| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1988 |
| Prevalence of Second Most Common Vertical Interval |
0.1732 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8709 |
| Vertical Unisons |
0.0415 |
| Vertical Minor Seconds |
0.007365 |
| Vertical Thirds |
0.3255 |
| Vertical Tritones |
0.01299 |
| Vertical Perfect Fourths |
0.09278 |
| Vertical Perfect Fifths |
0.1679 |
| Vertical Sixths |
0.1452 |
| Vertical Sevenths |
0.02557 |
| Vertical Octaves |
0.1573 |
| Perfect Vertical Intervals |
0.4595 |
| Vertical Dissonance Ratio |
0.07505 |
| Vertical Minor Third Prevalence |
0.4126 |
| Vertical Major Third Prevalence |
0.3817 |
| Chord Duration |
2.432 |
| Partial Chords |
0.5039 |
| Standard Triads |
0.3718 |
| Diminished and Augmented Triads |
0.01608 |
| Dominant Seventh Chords |
0.003712 |
| Seventh Chords |
0.009898 |
| Non-Standard Chords |
0.1144 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.339 |
| Average Number of Simultaneous Pitch Classes |
2.44 |
| Variability of Number of Simultaneous Pitch Classes |
0.6513 |
| Average Number of Simultaneous Pitches |
2.942 |
| Variability of Number of Simultaneous Pitches |
0.8503 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.141 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
134.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2414 |
| Stepwise Motion |
0.6773 |
| Melodic Thirds |
0.1139 |
| Melodic Perfect Fourths |
0.05575 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03321 |
| Melodic Sixths |
0.001779 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004745 |
| Melodic Large Intervals |
0.0005931 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.007692 |
| Direction of Melodic Motion |
0.4886 |
| Average Length of Melodic Arcs |
1.945 |
| Average Interval Spanned by Melodic Arcs |
4.544 |
| Melodic Pitch Variety |
4.628 |
| Mean Melodic Interval |
2.083 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4359 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5537 |
| Amount of Arpeggiation |
0.2645 |
| Repeated Notes |
0.1127 |
| Importance of Middle Register |
0.8503 |
| Importance of High Register |
0.02367 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.31 |
| Mean Pitch Class |
5.433 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1142 |
| Prevalence of Most Common Pitch Class |
0.1627 |
| Relative Prevalence of Top Pitches |
0.8135 |
| Relative Prevalence of Top Pitch Classes |
0.9964 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.416 |
| Pitch Class Variability |
3.63 |
| Pitch Class Variability After Folding |
3.112 |
| Pitch Skewness |
0.04454 |
| Pitch Class Skewness |
0.3575 |
| Pitch Class Skewness After Folding |
0.4729 |
| Pitch Kurtosis |
5.274 |
| Pitch Class Kurtosis |
4.812 |
| Pitch Class Kurtosis After Folding |
7.003 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.126 |
| Note Density per Quarter Note |
0.9843 |
| Note Density per Quarter Note per Voice |
0.2461 |
| Note Density per Quarter Note Variability |
0.4968 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004734 |
| Prevalence of Medium Rhythmic Values |
0.5533 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7905 |
| Prevalence of Very Long Rhythmic Values |
0.1107 |
| Prevalence of Dotted Notes |
0.1154 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.073 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3438 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7642 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.197 |
| Rhythmic Value Skewness |
1.466 |
| Rhythmic Value Kurtosis |
9.889 |
| Mean Rhythmic Value Run Length |
1.605 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.026 |
| Mean Rhythmic Value Offset |
0.06154 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7387 |
| Complete Rests Fraction |
0.0003666 |
| Partial Rests Fraction |
0.5945 |
| Average Rest Fraction Across Voices |
0.2312 |
| Longest Complete Rest |
0.6295 |
| Longest Partial Rest |
129.7 |
| Mean Complete Rest Duration |
0.6295 |
| Mean Partial Rest Duration |
17.84 |
| Median Complete Rest Duration |
0.6295 |
| Median Partial Rest Duration |
5.806 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.6 |
| Variability Across Voices of Combined Rests |
164.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5615 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2269 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.475 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7883 |
| Rhythmic Variability - Tempo Standardized |
0.05023 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1690.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.569 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6727 |
| Variability of Note Durations |
0.5628 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
293.2 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2646 |
| Strength of Second Strongest Rhythmic Pulse |
0.2456 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.078 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5102 |
| Rhythmic Variability |
0.03509 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
73.34 |
| Duration in Seconds |
369.7 |
| Note Density |
4.572 |
| Note Density Variability |
1.349 |
| Average Time Between Attacks |
0.4115 |
| Average Time Between Attacks for Each Voice |
0.9417 |
| Variability of Time Between Attacks |
0.2364 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.4307 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.1609 |
| Relative Note Durations of Lowest Line |
0.9828 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8231 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.05514 |
| Average Number of Independent Voices |
3.087 |
| Similar Motion |
0.1599 |
| Contrary Motion |
0.2001 |
| Oblique Motion |
0.5849 |
| Parallel Fifths |
0.002478 |
| Parallel Octaves |
0.002478 |
| Variability of Number of Independent Voices |
0.8774 |
| Voice Equality - Number of Notes |
134.5 |
| Voice Equality - Note Duration |
35.36 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
10.0 |