| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2253 |
| Prevalence of Second Most Common Vertical Interval |
0.1601 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7103 |
| Vertical Unisons |
0.03954 |
| Vertical Minor Seconds |
0.007941 |
| Vertical Thirds |
0.3005 |
| Vertical Tritones |
0.01249 |
| Vertical Perfect Fourths |
0.08537 |
| Vertical Perfect Fifths |
0.1601 |
| Vertical Sixths |
0.1439 |
| Vertical Sevenths |
0.0332 |
| Vertical Octaves |
0.1858 |
| Perfect Vertical Intervals |
0.4707 |
| Vertical Dissonance Ratio |
0.09277 |
| Vertical Minor Third Prevalence |
0.3464 |
| Vertical Major Third Prevalence |
0.3172 |
| Chord Duration |
1.816 |
| Partial Chords |
0.607 |
| Standard Triads |
0.2486 |
| Diminished and Augmented Triads |
0.02056 |
| Dominant Seventh Chords |
0.002636 |
| Seventh Chords |
0.00738 |
| Non-Standard Chords |
0.1371 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7145 |
| Average Number of Simultaneous Pitch Classes |
2.264 |
| Variability of Number of Simultaneous Pitch Classes |
0.687 |
| Average Number of Simultaneous Pitches |
2.749 |
| Variability of Number of Simultaneous Pitches |
0.8806 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.554 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
45.41 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2285 |
| Stepwise Motion |
0.7003 |
| Melodic Thirds |
0.09253 |
| Melodic Perfect Fourths |
0.03953 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03736 |
| Melodic Sixths |
0.001738 |
| Melodic Sevenths |
0.003041 |
| Melodic Octaves |
0.0152 |
| Melodic Large Intervals |
0.001303 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.566 |
| Melodic Embellishments |
0.008239 |
| Direction of Melodic Motion |
0.4369 |
| Average Length of Melodic Arcs |
1.915 |
| Average Interval Spanned by Melodic Arcs |
4.697 |
| Melodic Pitch Variety |
4.869 |
| Mean Melodic Interval |
2.192 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4718 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4843 |
| Amount of Arpeggiation |
0.258 |
| Repeated Notes |
0.109 |
| Importance of Middle Register |
0.7671 |
| Importance of High Register |
0.1557 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.53 |
| Mean Pitch Class |
4.946 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1088 |
| Prevalence of Most Common Pitch Class |
0.206 |
| Relative Prevalence of Top Pitches |
0.8367 |
| Relative Prevalence of Top Pitch Classes |
0.7389 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.126 |
| Pitch Class Variability |
3.246 |
| Pitch Class Variability After Folding |
4.141 |
| Pitch Skewness |
-0.02921 |
| Pitch Class Skewness |
-0.04969 |
| Pitch Class Skewness After Folding |
1.12 |
| Pitch Kurtosis |
5.194 |
| Pitch Class Kurtosis |
4.892 |
| Pitch Class Kurtosis After Folding |
4.788 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.07719 |
| Note Density per Quarter Note |
1.079 |
| Note Density per Quarter Note per Voice |
0.2698 |
| Note Density per Quarter Note Variability |
0.4625 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003469 |
| Prevalence of Medium Rhythmic Values |
0.6353 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6921 |
| Prevalence of Very Long Rhythmic Values |
0.07069 |
| Prevalence of Dotted Notes |
0.09584 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.627 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3274 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9298 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.887 |
| Rhythmic Value Skewness |
0.9971 |
| Rhythmic Value Kurtosis |
11.12 |
| Mean Rhythmic Value Run Length |
1.81 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.454 |
| Mean Rhythmic Value Offset |
0.03122 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.407 |
| Complete Rests Fraction |
0.000464 |
| Partial Rests Fraction |
0.6837 |
| Average Rest Fraction Across Voices |
0.2829 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
256.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
17.78 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
33.51 |
| Variability Across Voices of Combined Rests |
124.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5125 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2455 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.087 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.758 |
| Rhythmic Variability - Tempo Standardized |
0.04831 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2306.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.01 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5538 |
| Variability of Note Durations |
0.4326 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2438 |
| Strength of Second Strongest Rhythmic Pulse |
0.2283 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.068 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4721 |
| Rhythmic Variability |
0.03397 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000001396 |
| Duration in Seconds |
445.2 |
| Note Density |
5.18 |
| Note Density Variability |
1.682 |
| Average Time Between Attacks |
0.355 |
| Average Time Between Attacks for Each Voice |
0.7689 |
| Variability of Time Between Attacks |
0.2114 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4206 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1266 |
| Relative Note Durations of Lowest Line |
0.9708 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8955 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.06764 |
| Average Number of Independent Voices |
2.87 |
| Similar Motion |
0.154 |
| Contrary Motion |
0.1938 |
| Oblique Motion |
0.5846 |
| Parallel Fifths |
0.002019 |
| Parallel Octaves |
0.0005048 |
| Variability of Number of Independent Voices |
0.8989 |
| Voice Equality - Number of Notes |
45.41 |
| Voice Equality - Note Duration |
25.94 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.862 |
| Importance of Loudest Voice |
10.0 |