| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2679 |
| Prevalence of Second Most Common Vertical Interval |
0.1852 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6913 |
| Vertical Unisons |
0.02467 |
| Vertical Minor Seconds |
0.001445 |
| Vertical Thirds |
0.2309 |
| Vertical Tritones |
0.007802 |
| Vertical Perfect Fourths |
0.09939 |
| Vertical Perfect Fifths |
0.1852 |
| Vertical Sixths |
0.1622 |
| Vertical Sevenths |
0.03404 |
| Vertical Octaves |
0.2432 |
| Perfect Vertical Intervals |
0.5524 |
| Vertical Dissonance Ratio |
0.05764 |
| Vertical Minor Third Prevalence |
0.2917 |
| Vertical Major Third Prevalence |
0.2322 |
| Chord Duration |
2.578 |
| Partial Chords |
0.5989 |
| Standard Triads |
0.2914 |
| Diminished and Augmented Triads |
0.01365 |
| Dominant Seventh Chords |
0.002825 |
| Seventh Chords |
0.008945 |
| Non-Standard Chords |
0.1008 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.496 |
| Average Number of Simultaneous Pitch Classes |
2.237 |
| Variability of Number of Simultaneous Pitch Classes |
0.7272 |
| Average Number of Simultaneous Pitches |
2.942 |
| Variability of Number of Simultaneous Pitches |
0.9595 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.429 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
18.46 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1625 |
| Stepwise Motion |
0.4821 |
| Melodic Thirds |
0.1175 |
| Melodic Perfect Fourths |
0.05568 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03509 |
| Melodic Sixths |
0.003051 |
| Melodic Sevenths |
0.001526 |
| Melodic Octaves |
0.003814 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.667 |
| Melodic Embellishments |
0.003042 |
| Direction of Melodic Motion |
0.4509 |
| Average Length of Melodic Arcs |
1.866 |
| Average Interval Spanned by Melodic Arcs |
4.745 |
| Melodic Pitch Variety |
4.152 |
| Mean Melodic Interval |
1.796 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3196 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9427 |
| Amount of Arpeggiation |
0.4592 |
| Repeated Notes |
0.3013 |
| Importance of Middle Register |
0.7506 |
| Importance of High Register |
0.05019 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.04 |
| Mean Pitch Class |
4.865 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1171 |
| Prevalence of Most Common Pitch Class |
0.235 |
| Relative Prevalence of Top Pitches |
0.9351 |
| Relative Prevalence of Top Pitch Classes |
0.932 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.705 |
| Pitch Class Variability |
3.327 |
| Pitch Class Variability After Folding |
3.862 |
| Pitch Skewness |
-0.5723 |
| Pitch Class Skewness |
-0.1221 |
| Pitch Class Skewness After Folding |
1.336 |
| Pitch Kurtosis |
5.35 |
| Pitch Class Kurtosis |
4.696 |
| Pitch Class Kurtosis After Folding |
5.265 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1992 |
| Note Density per Quarter Note |
1.063 |
| Note Density per Quarter Note per Voice |
0.2658 |
| Note Density per Quarter Note Variability |
0.6232 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02433 |
| Prevalence of Medium Rhythmic Values |
0.654 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8274 |
| Prevalence of Very Long Rhythmic Values |
0.09506 |
| Prevalence of Dotted Notes |
0.1027 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.826 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4814 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3744 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.03 |
| Rhythmic Value Skewness |
1.22 |
| Rhythmic Value Kurtosis |
11.08 |
| Mean Rhythmic Value Run Length |
1.945 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.656 |
| Mean Rhythmic Value Offset |
0.02129 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3973 |
| Complete Rests Fraction |
0.0005825 |
| Partial Rests Fraction |
0.5426 |
| Average Rest Fraction Across Voices |
0.2436 |
| Longest Complete Rest |
0.7205 |
| Longest Partial Rest |
55.37 |
| Mean Complete Rest Duration |
0.7205 |
| Mean Partial Rest Duration |
10.76 |
| Median Complete Rest Duration |
0.7205 |
| Median Partial Rest Duration |
6.645 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.23 |
| Variability Across Voices of Combined Rests |
36.38 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6274 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1796 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.493 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8071 |
| Rhythmic Variability - Tempo Standardized |
0.05314 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1315.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.05 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5354 |
| Variability of Note Durations |
0.3747 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
330.6 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2183 |
| Strength of Second Strongest Rhythmic Pulse |
0.2038 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.071 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4221 |
| Rhythmic Variability |
0.03233 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
67.96 |
| Duration in Seconds |
232.7 |
| Note Density |
5.651 |
| Note Density Variability |
1.747 |
| Average Time Between Attacks |
0.3632 |
| Average Time Between Attacks for Each Voice |
0.6894 |
| Variability of Time Between Attacks |
0.1679 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3125 |
| Relative Range Isolation of Loudest Voice |
0.625 |
| Relative Range of Highest Line |
0.3125 |
| Relative Note Density of Highest Line |
0.2099 |
| Relative Note Durations of Lowest Line |
1.018 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.6768 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05745 |
| Average Number of Independent Voices |
3.029 |
| Similar Motion |
0.1597 |
| Contrary Motion |
0.1548 |
| Oblique Motion |
0.628 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001947 |
| Variability of Number of Independent Voices |
0.9882 |
| Voice Equality - Number of Notes |
18.46 |
| Voice Equality - Note Duration |
6.844 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |