| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.19 |
| Prevalence of Second Most Common Vertical Interval |
0.1638 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8619 |
| Vertical Unisons |
0.02548 |
| Vertical Minor Seconds |
0.005655 |
| Vertical Thirds |
0.29 |
| Vertical Tritones |
0.02028 |
| Vertical Perfect Fourths |
0.09576 |
| Vertical Perfect Fifths |
0.1638 |
| Vertical Sixths |
0.1657 |
| Vertical Sevenths |
0.03466 |
| Vertical Octaves |
0.1645 |
| Perfect Vertical Intervals |
0.4495 |
| Vertical Dissonance Ratio |
0.1047 |
| Vertical Minor Third Prevalence |
0.4 |
| Vertical Major Third Prevalence |
0.3783 |
| Chord Duration |
3.036 |
| Partial Chords |
0.4671 |
| Standard Triads |
0.3451 |
| Diminished and Augmented Triads |
0.03052 |
| Dominant Seventh Chords |
0.00939 |
| Seventh Chords |
0.02817 |
| Non-Standard Chords |
0.1596 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3548 |
| Average Number of Simultaneous Pitch Classes |
2.487 |
| Variability of Number of Simultaneous Pitch Classes |
0.7297 |
| Average Number of Simultaneous Pitches |
3.058 |
| Variability of Number of Simultaneous Pitches |
0.892 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.316 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.12 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2245 |
| Stepwise Motion |
0.7007 |
| Melodic Thirds |
0.1116 |
| Melodic Perfect Fourths |
0.05582 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03563 |
| Melodic Sixths |
0.009501 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003563 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.474 |
| Melodic Embellishments |
0.01182 |
| Direction of Melodic Motion |
0.4715 |
| Average Length of Melodic Arcs |
1.925 |
| Average Interval Spanned by Melodic Arcs |
4.576 |
| Melodic Pitch Variety |
4.698 |
| Mean Melodic Interval |
2.208 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4762 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4713 |
| Amount of Arpeggiation |
0.234 |
| Repeated Notes |
0.08314 |
| Importance of Middle Register |
0.7908 |
| Importance of High Register |
0.04728 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.77 |
| Mean Pitch Class |
4.929 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09929 |
| Prevalence of Most Common Pitch Class |
0.1738 |
| Relative Prevalence of Top Pitches |
0.9167 |
| Relative Prevalence of Top Pitch Classes |
0.9388 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.011 |
| Pitch Class Variability |
3.435 |
| Pitch Class Variability After Folding |
3.638 |
| Pitch Skewness |
-0.03338 |
| Pitch Class Skewness |
-0.06194 |
| Pitch Class Skewness After Folding |
0.5849 |
| Pitch Kurtosis |
5.3 |
| Pitch Class Kurtosis |
5.001 |
| Pitch Class Kurtosis After Folding |
5.938 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1619 |
| Note Density per Quarter Note |
0.9186 |
| Note Density per Quarter Note per Voice |
0.2296 |
| Note Density per Quarter Note Variability |
0.5621 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4799 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.844 |
| Prevalence of Very Long Rhythmic Values |
0.1371 |
| Prevalence of Dotted Notes |
0.143 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.345 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3262 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9928 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.216 |
| Rhythmic Value Skewness |
0.4673 |
| Rhythmic Value Kurtosis |
9.93 |
| Mean Rhythmic Value Run Length |
1.578 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.211 |
| Mean Rhythmic Value Offset |
0.08511 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8877 |
| Complete Rests Fraction |
0.0007804 |
| Partial Rests Fraction |
0.5302 |
| Average Rest Fraction Across Voices |
0.2146 |
| Longest Complete Rest |
0.7187 |
| Longest Partial Rest |
43.89 |
| Mean Complete Rest Duration |
0.7187 |
| Mean Partial Rest Duration |
15.2 |
| Median Complete Rest Duration |
0.7187 |
| Median Partial Rest Duration |
11.6 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.12 |
| Variability Across Voices of Combined Rests |
33.56 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6195 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1925 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.218 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.812 |
| Rhythmic Variability - Tempo Standardized |
0.05303 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
846.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.155 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.645 |
| Variability of Note Durations |
0.5299 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
350.9 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2386 |
| Strength of Second Strongest Rhythmic Pulse |
0.227 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4655 |
| Rhythmic Variability |
0.03369 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
102.3 |
| Duration in Seconds |
173.7 |
| Note Density |
4.871 |
| Note Density Variability |
1.528 |
| Average Time Between Attacks |
0.3999 |
| Average Time Between Attacks for Each Voice |
0.7945 |
| Variability of Time Between Attacks |
0.1979 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.3868 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.331 |
| Relative Note Durations of Lowest Line |
1.022 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8322 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04545 |
| Average Number of Independent Voices |
3.154 |
| Similar Motion |
0.1435 |
| Contrary Motion |
0.1615 |
| Oblique Motion |
0.6495 |
| Parallel Fifths |
0.002392 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9089 |
| Voice Equality - Number of Notes |
11.12 |
| Voice Equality - Note Duration |
6.328 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
10.0 |