| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2199 |
| Prevalence of Second Most Common Vertical Interval |
0.1678 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7633 |
| Vertical Unisons |
0.03405 |
| Vertical Minor Seconds |
0.004384 |
| Vertical Thirds |
0.3275 |
| Vertical Tritones |
0.01481 |
| Vertical Perfect Fourths |
0.08522 |
| Vertical Perfect Fifths |
0.1656 |
| Vertical Sixths |
0.1245 |
| Vertical Sevenths |
0.03208 |
| Vertical Octaves |
0.1858 |
| Perfect Vertical Intervals |
0.4707 |
| Vertical Dissonance Ratio |
0.08371 |
| Vertical Minor Third Prevalence |
0.4205 |
| Vertical Major Third Prevalence |
0.4294 |
| Chord Duration |
1.975 |
| Partial Chords |
0.521 |
| Standard Triads |
0.3185 |
| Diminished and Augmented Triads |
0.02575 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01631 |
| Non-Standard Chords |
0.1442 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6562 |
| Average Number of Simultaneous Pitch Classes |
2.433 |
| Variability of Number of Simultaneous Pitch Classes |
0.6513 |
| Average Number of Simultaneous Pitches |
3.04 |
| Variability of Number of Simultaneous Pitches |
0.836 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.335 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.36 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2156 |
| Stepwise Motion |
0.6407 |
| Melodic Thirds |
0.09788 |
| Melodic Perfect Fourths |
0.06913 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03354 |
| Melodic Sixths |
0.00616 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004791 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.698 |
| Melodic Embellishments |
0.0157 |
| Direction of Melodic Motion |
0.4827 |
| Average Length of Melodic Arcs |
1.878 |
| Average Interval Spanned by Melodic Arcs |
4.573 |
| Melodic Pitch Variety |
4.683 |
| Mean Melodic Interval |
2.083 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4251 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5072 |
| Amount of Arpeggiation |
0.2841 |
| Repeated Notes |
0.1478 |
| Importance of Middle Register |
0.787 |
| Importance of High Register |
0.04164 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.13 |
| Mean Pitch Class |
4.816 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09625 |
| Prevalence of Most Common Pitch Class |
0.1788 |
| Relative Prevalence of Top Pitches |
0.9787 |
| Relative Prevalence of Top Pitch Classes |
0.9122 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.976 |
| Pitch Class Variability |
3.455 |
| Pitch Class Variability After Folding |
3.611 |
| Pitch Skewness |
-0.103 |
| Pitch Class Skewness |
-0.16 |
| Pitch Class Skewness After Folding |
0.5455 |
| Pitch Kurtosis |
5.302 |
| Pitch Class Kurtosis |
4.992 |
| Pitch Class Kurtosis After Folding |
6.06 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1713 |
| Note Density per Quarter Note |
1.188 |
| Note Density per Quarter Note per Voice |
0.297 |
| Note Density per Quarter Note Variability |
0.439 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6655 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7249 |
| Prevalence of Very Long Rhythmic Values |
0.06075 |
| Prevalence of Dotted Notes |
0.1058 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.588 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3904 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7045 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.904 |
| Rhythmic Value Skewness |
0.9271 |
| Rhythmic Value Kurtosis |
13.88 |
| Mean Rhythmic Value Run Length |
1.657 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.088 |
| Mean Rhythmic Value Offset |
0.07645 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8062 |
| Complete Rests Fraction |
0.0007254 |
| Partial Rests Fraction |
0.5541 |
| Average Rest Fraction Across Voices |
0.2134 |
| Longest Complete Rest |
0.8945 |
| Longest Partial Rest |
72.16 |
| Mean Complete Rest Duration |
0.8945 |
| Mean Partial Rest Duration |
8.421 |
| Median Complete Rest Duration |
0.8945 |
| Median Partial Rest Duration |
5.412 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.39 |
| Variability Across Voices of Combined Rests |
16.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5479 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2268 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.416 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7747 |
| Rhythmic Variability - Tempo Standardized |
0.04976 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1465.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.257 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.6074 |
| Variability of Note Durations |
0.5505 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
264.8 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
66.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2611 |
| Strength of Second Strongest Rhythmic Pulse |
0.2602 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5213 |
| Rhythmic Variability |
0.03711 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
28.75 |
| Duration in Seconds |
282.8 |
| Note Density |
5.18 |
| Note Density Variability |
1.493 |
| Average Time Between Attacks |
0.3658 |
| Average Time Between Attacks for Each Voice |
0.7627 |
| Variability of Time Between Attacks |
0.1877 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5667 |
| Relative Range Isolation of Loudest Voice |
0.324 |
| Relative Range of Highest Line |
0.5667 |
| Relative Note Density of Highest Line |
0.1884 |
| Relative Note Durations of Lowest Line |
1.083 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8307 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04681 |
| Average Number of Independent Voices |
3.169 |
| Similar Motion |
0.1412 |
| Contrary Motion |
0.1553 |
| Oblique Motion |
0.6568 |
| Parallel Fifths |
0.001486 |
| Parallel Octaves |
0.001486 |
| Variability of Number of Independent Voices |
0.8551 |
| Voice Equality - Number of Notes |
36.36 |
| Voice Equality - Note Duration |
3.695 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |