| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2133 |
| Prevalence of Second Most Common Vertical Interval |
0.1819 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8529 |
| Vertical Unisons |
0.02151 |
| Vertical Minor Seconds |
0.005412 |
| Vertical Thirds |
0.3175 |
| Vertical Tritones |
0.01369 |
| Vertical Perfect Fourths |
0.07204 |
| Vertical Perfect Fifths |
0.1819 |
| Vertical Sixths |
0.1431 |
| Vertical Sevenths |
0.02963 |
| Vertical Octaves |
0.1918 |
| Perfect Vertical Intervals |
0.4672 |
| Vertical Dissonance Ratio |
0.07781 |
| Vertical Minor Third Prevalence |
0.4184 |
| Vertical Major Third Prevalence |
0.3859 |
| Chord Duration |
2.179 |
| Partial Chords |
0.4777 |
| Standard Triads |
0.3698 |
| Diminished and Augmented Triads |
0.02158 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0186 |
| Non-Standard Chords |
0.1339 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8897 |
| Average Number of Simultaneous Pitch Classes |
2.402 |
| Variability of Number of Simultaneous Pitch Classes |
0.7403 |
| Average Number of Simultaneous Pitches |
3.043 |
| Variability of Number of Simultaneous Pitches |
0.9448 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.023 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
208.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2383 |
| Stepwise Motion |
0.7052 |
| Melodic Thirds |
0.0978 |
| Melodic Perfect Fourths |
0.05716 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03857 |
| Melodic Sixths |
0.003444 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007576 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.087 |
| Melodic Embellishments |
0.01236 |
| Direction of Melodic Motion |
0.4565 |
| Average Length of Melodic Arcs |
1.89 |
| Average Interval Spanned by Melodic Arcs |
4.489 |
| Melodic Pitch Variety |
4.899 |
| Mean Melodic Interval |
2.171 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4669 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5103 |
| Amount of Arpeggiation |
0.2342 |
| Repeated Notes |
0.09022 |
| Importance of Middle Register |
0.7569 |
| Importance of High Register |
0.006181 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.72 |
| Mean Pitch Class |
5.484 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.101 |
| Prevalence of Most Common Pitch Class |
0.158 |
| Relative Prevalence of Top Pitches |
0.8844 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.024 |
| Pitch Class Variability |
3.405 |
| Pitch Class Variability After Folding |
4.081 |
| Pitch Skewness |
-0.3153 |
| Pitch Class Skewness |
0.4266 |
| Pitch Class Skewness After Folding |
1.12 |
| Pitch Kurtosis |
5.34 |
| Pitch Class Kurtosis |
4.728 |
| Pitch Class Kurtosis After Folding |
4.699 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.237 |
| Note Density per Quarter Note |
0.9649 |
| Note Density per Quarter Note per Voice |
0.2412 |
| Note Density per Quarter Note Variability |
0.4555 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5831 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7253 |
| Prevalence of Very Long Rhythmic Values |
0.1387 |
| Prevalence of Dotted Notes |
0.1319 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.12 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3084 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8909 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.541 |
| Rhythmic Value Skewness |
1.322 |
| Rhythmic Value Kurtosis |
9.322 |
| Mean Rhythmic Value Run Length |
1.59 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9704 |
| Mean Rhythmic Value Offset |
0.1181 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7687 |
| Complete Rests Fraction |
0.0006007 |
| Partial Rests Fraction |
0.5327 |
| Average Rest Fraction Across Voices |
0.2256 |
| Longest Complete Rest |
0.9064 |
| Longest Partial Rest |
258.7 |
| Mean Complete Rest Duration |
0.9064 |
| Mean Partial Rest Duration |
15.13 |
| Median Complete Rest Duration |
0.9064 |
| Median Partial Rest Duration |
3.656 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.49 |
| Variability Across Voices of Combined Rests |
70.59 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5312 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2416 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.198 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7728 |
| Rhythmic Variability - Tempo Standardized |
0.04911 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1456.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.936 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7318 |
| Variability of Note Durations |
0.6675 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
266.2 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2793 |
| Strength of Second Strongest Rhythmic Pulse |
0.2635 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.06 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5429 |
| Rhythmic Variability |
0.03742 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.31 |
| Duration in Seconds |
343.9 |
| Note Density |
4.233 |
| Note Density Variability |
1.349 |
| Average Time Between Attacks |
0.4137 |
| Average Time Between Attacks for Each Voice |
0.9313 |
| Variability of Time Between Attacks |
0.2712 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.4518 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.1841 |
| Relative Note Durations of Lowest Line |
1.109 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7885 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.03788 |
| Average Number of Independent Voices |
3.126 |
| Similar Motion |
0.1156 |
| Contrary Motion |
0.1489 |
| Oblique Motion |
0.6976 |
| Parallel Fifths |
0.001306 |
| Parallel Octaves |
0.0006532 |
| Variability of Number of Independent Voices |
0.9462 |
| Voice Equality - Number of Notes |
55.59 |
| Voice Equality - Note Duration |
16.09 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
15.0 |