| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2181 |
| Prevalence of Second Most Common Vertical Interval |
0.1764 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8088 |
| Vertical Unisons |
0.02909 |
| Vertical Minor Seconds |
0.007526 |
| Vertical Thirds |
0.2818 |
| Vertical Tritones |
0.01087 |
| Vertical Perfect Fourths |
0.1078 |
| Vertical Perfect Fifths |
0.1764 |
| Vertical Sixths |
0.1401 |
| Vertical Sevenths |
0.03664 |
| Vertical Octaves |
0.189 |
| Perfect Vertical Intervals |
0.5023 |
| Vertical Dissonance Ratio |
0.08202 |
| Vertical Minor Third Prevalence |
0.5154 |
| Vertical Major Third Prevalence |
0.4803 |
| Chord Duration |
1.948 |
| Partial Chords |
0.3034 |
| Standard Triads |
0.4655 |
| Diminished and Augmented Triads |
0.02184 |
| Dominant Seventh Chords |
0.003448 |
| Seventh Chords |
0.03448 |
| Non-Standard Chords |
0.1966 |
| Complex Chords |
0.006897 |
| Minor Major Triad Ratio |
1.893 |
| Average Number of Simultaneous Pitch Classes |
2.7 |
| Variability of Number of Simultaneous Pitch Classes |
0.6912 |
| Average Number of Simultaneous Pitches |
3.581 |
| Variability of Number of Simultaneous Pitches |
1.042 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.084 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
117.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.237 |
| Stepwise Motion |
0.7148 |
| Melodic Thirds |
0.1259 |
| Melodic Perfect Fourths |
0.05703 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0236 |
| Melodic Sixths |
0.0009833 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00295 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.122 |
| Melodic Embellishments |
0.01566 |
| Direction of Melodic Motion |
0.4729 |
| Average Length of Melodic Arcs |
1.994 |
| Average Interval Spanned by Melodic Arcs |
4.494 |
| Melodic Pitch Variety |
5.031 |
| Mean Melodic Interval |
2.104 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4779 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4959 |
| Amount of Arpeggiation |
0.2271 |
| Repeated Notes |
0.07473 |
| Importance of Middle Register |
0.5783 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.53 |
| Mean Pitch Class |
5.701 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09198 |
| Prevalence of Most Common Pitch Class |
0.1781 |
| Relative Prevalence of Top Pitches |
0.9468 |
| Relative Prevalence of Top Pitch Classes |
0.956 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.593 |
| Pitch Class Variability |
3.526 |
| Pitch Class Variability After Folding |
2.996 |
| Pitch Skewness |
-0.03634 |
| Pitch Class Skewness |
0.596 |
| Pitch Class Skewness After Folding |
0.5057 |
| Pitch Kurtosis |
5.289 |
| Pitch Class Kurtosis |
4.903 |
| Pitch Class Kurtosis After Folding |
7.25 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.4217 |
| Note Density per Quarter Note |
1.119 |
| Note Density per Quarter Note per Voice |
0.2239 |
| Note Density per Quarter Note Variability |
0.5136 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5558 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7564 |
| Prevalence of Very Long Rhythmic Values |
0.1438 |
| Prevalence of Dotted Notes |
0.1536 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.205 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3121 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7806 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.545 |
| Rhythmic Value Skewness |
1.421 |
| Rhythmic Value Kurtosis |
9.033 |
| Mean Rhythmic Value Run Length |
1.46 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9687 |
| Mean Rhythmic Value Offset |
0.1331 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7601 |
| Complete Rests Fraction |
0.001172 |
| Partial Rests Fraction |
0.6959 |
| Average Rest Fraction Across Voices |
0.253 |
| Longest Complete Rest |
1.07 |
| Longest Partial Rest |
51.81 |
| Mean Complete Rest Duration |
1.07 |
| Mean Partial Rest Duration |
15.19 |
| Median Complete Rest Duration |
1.07 |
| Median Partial Rest Duration |
10.79 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.73 |
| Variability Across Voices of Combined Rests |
63.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5398 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2416 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.234 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7814 |
| Rhythmic Variability - Tempo Standardized |
0.04945 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1022.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.729 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
5.172 |
| Average Note Duration |
0.7994 |
| Variability of Note Durations |
0.7221 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
253.3 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2681 |
| Strength of Second Strongest Rhythmic Pulse |
0.2679 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.536 |
| Rhythmic Variability |
0.03728 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
27.97 |
| Duration in Seconds |
218.7 |
| Note Density |
4.672 |
| Note Density Variability |
1.41 |
| Average Time Between Attacks |
0.4052 |
| Average Time Between Attacks for Each Voice |
1.086 |
| Variability of Time Between Attacks |
0.2378 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6034 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.318 |
| Relative Note Durations of Lowest Line |
1.012 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8327 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.708 |
| Parallel Motion |
0.05267 |
| Average Number of Independent Voices |
3.741 |
| Similar Motion |
0.09837 |
| Contrary Motion |
0.1418 |
| Oblique Motion |
0.7072 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001549 |
| Variability of Number of Independent Voices |
1.025 |
| Voice Equality - Number of Notes |
40.37 |
| Voice Equality - Note Duration |
15.25 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
8.75 |