| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2365 |
| Prevalence of Second Most Common Vertical Interval |
0.1701 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.719 |
| Vertical Unisons |
0.02845 |
| Vertical Minor Seconds |
0.001744 |
| Vertical Thirds |
0.2932 |
| Vertical Tritones |
0.006033 |
| Vertical Perfect Fourths |
0.09018 |
| Vertical Perfect Fifths |
0.1701 |
| Vertical Sixths |
0.1698 |
| Vertical Sevenths |
0.01981 |
| Vertical Octaves |
0.2081 |
| Perfect Vertical Intervals |
0.4968 |
| Vertical Dissonance Ratio |
0.04192 |
| Vertical Minor Third Prevalence |
0.3838 |
| Vertical Major Third Prevalence |
0.3262 |
| Chord Duration |
2.498 |
| Partial Chords |
0.5644 |
| Standard Triads |
0.3438 |
| Diminished and Augmented Triads |
0.01456 |
| Dominant Seventh Chords |
0.00112 |
| Seventh Chords |
0.00224 |
| Non-Standard Chords |
0.08959 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.02 |
| Average Number of Simultaneous Pitch Classes |
2.272 |
| Variability of Number of Simultaneous Pitch Classes |
0.7036 |
| Average Number of Simultaneous Pitches |
2.893 |
| Variability of Number of Simultaneous Pitches |
0.9643 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.291 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.67 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1911 |
| Stepwise Motion |
0.5764 |
| Melodic Thirds |
0.1322 |
| Melodic Perfect Fourths |
0.07335 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06302 |
| Melodic Sixths |
0.004132 |
| Melodic Sevenths |
0.001033 |
| Melodic Octaves |
0.006198 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.741 |
| Melodic Embellishments |
0.009259 |
| Direction of Melodic Motion |
0.462 |
| Average Length of Melodic Arcs |
1.771 |
| Average Interval Spanned by Melodic Arcs |
4.748 |
| Melodic Pitch Variety |
4.897 |
| Mean Melodic Interval |
2.314 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3853 |
| Relative Prevalence of Most Common Melodic Intervals |
0.496 |
| Amount of Arpeggiation |
0.3461 |
| Repeated Notes |
0.1436 |
| Importance of Middle Register |
0.7562 |
| Importance of High Register |
0.1245 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.7 |
| Mean Pitch Class |
4.935 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1163 |
| Prevalence of Most Common Pitch Class |
0.2233 |
| Relative Prevalence of Top Pitches |
0.7611 |
| Relative Prevalence of Top Pitch Classes |
0.7189 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.366 |
| Pitch Class Variability |
3.296 |
| Pitch Class Variability After Folding |
3.336 |
| Pitch Skewness |
0.3909 |
| Pitch Class Skewness |
-0.05899 |
| Pitch Class Skewness After Folding |
0.5024 |
| Pitch Kurtosis |
5.248 |
| Pitch Class Kurtosis |
4.951 |
| Pitch Class Kurtosis After Folding |
6.678 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1193 |
| Note Density per Quarter Note |
0.9483 |
| Note Density per Quarter Note per Voice |
0.2371 |
| Note Density per Quarter Note Variability |
0.4489 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.536 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9136 |
| Prevalence of Very Long Rhythmic Values |
0.08539 |
| Prevalence of Dotted Notes |
0.06996 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.142 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4496 |
| Relative Prevalence of Most Common Rhythmic Values |
0.746 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.867 |
| Rhythmic Value Skewness |
1.835 |
| Rhythmic Value Kurtosis |
10.76 |
| Mean Rhythmic Value Run Length |
1.72 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.284 |
| Mean Rhythmic Value Offset |
0.00823 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1814 |
| Complete Rests Fraction |
0.0006729 |
| Partial Rests Fraction |
0.5968 |
| Average Rest Fraction Across Voices |
0.2652 |
| Longest Complete Rest |
0.6897 |
| Longest Partial Rest |
48.77 |
| Mean Complete Rest Duration |
0.6897 |
| Mean Partial Rest Duration |
11.33 |
| Median Complete Rest Duration |
0.6897 |
| Median Partial Rest Duration |
6.361 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.14 |
| Variability Across Voices of Combined Rests |
24.04 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7576 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1304 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.812 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8879 |
| Rhythmic Variability - Tempo Standardized |
0.0611 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
972.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.185 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6091 |
| Variability of Note Durations |
0.3568 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.9 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.3175 |
| Strength of Second Strongest Rhythmic Pulse |
0.2865 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.108 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.604 |
| Rhythmic Variability |
0.03979 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
56.03 |
| Duration in Seconds |
201.4 |
| Note Density |
4.826 |
| Note Density Variability |
1.446 |
| Average Time Between Attacks |
0.4231 |
| Average Time Between Attacks for Each Voice |
0.8189 |
| Variability of Time Between Attacks |
0.2215 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.7305 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2963 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7243 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.05769 |
| Average Number of Independent Voices |
2.99 |
| Similar Motion |
0.1679 |
| Contrary Motion |
0.2436 |
| Oblique Motion |
0.5308 |
| Parallel Fifths |
0.001282 |
| Parallel Octaves |
0.002564 |
| Variability of Number of Independent Voices |
0.9712 |
| Voice Equality - Number of Notes |
14.67 |
| Voice Equality - Note Duration |
4.725 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
11.67 |