| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2323 |
| Prevalence of Second Most Common Vertical Interval |
0.1807 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7779 |
| Vertical Unisons |
0.03439 |
| Vertical Minor Seconds |
0.005466 |
| Vertical Thirds |
0.2913 |
| Vertical Tritones |
0.008073 |
| Vertical Perfect Fourths |
0.1022 |
| Vertical Perfect Fifths |
0.1807 |
| Vertical Sixths |
0.1342 |
| Vertical Sevenths |
0.02746 |
| Vertical Octaves |
0.1979 |
| Perfect Vertical Intervals |
0.5152 |
| Vertical Dissonance Ratio |
0.06305 |
| Vertical Minor Third Prevalence |
0.4372 |
| Vertical Major Third Prevalence |
0.3676 |
| Chord Duration |
2.496 |
| Partial Chords |
0.4628 |
| Standard Triads |
0.3951 |
| Diminished and Augmented Triads |
0.01218 |
| Dominant Seventh Chords |
0.00203 |
| Seventh Chords |
0.01218 |
| Non-Standard Chords |
0.1299 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.074 |
| Average Number of Simultaneous Pitch Classes |
2.438 |
| Variability of Number of Simultaneous Pitch Classes |
0.7096 |
| Average Number of Simultaneous Pitches |
3.121 |
| Variability of Number of Simultaneous Pitches |
0.8784 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.2 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
39.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1951 |
| Stepwise Motion |
0.5957 |
| Melodic Thirds |
0.1319 |
| Melodic Perfect Fourths |
0.06074 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05767 |
| Melodic Sixths |
0.00184 |
| Melodic Sevenths |
0.0006135 |
| Melodic Octaves |
0.006748 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.525 |
| Melodic Embellishments |
0.01284 |
| Direction of Melodic Motion |
0.4512 |
| Average Length of Melodic Arcs |
1.822 |
| Average Interval Spanned by Melodic Arcs |
4.748 |
| Melodic Pitch Variety |
4.797 |
| Mean Melodic Interval |
2.239 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4006 |
| Relative Prevalence of Most Common Melodic Intervals |
0.487 |
| Amount of Arpeggiation |
0.3417 |
| Repeated Notes |
0.1448 |
| Importance of Middle Register |
0.7848 |
| Importance of High Register |
0.09841 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.49 |
| Mean Pitch Class |
5.232 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1119 |
| Prevalence of Most Common Pitch Class |
0.1932 |
| Relative Prevalence of Top Pitches |
0.8852 |
| Relative Prevalence of Top Pitch Classes |
0.9304 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.117 |
| Pitch Class Variability |
3.447 |
| Pitch Class Variability After Folding |
3.095 |
| Pitch Skewness |
-0.3834 |
| Pitch Class Skewness |
0.2022 |
| Pitch Class Skewness After Folding |
0.557 |
| Pitch Kurtosis |
5.227 |
| Pitch Class Kurtosis |
4.846 |
| Pitch Class Kurtosis After Folding |
7.138 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1167 |
| Note Density per Quarter Note |
1.004 |
| Note Density per Quarter Note per Voice |
0.2511 |
| Note Density per Quarter Note Variability |
0.498 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00489 |
| Prevalence of Medium Rhythmic Values |
0.4853 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7855 |
| Prevalence of Very Long Rhythmic Values |
0.1088 |
| Prevalence of Dotted Notes |
0.1039 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.221 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3344 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8099 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.225 |
| Rhythmic Value Skewness |
0.2984 |
| Rhythmic Value Kurtosis |
9.386 |
| Mean Rhythmic Value Run Length |
1.664 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.393 |
| Mean Rhythmic Value Offset |
0.01467 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2419 |
| Complete Rests Fraction |
0.001869 |
| Partial Rests Fraction |
0.5255 |
| Average Rest Fraction Across Voices |
0.1983 |
| Longest Complete Rest |
2.44 |
| Longest Partial Rest |
83.1 |
| Mean Complete Rest Duration |
1.522 |
| Mean Partial Rest Duration |
12.79 |
| Median Complete Rest Duration |
2.44 |
| Median Partial Rest Duration |
3.719 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.297 |
| Variability of Partial Rest Durations |
19.31 |
| Variability Across Voices of Combined Rests |
82.94 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5399 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.231 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.337 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7709 |
| Rhythmic Variability - Tempo Standardized |
0.04932 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1636.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.48 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7184 |
| Variability of Note Durations |
0.5071 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
278.4 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3122 |
| Strength of Second Strongest Rhythmic Pulse |
0.2547 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.226 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5669 |
| Rhythmic Variability |
0.03789 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
62.6 |
| Duration in Seconds |
365.0 |
| Note Density |
4.482 |
| Note Density Variability |
1.545 |
| Average Time Between Attacks |
0.4432 |
| Average Time Between Attacks for Each Voice |
0.881 |
| Variability of Time Between Attacks |
0.2744 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.5612 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.1736 |
| Relative Note Durations of Lowest Line |
1.011 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7347 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04838 |
| Average Number of Independent Voices |
3.245 |
| Similar Motion |
0.1225 |
| Contrary Motion |
0.1898 |
| Oblique Motion |
0.6393 |
| Parallel Fifths |
0.001225 |
| Parallel Octaves |
0.001837 |
| Variability of Number of Independent Voices |
0.8511 |
| Voice Equality - Number of Notes |
39.01 |
| Voice Equality - Note Duration |
18.58 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
10.0 |