Class |
0.1684 |
| Relative Prevalence of Top Pitches |
0.8947 |
| Relative Prevalence of Top Pitch Classes |
0.9962 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.346 |
| Pitch Class Variability |
3.576 |
| Pitch Class Variability After Folding |
3.211 |
| Pitch Skewness |
-0.3778 |
| Pitch Class Skewness |
0.1992 |
| Pitch Class Skewness After Folding |
0.4991 |
| Pitch Kurtosis |
5.392 |
| Pitch Class Kurtosis |
4.797 |
| Pitch Class Kurtosis After Folding |
6.817 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2729 |
| Note Density per Quarter Note |
0.9657 |
| Note Density per Quarter Note per Voice |
0.1931 |
| Note Density per Quarter Note Variability |
0.5996 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5684 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7632 |
| Prevalence of Very Long Rhythmic Values |
0.1529 |
| Prevalence of Dotted Notes |
0.1142 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.277 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3316 |
| Relative Prevalence of Most Common Rhythmic Values |
0.714 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.617 |
| Rhythmic Value Skewness |
1.465 |
| Rhythmic Value Kurtosis |
8.633 |
| Mean Rhythmic Value Run Length |
1.763 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.293 |
| Mean Rhythmic Value Offset |
0.1394 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.086 |
| Complete Rests Fraction |
0.00291 |
| Partial Rests Fraction |
0.7348 |
| Average Rest Fraction Across Voices |
0.3388 |
| Longest Complete Rest |
3.742 |
| Longest Partial Rest |
336.8 |
| Mean Complete Rest Duration |
2.335 |
| Mean Partial Rest Duration |
25.18 |
| Median Complete Rest Duration |
3.742 |
| Median Partial Rest Duration |
3.742 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.99 |
| Variability of Partial Rest Durations |
60.48 |
| Variability Across Voices of Combined Rests |
220.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5511 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2253 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.446 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7764 |
| Rhythmic Variability - Tempo Standardized |
0.04989 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1550.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.045 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.7597 |
| Variability of Note Durations |
0.7105 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
273.8 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3 |
| Strength of Second Strongest Rhythmic Pulse |
0.2545 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.179 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5545 |
| Rhythmic Variability |
0.03788 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
25.11 |
| Duration in Seconds |
355.0 |
| Note Density |
4.367 |
| Note Density Variability |
1.576 |
| Average Time Between Attacks |
0.4195 |
| Average Time Between Attacks for Each Voice |
1.251 |
| Variability of Time Between Attacks |
0.2747 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.5131 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.2161 |
| Relative Note Durations of Lowest Line |
1.072 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8032 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.06415 |
| Average Number of Independent Voices |
3.297 |
| Similar Motion |
0.1176 |
| Contrary Motion |
0.1428 |
| Oblique Motion |
0.6755 |
| Parallel Fifths |
0.001887 |
| Parallel Octaves |
0.003145 |
| Variability of Number of Independent Voices |
1.307 |
| Voice Equality - Number of Notes |
120.1 |
| Voice Equality - Note Duration |
48.74 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
12.5 |