| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2156 |
| Prevalence of Second Most Common Vertical Interval |
0.1892 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8774 |
| Vertical Unisons |
0.03079 |
| Vertical Minor Seconds |
0.003113 |
| Vertical Thirds |
0.3253 |
| Vertical Tritones |
0.00477 |
| Vertical Perfect Fourths |
0.1009 |
| Vertical Perfect Fifths |
0.1892 |
| Vertical Sixths |
0.121 |
| Vertical Sevenths |
0.02419 |
| Vertical Octaves |
0.1848 |
| Perfect Vertical Intervals |
0.5056 |
| Vertical Dissonance Ratio |
0.05049 |
| Vertical Minor Third Prevalence |
0.4414 |
| Vertical Major Third Prevalence |
0.512 |
| Chord Duration |
2.967 |
| Partial Chords |
0.4307 |
| Standard Triads |
0.4492 |
| Diminished and Augmented Triads |
0.008895 |
| Dominant Seventh Chords |
0.001483 |
| Seventh Chords |
0.008895 |
| Non-Standard Chords |
0.1112 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6603 |
| Average Number of Simultaneous Pitch Classes |
2.525 |
| Variability of Number of Simultaneous Pitch Classes |
0.6351 |
| Average Number of Simultaneous Pitches |
3.205 |
| Variability of Number of Simultaneous Pitches |
0.7966 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.645 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
68.46 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1748 |
| Stepwise Motion |
0.5166 |
| Melodic Thirds |
0.1493 |
| Melodic Perfect Fourths |
0.07038 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03635 |
| Melodic Sixths |
0.003867 |
| Melodic Sevenths |
0.0007734 |
| Melodic Octaves |
0.00464 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.574 |
| Melodic Embellishments |
0.02082 |
| Direction of Melodic Motion |
0.4599 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.912 |
| Melodic Pitch Variety |
4.587 |
| Mean Melodic Interval |
2.049 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3418 |
| Relative Prevalence of Most Common Melodic Intervals |
0.638 |
| Amount of Arpeggiation |
0.4091 |
| Repeated Notes |
0.2181 |
| Importance of Middle Register |
0.5258 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
53.46 |
| Mean Pitch Class |
5.049 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1041 |
| Prevalence of Most Common Pitch Class |
0.1835 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
0.8824 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.87 |
| Pitch Class Variability |
3.47 |
| Pitch Class Variability After Folding |
4.207 |
| Pitch Skewness |
-0.3996 |
| Pitch Class Skewness |
0.04199 |
| Pitch Class Skewness After Folding |
0.9659 |
| Pitch Kurtosis |
5.107 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
4.741 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.4742 |
| Note Density per Quarter Note |
0.9076 |
| Note Density per Quarter Note per Voice |
0.2269 |
| Note Density per Quarter Note Variability |
0.4753 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001542 |
| Prevalence of Medium Rhythmic Values |
0.4749 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8466 |
| Prevalence of Very Long Rhythmic Values |
0.1658 |
| Prevalence of Dotted Notes |
0.1218 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.568 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3215 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9353 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.527 |
| Rhythmic Value Skewness |
0.6746 |
| Rhythmic Value Kurtosis |
8.259 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.0 |
| Mean Rhythmic Value Offset |
0.07093 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7079 |
| Complete Rests Fraction |
0.007211 |
| Partial Rests Fraction |
0.4875 |
| Average Rest Fraction Across Voices |
0.179 |
| Longest Complete Rest |
4.71 |
| Longest Partial Rest |
127.2 |
| Mean Complete Rest Duration |
2.576 |
| Mean Partial Rest Duration |
15.98 |
| Median Complete Rest Duration |
2.489 |
| Median Partial Rest Duration |
3.794 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.674 |
| Variability of Partial Rest Durations |
27.37 |
| Variability Across Voices of Combined Rests |
90.88 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6243 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1879 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.323 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8122 |
| Rhythmic Variability - Tempo Standardized |
0.05322 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1297.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.791 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7948 |
| Variability of Note Durations |
0.6329 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.8 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3291 |
| Strength of Second Strongest Rhythmic Pulse |
0.2644 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.244 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5935 |
| Rhythmic Variability |
0.03935 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
71.24 |
| Duration in Seconds |
313.9 |
| Note Density |
4.132 |
| Note Density Variability |
1.377 |
| Average Time Between Attacks |
0.4746 |
| Average Time Between Attacks for Each Voice |
1.005 |
| Variability of Time Between Attacks |
0.3083 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3778 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1881 |
| Relative Note Durations of Lowest Line |
0.9303 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8589 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.0377 |
| Average Number of Independent Voices |
3.333 |
| Similar Motion |
0.1344 |
| Contrary Motion |
0.182 |
| Oblique Motion |
0.6459 |
| Parallel Fifths |
0.0008197 |
| Parallel Octaves |
0.0008197 |
| Variability of Number of Independent Voices |
0.7984 |
| Voice Equality - Number of Notes |
68.46 |
| Voice Equality - Note Duration |
19.96 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
10.0 |