| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2256 |
| Prevalence of Second Most Common Vertical Interval |
0.1742 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7721 |
| Vertical Unisons |
0.02988 |
| Vertical Minor Seconds |
0.004967 |
| Vertical Thirds |
0.3086 |
| Vertical Tritones |
0.007312 |
| Vertical Perfect Fourths |
0.09686 |
| Vertical Perfect Fifths |
0.1712 |
| Vertical Sixths |
0.1402 |
| Vertical Sevenths |
0.02624 |
| Vertical Octaves |
0.1957 |
| Perfect Vertical Intervals |
0.4937 |
| Vertical Dissonance Ratio |
0.06112 |
| Vertical Minor Third Prevalence |
0.5562 |
| Vertical Major Third Prevalence |
0.4382 |
| Chord Duration |
2.326 |
| Partial Chords |
0.3986 |
| Standard Triads |
0.4493 |
| Diminished and Augmented Triads |
0.01245 |
| Dominant Seventh Chords |
0.001186 |
| Seventh Chords |
0.01838 |
| Non-Standard Chords |
0.1337 |
| Complex Chords |
0.004149 |
| Minor Major Triad Ratio |
0.9921 |
| Average Number of Simultaneous Pitch Classes |
2.579 |
| Variability of Number of Simultaneous Pitch Classes |
0.6914 |
| Average Number of Simultaneous Pitches |
3.451 |
| Variability of Number of Simultaneous Pitches |
1.111 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.172 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
130.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1771 |
| Stepwise Motion |
0.5708 |
| Melodic Thirds |
0.1536 |
| Melodic Perfect Fourths |
0.05473 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02448 |
| Melodic Sixths |
0.00288 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0024 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.991 |
| Melodic Embellishments |
0.01437 |
| Direction of Melodic Motion |
0.4623 |
| Average Length of Melodic Arcs |
1.84 |
| Average Interval Spanned by Melodic Arcs |
4.465 |
| Melodic Pitch Variety |
4.481 |
| Mean Melodic Interval |
1.974 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3937 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4854 |
| Amount of Arpeggiation |
0.3716 |
| Repeated Notes |
0.1911 |
| Importance of Middle Register |
0.7893 |
| Importance of High Register |
0.05843 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.65 |
| Mean Pitch Class |
5.127 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09195 |
| Prevalence of Most Common Pitch Class |
0.1695 |
| Relative Prevalence of Top Pitches |
0.9635 |
| Relative Prevalence of Top Pitch Classes |
0.9746 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.084 |
| Pitch Class Variability |
3.364 |
| Pitch Class Variability After Folding |
3.992 |
| Pitch Skewness |
0.01967 |
| Pitch Class Skewness |
0.1132 |
| Pitch Class Skewness After Folding |
0.9268 |
| Pitch Kurtosis |
5.216 |
| Pitch Class Kurtosis |
4.721 |
| Pitch Class Kurtosis After Folding |
5.008 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1523 |
| Note Density per Quarter Note |
1.172 |
| Note Density per Quarter Note per Voice |
0.2345 |
| Note Density per Quarter Note Variability |
0.6056 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004789 |
| Prevalence of Medium Rhythmic Values |
0.5876 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7534 |
| Prevalence of Very Long Rhythmic Values |
0.1049 |
| Prevalence of Dotted Notes |
0.1054 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.953 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.341 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7275 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.187 |
| Rhythmic Value Skewness |
1.307 |
| Rhythmic Value Kurtosis |
10.32 |
| Mean Rhythmic Value Run Length |
1.652 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.147 |
| Mean Rhythmic Value Offset |
0.1245 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.425 |
| Complete Rests Fraction |
0.0003467 |
| Partial Rests Fraction |
0.7346 |
| Average Rest Fraction Across Voices |
0.2807 |
| Longest Complete Rest |
0.6175 |
| Longest Partial Rest |
203.6 |
| Mean Complete Rest Duration |
0.6175 |
| Mean Partial Rest Duration |
16.12 |
| Median Complete Rest Duration |
0.6175 |
| Median Partial Rest Duration |
4.713 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
27.96 |
| Variability Across Voices of Combined Rests |
79.42 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5441 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2293 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.373 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7734 |
| Rhythmic Variability - Tempo Standardized |
0.04953 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2088.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.997 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.56 |
| Average Note Duration |
0.6733 |
| Variability of Note Durations |
0.6132 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
284.9 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2589 |
| Strength of Second Strongest Rhythmic Pulse |
0.2357 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.098 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4946 |
| Rhythmic Variability |
0.03469 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
65.07 |
| Duration in Seconds |
390.9 |
| Note Density |
5.342 |
| Note Density Variability |
1.742 |
| Average Time Between Attacks |
0.3839 |
| Average Time Between Attacks for Each Voice |
0.9359 |
| Variability of Time Between Attacks |
0.2068 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.4646 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1676 |
| Relative Note Durations of Lowest Line |
1.061 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8333 |
| Voice Overlap |
0.819 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.05125 |
| Average Number of Independent Voices |
3.61 |
| Similar Motion |
0.1255 |
| Contrary Motion |
0.1351 |
| Oblique Motion |
0.6882 |
| Parallel Fifths |
0.002395 |
| Parallel Octaves |
0.005268 |
| Variability of Number of Independent Voices |
1.141 |
| Voice Equality - Number of Notes |
94.44 |
| Voice Equality - Note Duration |
17.43 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
0.4472 |
| Importance of Loudest Voice |
12.5 |