| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2381 |
| Prevalence of Second Most Common Vertical Interval |
0.1854 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7787 |
| Vertical Unisons |
0.03509 |
| Vertical Minor Seconds |
0.001741 |
| Vertical Thirds |
0.3033 |
| Vertical Tritones |
0.005249 |
| Vertical Perfect Fourths |
0.1045 |
| Vertical Perfect Fifths |
0.1854 |
| Vertical Sixths |
0.1285 |
| Vertical Sevenths |
0.01699 |
| Vertical Octaves |
0.203 |
| Perfect Vertical Intervals |
0.5279 |
| Vertical Dissonance Ratio |
0.04194 |
| Vertical Minor Third Prevalence |
0.5212 |
| Vertical Major Third Prevalence |
0.6222 |
| Chord Duration |
3.012 |
| Partial Chords |
0.2722 |
| Standard Triads |
0.5752 |
| Diminished and Augmented Triads |
0.02328 |
| Dominant Seventh Chords |
0.002985 |
| Seventh Chords |
0.02567 |
| Non-Standard Chords |
0.1269 |
| Complex Chords |
0.001194 |
| Minor Major Triad Ratio |
0.3438 |
| Average Number of Simultaneous Pitch Classes |
2.743 |
| Variability of Number of Simultaneous Pitch Classes |
0.6006 |
| Average Number of Simultaneous Pitches |
3.829 |
| Variability of Number of Simultaneous Pitches |
0.9571 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.888 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
117.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1557 |
| Stepwise Motion |
0.5077 |
| Melodic Thirds |
0.1423 |
| Melodic Perfect Fourths |
0.05979 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05361 |
| Melodic Sixths |
0.004124 |
| Melodic Sevenths |
0.0005155 |
| Melodic Octaves |
0.01082 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.968 |
| Melodic Embellishments |
0.01183 |
| Direction of Melodic Motion |
0.4467 |
| Average Length of Melodic Arcs |
1.721 |
| Average Interval Spanned by Melodic Arcs |
4.803 |
| Melodic Pitch Variety |
4.175 |
| Mean Melodic Interval |
2.18 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3521 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6281 |
| Amount of Arpeggiation |
0.4284 |
| Repeated Notes |
0.2211 |
| Importance of Middle Register |
0.7656 |
| Importance of High Register |
0.01697 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.57 |
| Mean Pitch Class |
5.556 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.2298 |
| Relative Prevalence of Top Pitches |
0.9252 |
| Relative Prevalence of Top Pitch Classes |
0.7248 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.877 |
| Pitch Class Variability |
3.534 |
| Pitch Class Variability After Folding |
3.012 |
| Pitch Skewness |
-0.6005 |
| Pitch Class Skewness |
-1.225 |
| Pitch Class Skewness After Folding |
1.112 |
| Pitch Kurtosis |
5.311 |
| Pitch Class Kurtosis |
4.85 |
| Pitch Class Kurtosis After Folding |
7.674 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2175 |
| Note Density per Quarter Note |
1.125 |
| Note Density per Quarter Note per Voice |
0.225 |
| Note Density per Quarter Note Variability |
0.524 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008226 |
| Prevalence of Medium Rhythmic Values |
0.4961 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8725 |
| Prevalence of Very Long Rhythmic Values |
0.1563 |
| Prevalence of Dotted Notes |
0.09357 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.48 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3686 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8368 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.352 |
| Rhythmic Value Skewness |
0.6119 |
| Rhythmic Value Kurtosis |
8.315 |
| Mean Rhythmic Value Run Length |
1.757 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.337 |
| Mean Rhythmic Value Offset |
0.1069 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.419 |
| Complete Rests Fraction |
0.00545 |
| Partial Rests Fraction |
0.6243 |
| Average Rest Fraction Across Voices |
0.198 |
| Longest Complete Rest |
4.064 |
| Longest Partial Rest |
65.03 |
| Mean Complete Rest Duration |
2.356 |
| Mean Partial Rest Duration |
10.7 |
| Median Complete Rest Duration |
2.666 |
| Median Partial Rest Duration |
4.064 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.413 |
| Variability of Partial Rest Durations |
12.53 |
| Variability Across Voices of Combined Rests |
56.73 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6839 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1572 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.349 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8412 |
| Rhythmic Variability - Tempo Standardized |
0.05635 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1945.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.28 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.56 |
| Average Note Duration |
0.7309 |
| Variability of Note Durations |
0.5981 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
309.5 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.3161 |
| Strength of Second Strongest Rhythmic Pulse |
0.2581 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.225 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5742 |
| Rhythmic Variability |
0.03791 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
78.5 |
| Duration in Seconds |
354.5 |
| Note Density |
5.486 |
| Note Density Variability |
1.557 |
| Average Time Between Attacks |
0.4279 |
| Average Time Between Attacks for Each Voice |
0.9556 |
| Variability of Time Between Attacks |
0.2494 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1748 |
| Relative Note Durations of Lowest Line |
0.9653 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9527 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.304 |
| Parallel Motion |
0.0418 |
| Average Number of Independent Voices |
4.061 |
| Similar Motion |
0.1538 |
| Contrary Motion |
0.1693 |
| Oblique Motion |
0.635 |
| Parallel Fifths |
0.001608 |
| Parallel Octaves |
0.001608 |
| Variability of Number of Independent Voices |
0.9387 |
| Voice Equality - Number of Notes |
88.78 |
| Voice Equality - Note Duration |
11.63 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.8944 |
| Voice Equality - Range |
2.915 |
| Importance of Loudest Voice |
13.75 |