| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2089 |
| Prevalence of Second Most Common Vertical Interval |
0.1703 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8151 |
| Vertical Unisons |
0.02447 |
| Vertical Minor Seconds |
0.005061 |
| Vertical Thirds |
0.3365 |
| Vertical Tritones |
0.009148 |
| Vertical Perfect Fourths |
0.08047 |
| Vertical Perfect Fifths |
0.1685 |
| Vertical Sixths |
0.1413 |
| Vertical Sevenths |
0.03178 |
| Vertical Octaves |
0.1844 |
| Perfect Vertical Intervals |
0.4578 |
| Vertical Dissonance Ratio |
0.06878 |
| Vertical Minor Third Prevalence |
0.381 |
| Vertical Major Third Prevalence |
0.3805 |
| Chord Duration |
2.361 |
| Partial Chords |
0.567 |
| Standard Triads |
0.3247 |
| Diminished and Augmented Triads |
0.01031 |
| Dominant Seventh Chords |
0.003436 |
| Seventh Chords |
0.01546 |
| Non-Standard Chords |
0.09278 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6875 |
| Average Number of Simultaneous Pitch Classes |
2.334 |
| Variability of Number of Simultaneous Pitch Classes |
0.6893 |
| Average Number of Simultaneous Pitches |
2.87 |
| Variability of Number of Simultaneous Pitches |
0.9182 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.02 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
263.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2191 |
| Stepwise Motion |
0.6144 |
| Melodic Thirds |
0.1227 |
| Melodic Perfect Fourths |
0.0466 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02999 |
| Melodic Sixths |
0.002678 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006427 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.793 |
| Melodic Embellishments |
0.01229 |
| Direction of Melodic Motion |
0.4661 |
| Average Length of Melodic Arcs |
1.851 |
| Average Interval Spanned by Melodic Arcs |
4.392 |
| Melodic Pitch Variety |
4.428 |
| Mean Melodic Interval |
1.965 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3953 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5542 |
| Amount of Arpeggiation |
0.3364 |
| Repeated Notes |
0.1773 |
| Importance of Middle Register |
0.7606 |
| Importance of High Register |
0.00481 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.9 |
| Mean Pitch Class |
5.366 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1112 |
| Prevalence of Most Common Pitch Class |
0.1684 |
| Relative Prevalence of Top Pitches |
0.8221 |
| Relative Prevalence of Top Pitch Classes |
0.9905 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
8.0 |
| Pitch Variability |
6.99 |
| Pitch Class Variability |
3.482 |
| Pitch Class Variability After Folding |
4.133 |
| Pitch Skewness |
-0.3285 |
| Pitch Class Skewness |
0.3154 |
| Pitch Class Skewness After Folding |
1.15 |
| Pitch Kurtosis |
5.36 |
| Pitch Class Kurtosis |
4.66 |
| Pitch Class Kurtosis After Folding |
4.624 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2346 |
| Note Density per Quarter Note |
0.972 |
| Note Density per Quarter Note per Voice |
0.243 |
| Note Density per Quarter Note Variability |
0.4906 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5681 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7632 |
| Prevalence of Very Long Rhythmic Values |
0.09941 |
| Prevalence of Dotted Notes |
0.1064 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.96 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3314 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8274 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.085 |
| Rhythmic Value Skewness |
1.381 |
| Rhythmic Value Kurtosis |
10.44 |
| Mean Rhythmic Value Run Length |
1.558 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9884 |
| Mean Rhythmic Value Offset |
0.07483 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9173 |
| Complete Rests Fraction |
0.0003119 |
| Partial Rests Fraction |
0.6211 |
| Average Rest Fraction Across Voices |
0.27 |
| Longest Complete Rest |
0.6004 |
| Longest Partial Rest |
183.3 |
| Mean Complete Rest Duration |
0.6004 |
| Mean Partial Rest Duration |
18.56 |
| Median Complete Rest Duration |
0.6004 |
| Median Partial Rest Duration |
3.692 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
35.23 |
| Variability Across Voices of Combined Rests |
11.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5532 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2242 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.468 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7774 |
| Rhythmic Variability - Tempo Standardized |
0.04998 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1871.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.946 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6782 |
| Variability of Note Durations |
0.5616 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
275.3 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.285 |
| Strength of Second Strongest Rhythmic Pulse |
0.2731 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5581 |
| Rhythmic Variability |
0.03784 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
59.06 |
| Duration in Seconds |
434.5 |
| Note Density |
4.306 |
| Note Density Variability |
1.484 |
| Average Time Between Attacks |
0.4138 |
| Average Time Between Attacks for Each Voice |
0.8828 |
| Variability of Time Between Attacks |
0.2129 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.4567 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1432 |
| Relative Note Durations of Lowest Line |
1.059 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7867 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04782 |
| Average Number of Independent Voices |
2.951 |
| Similar Motion |
0.1326 |
| Contrary Motion |
0.1737 |
| Oblique Motion |
0.6459 |
| Parallel Fifths |
0.001816 |
| Parallel Octaves |
0.001816 |
| Variability of Number of Independent Voices |
0.9348 |
| Voice Equality - Number of Notes |
51.2 |
| Voice Equality - Note Duration |
2.547 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
15.0 |