| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2087 |
| Prevalence of Second Most Common Vertical Interval |
0.2012 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9643 |
| Vertical Unisons |
0.01393 |
| Vertical Minor Seconds |
0.003225 |
| Vertical Thirds |
0.308 |
| Vertical Tritones |
0.006929 |
| Vertical Perfect Fourths |
0.09353 |
| Vertical Perfect Fifths |
0.2087 |
| Vertical Sixths |
0.1398 |
| Vertical Sevenths |
0.02443 |
| Vertical Octaves |
0.1873 |
| Perfect Vertical Intervals |
0.5034 |
| Vertical Dissonance Ratio |
0.0513 |
| Vertical Minor Third Prevalence |
0.4188 |
| Vertical Major Third Prevalence |
0.395 |
| Chord Duration |
2.39 |
| Partial Chords |
0.4952 |
| Standard Triads |
0.3902 |
| Diminished and Augmented Triads |
0.01342 |
| Dominant Seventh Chords |
0.002397 |
| Seventh Chords |
0.01582 |
| Non-Standard Chords |
0.09875 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7657 |
| Average Number of Simultaneous Pitch Classes |
2.442 |
| Variability of Number of Simultaneous Pitch Classes |
0.663 |
| Average Number of Simultaneous Pitches |
3.058 |
| Variability of Number of Simultaneous Pitches |
0.8716 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.224 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
59.84 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1839 |
| Stepwise Motion |
0.5611 |
| Melodic Thirds |
0.1222 |
| Melodic Perfect Fourths |
0.06012 |
| Melodic Tritones |
0.000501 |
| Melodic Perfect Fifths |
0.04409 |
| Melodic Sixths |
0.004008 |
| Melodic Sevenths |
0.000501 |
| Melodic Octaves |
0.006012 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.773 |
| Melodic Embellishments |
0.018 |
| Direction of Melodic Motion |
0.4737 |
| Average Length of Melodic Arcs |
1.871 |
| Average Interval Spanned by Melodic Arcs |
4.842 |
| Melodic Pitch Variety |
4.556 |
| Mean Melodic Interval |
2.072 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3773 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5339 |
| Amount of Arpeggiation |
0.3742 |
| Repeated Notes |
0.2014 |
| Importance of Middle Register |
0.723 |
| Importance of High Register |
0.0075 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.42 |
| Mean Pitch Class |
5.22 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1 |
| Prevalence of Most Common Pitch Class |
0.172 |
| Relative Prevalence of Top Pitches |
0.96 |
| Relative Prevalence of Top Pitch Classes |
0.939 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.494 |
| Pitch Class Variability |
3.611 |
| Pitch Class Variability After Folding |
3.021 |
| Pitch Skewness |
-0.4804 |
| Pitch Class Skewness |
0.1828 |
| Pitch Class Skewness After Folding |
0.2026 |
| Pitch Kurtosis |
5.36 |
| Pitch Class Kurtosis |
4.796 |
| Pitch Class Kurtosis After Folding |
7.518 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2695 |
| Note Density per Quarter Note |
0.8973 |
| Note Density per Quarter Note per Voice |
0.2243 |
| Note Density per Quarter Note Variability |
0.4417 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4465 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.806 |
| Prevalence of Very Long Rhythmic Values |
0.132 |
| Prevalence of Dotted Notes |
0.096 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.389 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3745 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6742 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.21 |
| Rhythmic Value Skewness |
-0.8292 |
| Rhythmic Value Kurtosis |
8.536 |
| Mean Rhythmic Value Run Length |
1.692 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.228 |
| Mean Rhythmic Value Offset |
0.077 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7977 |
| Complete Rests Fraction |
0.0004449 |
| Partial Rests Fraction |
0.5837 |
| Average Rest Fraction Across Voices |
0.223 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
476.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.06 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
53.26 |
| Variability Across Voices of Combined Rests |
178.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5711 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2184 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.615 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7895 |
| Rhythmic Variability - Tempo Standardized |
0.05074 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2000.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.844 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7217 |
| Variability of Note Durations |
0.5439 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3144 |
| Strength of Second Strongest Rhythmic Pulse |
0.2326 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.351 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.547 |
| Rhythmic Variability |
0.03647 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001453 |
| Duration in Seconds |
464.4 |
| Note Density |
4.307 |
| Note Density Variability |
1.565 |
| Average Time Between Attacks |
0.4473 |
| Average Time Between Attacks for Each Voice |
0.9274 |
| Variability of Time Between Attacks |
0.2833 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.2824 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.134 |
| Relative Note Durations of Lowest Line |
1.111 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8545 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.05326 |
| Average Number of Independent Voices |
3.11 |
| Similar Motion |
0.1228 |
| Contrary Motion |
0.1665 |
| Oblique Motion |
0.6574 |
| Parallel Fifths |
0.00144 |
| Parallel Octaves |
0.0004798 |
| Variability of Number of Independent Voices |
0.8708 |
| Voice Equality - Number of Notes |
59.84 |
| Voice Equality - Note Duration |
37.23 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
10.0 |