Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2063 |
Prevalence of Second Most Common Vertical Interval |
0.2014 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9762 |
Vertical Unisons |
0.009129 |
Vertical Minor Seconds |
0.002985 |
Vertical Thirds |
0.3113 |
Vertical Tritones |
0.01685 |
Vertical Perfect Fourths |
0.0941 |
Vertical Perfect Fifths |
0.1817 |
Vertical Sixths |
0.1401 |
Vertical Sevenths |
0.02669 |
Vertical Octaves |
0.1972 |
Perfect Vertical Intervals |
0.4821 |
Vertical Dissonance Ratio |
0.07128 |
Vertical Minor Third Prevalence |
0.3994 |
Vertical Major Third Prevalence |
0.5783 |
Chord Duration |
2.326 |
Partial Chords |
0.3926 |
Standard Triads |
0.4346 |
Diminished and Augmented Triads |
0.03104 |
Dominant Seventh Chords |
0.003356 |
Seventh Chords |
0.02852 |
Non-Standard Chords |
0.1443 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.1881 |
Average Number of Simultaneous Pitch Classes |
2.609 |
Variability of Number of Simultaneous Pitch Classes |
0.7014 |
Average Number of Simultaneous Pitches |
3.38 |
Variability of Number of Simultaneous Pitches |
0.9555 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1429 |
Stepwise Motion |
0.5243 |
Melodic Thirds |
0.1644 |
Melodic Perfect Fourths |
0.04987 |
Melodic Tritones |
0.008086 |
Melodic Perfect Fifths |
0.01617 |
Melodic Sixths |
0.001348 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.004043 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.519 |
Melodic Embellishments |
0.01072 |
Direction of Melodic Motion |
0.4632 |
Average Length of Melodic Arcs |
1.792 |
Average Interval Spanned by Melodic Arcs |
4.368 |
Melodic Pitch Variety |
4.095 |
Mean Melodic Interval |
1.907 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3814 |
Relative Prevalence of Most Common Melodic Intervals |
0.6078 |
Amount of Arpeggiation |
0.4164 |
Repeated Notes |
0.2318 |
Importance of Middle Register |
0.7279 |
Importance of High Register |
0.00134 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.0 |
Mean Pitch Class |
4.866 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1327 |
Prevalence of Most Common Pitch Class |
0.2426 |
Relative Prevalence of Top Pitches |
0.7778 |
Relative Prevalence of Top Pitch Classes |
0.895 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.122 |
Pitch Class Variability |
3.633 |
Pitch Class Variability After Folding |
3.396 |
Pitch Skewness |
-0.5861 |
Pitch Class Skewness |
-0.1107 |
Pitch Class Skewness After Folding |
0.8976 |
Pitch Kurtosis |
5.231 |
Pitch Class Kurtosis |
4.83 |
Pitch Class Kurtosis After Folding |
7.007 |
Major or Minor |
0.0 |
First Pitch |
43.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.005362 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
19.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.005362 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
2.0 |
Range |
31.0 |
Importance of Bass Register |
0.2708 |
Note Density per Quarter Note |
1.171 |
Note Density per Quarter Note per Voice |
1.171 |
Note Density per Quarter Note Variability |
0.6759 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.008043 |
Prevalence of Medium Rhythmic Values |
0.6595 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8204 |
Prevalence of Very Long Rhythmic Values |
0.07373 |
Prevalence of Dotted Notes |
0.1327 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.694 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4799 |
Relative Prevalence of Most Common Rhythmic Values |
0.3575 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.847 |
Rhythmic Value Skewness |
1.128 |
Rhythmic Value Kurtosis |
13.81 |
Mean Rhythmic Value Run Length |
1.764 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.735 |
Mean Rhythmic Value Offset |
0.1769 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.804 |
Complete Rests Fraction |
0.01727 |
Partial Rests Fraction |
0.01727 |
Average Rest Fraction Across Voices |
0.01727 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
2.2 |
Mean Partial Rest Duration |
2.2 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
1.095 |
Variability of Partial Rest Durations |
1.095 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5808 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2359 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.461 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8167 |
Rhythmic Variability - Tempo Standardized |
0.05119 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
746.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.346 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
6.75 |
Average Note Duration |
0.5384 |
Variability of Note Durations |
0.5918 |
Amount of Staccato |
0.008043 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2104 |
Strength of Second Strongest Rhythmic Pulse |
0.2054 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4158 |
Rhythmic Variability |
0.03195 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
0.0 |
Duration in Seconds |
119.4 |
Note Density |
6.246 |
Note Density Variability |
2.71 |
Average Time Between Attacks |
0.3823 |
Average Time Between Attacks for Each Voice |
0.3823 |
Variability of Time Between Attacks |
0.346 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.07775 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.04497 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.2296 |
Contrary Motion |
0.2189 |
Oblique Motion |
0.5065 |
Parallel Fifths |
0.001183 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |