| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2198 |
| Prevalence of Second Most Common Vertical Interval |
0.1983 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9021 |
| Vertical Unisons |
0.04792 |
| Vertical Minor Seconds |
0.007609 |
| Vertical Thirds |
0.2876 |
| Vertical Tritones |
0.01077 |
| Vertical Perfect Fourths |
0.08964 |
| Vertical Perfect Fifths |
0.1983 |
| Vertical Sixths |
0.1343 |
| Vertical Sevenths |
0.0258 |
| Vertical Octaves |
0.1719 |
| Perfect Vertical Intervals |
0.5078 |
| Vertical Dissonance Ratio |
0.07568 |
| Vertical Minor Third Prevalence |
0.3066 |
| Vertical Major Third Prevalence |
0.4017 |
| Chord Duration |
2.275 |
| Partial Chords |
0.549 |
| Standard Triads |
0.3261 |
| Diminished and Augmented Triads |
0.007508 |
| Dominant Seventh Chords |
0.002252 |
| Seventh Chords |
0.01351 |
| Non-Standard Chords |
0.1114 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1686 |
| Average Number of Simultaneous Pitch Classes |
2.321 |
| Variability of Number of Simultaneous Pitch Classes |
0.7237 |
| Average Number of Simultaneous Pitches |
2.839 |
| Variability of Number of Simultaneous Pitches |
0.9714 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.429 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
92.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.206 |
| Stepwise Motion |
0.6268 |
| Melodic Thirds |
0.1389 |
| Melodic Perfect Fourths |
0.07718 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05638 |
| Melodic Sixths |
0.001342 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009396 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.688 |
| Melodic Embellishments |
0.006693 |
| Direction of Melodic Motion |
0.444 |
| Average Length of Melodic Arcs |
1.832 |
| Average Interval Spanned by Melodic Arcs |
4.854 |
| Melodic Pitch Variety |
4.826 |
| Mean Melodic Interval |
2.421 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4208 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4896 |
| Amount of Arpeggiation |
0.2946 |
| Repeated Notes |
0.08993 |
| Importance of Middle Register |
0.7892 |
| Importance of High Register |
0.03347 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.75 |
| Mean Pitch Class |
5.007 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1084 |
| Prevalence of Most Common Pitch Class |
0.1888 |
| Relative Prevalence of Top Pitches |
0.9815 |
| Relative Prevalence of Top Pitch Classes |
0.9362 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.74 |
| Pitch Class Variability |
3.379 |
| Pitch Class Variability After Folding |
3.722 |
| Pitch Skewness |
-0.2988 |
| Pitch Class Skewness |
0.006537 |
| Pitch Class Skewness After Folding |
0.5595 |
| Pitch Kurtosis |
5.223 |
| Pitch Class Kurtosis |
5.011 |
| Pitch Class Kurtosis After Folding |
5.851 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1774 |
| Note Density per Quarter Note |
0.9901 |
| Note Density per Quarter Note per Voice |
0.2475 |
| Note Density per Quarter Note Variability |
0.5009 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.587 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.743 |
| Prevalence of Very Long Rhythmic Values |
0.09103 |
| Prevalence of Dotted Notes |
0.1218 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.945 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.33 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7728 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.241 |
| Rhythmic Value Skewness |
1.265 |
| Rhythmic Value Kurtosis |
11.2 |
| Mean Rhythmic Value Run Length |
1.715 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.185 |
| Mean Rhythmic Value Offset |
0.08969 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5795 |
| Complete Rests Fraction |
0.001903 |
| Partial Rests Fraction |
0.5315 |
| Average Rest Fraction Across Voices |
0.2466 |
| Longest Complete Rest |
1.92 |
| Longest Partial Rest |
222.7 |
| Mean Complete Rest Duration |
1.436 |
| Mean Partial Rest Duration |
12.94 |
| Median Complete Rest Duration |
1.92 |
| Median Partial Rest Duration |
2.4 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6844 |
| Variability of Partial Rest Durations |
38.56 |
| Variability Across Voices of Combined Rests |
124.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5452 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2114 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.579 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7566 |
| Rhythmic Variability - Tempo Standardized |
0.04879 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1494.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.659 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.6561 |
| Variability of Note Durations |
0.568 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
280.3 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2438 |
| Strength of Second Strongest Rhythmic Pulse |
0.2339 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.042 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4777 |
| Rhythmic Variability |
0.03404 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
21.63 |
| Duration in Seconds |
325.2 |
| Note Density |
4.594 |
| Note Density Variability |
1.671 |
| Average Time Between Attacks |
0.3869 |
| Average Time Between Attacks for Each Voice |
0.9111 |
| Variability of Time Between Attacks |
0.2377 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3854 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1821 |
| Relative Note Durations of Lowest Line |
0.9583 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8012 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04154 |
| Average Number of Independent Voices |
3.003 |
| Similar Motion |
0.1298 |
| Contrary Motion |
0.1387 |
| Oblique Motion |
0.6899 |
| Parallel Fifths |
0.002226 |
| Parallel Octaves |
0.001484 |
| Variability of Number of Independent Voices |
1.011 |
| Voice Equality - Number of Notes |
92.22 |
| Voice Equality - Note Duration |
26.72 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
10.0 |