| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2128 |
| Prevalence of Second Most Common Vertical Interval |
0.1723 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8097 |
| Vertical Unisons |
0.03987 |
| Vertical Minor Seconds |
0.009884 |
| Vertical Thirds |
0.2932 |
| Vertical Tritones |
0.01035 |
| Vertical Perfect Fourths |
0.09667 |
| Vertical Perfect Fifths |
0.1723 |
| Vertical Sixths |
0.1393 |
| Vertical Sevenths |
0.03621 |
| Vertical Octaves |
0.173 |
| Perfect Vertical Intervals |
0.4819 |
| Vertical Dissonance Ratio |
0.09365 |
| Vertical Minor Third Prevalence |
0.4279 |
| Vertical Major Third Prevalence |
0.3365 |
| Chord Duration |
1.904 |
| Partial Chords |
0.4981 |
| Standard Triads |
0.3276 |
| Diminished and Augmented Triads |
0.01333 |
| Dominant Seventh Chords |
0.002221 |
| Seventh Chords |
0.01222 |
| Non-Standard Chords |
0.1621 |
| Complex Chords |
0.00111 |
| Minor Major Triad Ratio |
1.341 |
| Average Number of Simultaneous Pitch Classes |
2.353 |
| Variability of Number of Simultaneous Pitch Classes |
0.7775 |
| Average Number of Simultaneous Pitches |
2.921 |
| Variability of Number of Simultaneous Pitches |
1.083 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.838 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
63.63 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.24 |
| Stepwise Motion |
0.7181 |
| Melodic Thirds |
0.09854 |
| Melodic Perfect Fourths |
0.04745 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02281 |
| Melodic Sixths |
0.002737 |
| Melodic Sevenths |
0.001825 |
| Melodic Octaves |
0.005474 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.176 |
| Melodic Embellishments |
0.01998 |
| Direction of Melodic Motion |
0.4578 |
| Average Length of Melodic Arcs |
2.146 |
| Average Interval Spanned by Melodic Arcs |
4.825 |
| Melodic Pitch Variety |
4.896 |
| Mean Melodic Interval |
2.026 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4781 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5019 |
| Amount of Arpeggiation |
0.2318 |
| Repeated Notes |
0.1031 |
| Importance of Middle Register |
0.7048 |
| Importance of High Register |
0.003633 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.98 |
| Mean Pitch Class |
5.466 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.0881 |
| Prevalence of Most Common Pitch Class |
0.1635 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9778 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.936 |
| Pitch Class Variability |
3.508 |
| Pitch Class Variability After Folding |
3.154 |
| Pitch Skewness |
-0.2015 |
| Pitch Class Skewness |
0.3985 |
| Pitch Class Skewness After Folding |
0.5416 |
| Pitch Kurtosis |
5.284 |
| Pitch Class Kurtosis |
4.875 |
| Pitch Class Kurtosis After Folding |
6.895 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2916 |
| Note Density per Quarter Note |
1.058 |
| Note Density per Quarter Note per Voice |
0.2115 |
| Note Density per Quarter Note Variability |
0.5019 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001817 |
| Prevalence of Medium Rhythmic Values |
0.6249 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6894 |
| Prevalence of Very Long Rhythmic Values |
0.099 |
| Prevalence of Dotted Notes |
0.1099 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.785 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3143 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9827 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.179 |
| Rhythmic Value Skewness |
1.08 |
| Rhythmic Value Kurtosis |
10.69 |
| Mean Rhythmic Value Run Length |
1.564 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.952 |
| Mean Rhythmic Value Offset |
0.1163 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.327 |
| Complete Rests Fraction |
0.0008271 |
| Partial Rests Fraction |
0.8507 |
| Average Rest Fraction Across Voices |
0.3919 |
| Longest Complete Rest |
0.861 |
| Longest Partial Rest |
375.1 |
| Mean Complete Rest Duration |
0.861 |
| Mean Partial Rest Duration |
23.72 |
| Median Complete Rest Duration |
0.861 |
| Median Partial Rest Duration |
8.682 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
64.84 |
| Variability Across Voices of Combined Rests |
183.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5068 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2542 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.994 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.761 |
| Rhythmic Variability - Tempo Standardized |
0.04819 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1101.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.801 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
10.34 |
| Average Note Duration |
0.6851 |
| Variability of Note Durations |
0.697 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
254.8 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2671 |
| Strength of Second Strongest Rhythmic Pulse |
0.2568 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.04 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.524 |
| Rhythmic Variability |
0.03681 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.33 |
| Duration in Seconds |
248.1 |
| Note Density |
4.438 |
| Note Density Variability |
1.603 |
| Average Time Between Attacks |
0.3901 |
| Average Time Between Attacks for Each Voice |
1.227 |
| Variability of Time Between Attacks |
0.2432 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.5331 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.2997 |
| Relative Note Durations of Lowest Line |
1.058 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8074 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.05754 |
| Average Number of Independent Voices |
3.071 |
| Similar Motion |
0.09722 |
| Contrary Motion |
0.1458 |
| Oblique Motion |
0.6994 |
| Parallel Fifths |
0.003968 |
| Parallel Octaves |
0.003968 |
| Variability of Number of Independent Voices |
1.162 |
| Voice Equality - Number of Notes |
85.93 |
| Voice Equality - Note Duration |
43.68 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
4.336 |
| Importance of Loudest Voice |
12.5 |