Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.225 |
Prevalence of Second Most Common Vertical Interval |
0.1689 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7505 |
Vertical Unisons |
0.04929 |
Vertical Minor Seconds |
0.003513 |
Vertical Thirds |
0.2849 |
Vertical Tritones |
0.01517 |
Vertical Perfect Fourths |
0.09681 |
Vertical Perfect Fifths |
0.1689 |
Vertical Sixths |
0.1373 |
Vertical Sevenths |
0.04292 |
Vertical Octaves |
0.1757 |
Perfect Vertical Intervals |
0.4907 |
Vertical Dissonance Ratio |
0.09538 |
Vertical Minor Third Prevalence |
0.3261 |
Vertical Major Third Prevalence |
0.3694 |
Chord Duration |
2.237 |
Partial Chords |
0.5128 |
Standard Triads |
0.296 |
Diminished and Augmented Triads |
0.0352 |
Dominant Seventh Chords |
0.0048 |
Seventh Chords |
0.0128 |
Non-Standard Chords |
0.1784 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.4122 |
Average Number of Simultaneous Pitch Classes |
2.375 |
Variability of Number of Simultaneous Pitch Classes |
0.706 |
Average Number of Simultaneous Pitches |
2.898 |
Variability of Number of Simultaneous Pitches |
0.8025 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
5.779 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
121.8 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.222 |
Stepwise Motion |
0.6897 |
Melodic Thirds |
0.1275 |
Melodic Perfect Fourths |
0.04378 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04762 |
Melodic Sixths |
0.00384 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006144 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.677 |
Melodic Embellishments |
0.0245 |
Direction of Melodic Motion |
0.4473 |
Average Length of Melodic Arcs |
2.062 |
Average Interval Spanned by Melodic Arcs |
5.005 |
Melodic Pitch Variety |
5.073 |
Mean Melodic Interval |
2.245 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4677 |
Relative Prevalence of Most Common Melodic Intervals |
0.4745 |
Amount of Arpeggiation |
0.2627 |
Repeated Notes |
0.08141 |
Importance of Middle Register |
0.7588 |
Importance of High Register |
0.07734 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.02 |
Mean Pitch Class |
4.73 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1172 |
Prevalence of Most Common Pitch Class |
0.2052 |
Relative Prevalence of Top Pitches |
0.8431 |
Relative Prevalence of Top Pitch Classes |
0.9664 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.31 |
Pitch Class Variability |
3.373 |
Pitch Class Variability After Folding |
4.252 |
Pitch Skewness |
0.1059 |
Pitch Class Skewness |
-0.2404 |
Pitch Class Skewness After Folding |
0.9838 |
Pitch Kurtosis |
5.268 |
Pitch Class Kurtosis |
4.875 |
Pitch Class Kurtosis After Folding |
4.759 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.1639 |
Note Density per Quarter Note |
0.9403 |
Note Density per Quarter Note per Voice |
0.2351 |
Note Density per Quarter Note Variability |
0.4993 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.001531 |
Prevalence of Medium Rhythmic Values |
0.5268 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8101 |
Prevalence of Very Long Rhythmic Values |
0.1248 |
Prevalence of Dotted Notes |
0.111 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.188 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3369 |
Relative Prevalence of Most Common Rhythmic Values |
0.8591 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.191 |
Rhythmic Value Skewness |
1.627 |
Rhythmic Value Kurtosis |
9.257 |
Mean Rhythmic Value Run Length |
1.54 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.007 |
Mean Rhythmic Value Offset |
0.07044 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.803 |
Complete Rests Fraction |
0.002196 |
Partial Rests Fraction |
0.6416 |
Average Rest Fraction Across Voices |
0.2256 |
Longest Complete Rest |
2.039 |
Longest Partial Rest |
391.0 |
Mean Complete Rest Duration |
1.525 |
Mean Partial Rest Duration |
12.41 |
Median Complete Rest Duration |
2.039 |
Median Partial Rest Duration |
4.304 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.7268 |
Variability of Partial Rest Durations |
42.87 |
Variability Across Voices of Combined Rests |
241.3 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6082 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1961 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.102 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8043 |
Rhythmic Variability - Tempo Standardized |
0.05245 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1306.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
2.386 |
Minimum Note Duration |
0.1042 |
Maximum Note Duration |
6.667 |
Average Note Duration |
0.6379 |
Variability of Note Durations |
0.5165 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
317.9 |
Strongest Rhythmic Pulse |
78.0 |
Second Strongest Rhythmic Pulse |
52.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2731 |
Strength of Second Strongest Rhythmic Pulse |
0.2585 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.056 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5316 |
Rhythmic Variability |
0.03617 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
57.3 |
Duration in Seconds |
268.9 |
Note Density |
4.856 |
Note Density Variability |
1.404 |
Average Time Between Attacks |
0.3773 |
Average Time Between Attacks for Each Voice |
0.9672 |
Variability of Time Between Attacks |
0.2033 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5758 |
Relative Range Isolation of Loudest Voice |
0.5817 |
Relative Range of Highest Line |
0.5758 |
Relative Note Density of Highest Line |
0.2144 |
Relative Note Durations of Lowest Line |
1.011 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.7642 |
Voice Separation |
5.333 |
Variability of Voice Separation |
2.517 |
Parallel Motion |
0.03566 |
Average Number of Independent Voices |
3.071 |
Similar Motion |
0.1181 |
Contrary Motion |
0.1878 |
Oblique Motion |
0.6585 |
Parallel Fifths |
0.0007924 |
Parallel Octaves |
0.0007924 |
Variability of Number of Independent Voices |
0.7964 |
Voice Equality - Number of Notes |
121.8 |
Voice Equality - Note Duration |
46.71 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
1.708 |
Importance of Loudest Voice |
10.0 |