File

Last modified on: April 19, 2024, 5:21 p.m.

F164_55_Anon_Tres_dolce_OMRcorrJ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Très dolce filette
File Type
Symbolic Music
File Format
xml
File Size
297.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2063
Prevalence of Second Most Common Vertical Interval 0.2014
Prevalence Ratio of Two Most Common Vertical Intervals 0.9762
Vertical Unisons 0.009129
Vertical Minor Seconds 0.002985
Vertical Thirds 0.3113
Vertical Tritones 0.01685
Vertical Perfect Fourths 0.0941
Vertical Perfect Fifths 0.1817
Vertical Sixths 0.1401
Vertical Sevenths 0.02669
Vertical Octaves 0.1972
Perfect Vertical Intervals 0.4821
Vertical Dissonance Ratio 0.07128
Vertical Minor Third Prevalence 0.3994
Vertical Major Third Prevalence 0.5783
Chord Duration 2.326
Partial Chords 0.3926
Standard Triads 0.4346
Diminished and Augmented Triads 0.03104
Dominant Seventh Chords 0.003356
Seventh Chords 0.02852
Non-Standard Chords 0.1443
Complex Chords 0.0
Minor Major Triad Ratio 0.1881
Average Number of Simultaneous Pitch Classes 2.609
Variability of Number of Simultaneous Pitch Classes 0.7014
Average Number of Simultaneous Pitches 3.38
Variability of Number of Simultaneous Pitches 0.9555
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1429
Stepwise Motion 0.5243
Melodic Thirds 0.1644
Melodic Perfect Fourths 0.04987
Melodic Tritones 0.008086
Melodic Perfect Fifths 0.01617
Melodic Sixths 0.001348
Melodic Sevenths 0.0
Melodic Octaves 0.004043
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.519
Melodic Embellishments 0.01072
Direction of Melodic Motion 0.4632
Average Length of Melodic Arcs 1.792
Average Interval Spanned by Melodic Arcs 4.368
Melodic Pitch Variety 4.095
Mean Melodic Interval 1.907
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3814
Relative Prevalence of Most Common Melodic Intervals 0.6078
Amount of Arpeggiation 0.4164
Repeated Notes 0.2318
Importance of Middle Register 0.7279
Importance of High Register 0.00134
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 4.866
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1327
Prevalence of Most Common Pitch Class 0.2426
Relative Prevalence of Top Pitches 0.7778
Relative Prevalence of Top Pitch Classes 0.895
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.122
Pitch Class Variability 3.633
Pitch Class Variability After Folding 3.396
Pitch Skewness -0.5861
Pitch Class Skewness -0.1107
Pitch Class Skewness After Folding 0.8976
Pitch Kurtosis 5.231
Pitch Class Kurtosis 4.83
Pitch Class Kurtosis After Folding 7.007
Major or Minor 0.0
First Pitch 43.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.005362
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005362
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 2.0
Range 31.0
Importance of Bass Register 0.2708
Note Density per Quarter Note 1.171
Note Density per Quarter Note per Voice 1.171
Note Density per Quarter Note Variability 0.6759
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008043
Prevalence of Medium Rhythmic Values 0.6595
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8204
Prevalence of Very Long Rhythmic Values 0.07373
Prevalence of Dotted Notes 0.1327
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.694
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4799
Relative Prevalence of Most Common Rhythmic Values 0.3575
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.847
Rhythmic Value Skewness 1.128
Rhythmic Value Kurtosis 13.81
Mean Rhythmic Value Run Length 1.764
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.735
Mean Rhythmic Value Offset 0.1769
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.804
Complete Rests Fraction 0.01727
Partial Rests Fraction 0.01727
Average Rest Fraction Across Voices 0.01727
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.2
Mean Partial Rest Duration 2.2
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.095
Variability of Partial Rest Durations 1.095
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5808
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2359
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.461
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8167
Rhythmic Variability - Tempo Standardized 0.05119
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 746.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.346
Minimum Note Duration 0.09375
Maximum Note Duration 6.75
Average Note Duration 0.5384
Variability of Note Durations 0.5918
Amount of Staccato 0.008043
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2104
Strength of Second Strongest Rhythmic Pulse 0.2054
Strength Ratio of Two Strongest Rhythmic Pulses 1.024
Combined Strength of Two Strongest Rhythmic Pulses 0.4158
Rhythmic Variability 0.03195
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 119.4
Note Density 6.246
Note Density Variability 2.71
Average Time Between Attacks 0.3823
Average Time Between Attacks for Each Voice 0.3823
Variability of Time Between Attacks 0.346
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07775
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04497
Average Number of Independent Voices 1.0
Similar Motion 0.2296
Contrary Motion 0.2189
Oblique Motion 0.5065
Parallel Fifths 0.001183
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0