| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1998 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9515 |
| Vertical Unisons |
0.03237 |
| Vertical Minor Seconds |
0.006798 |
| Vertical Thirds |
0.3188 |
| Vertical Tritones |
0.008019 |
| Vertical Perfect Fourths |
0.08598 |
| Vertical Perfect Fifths |
0.1901 |
| Vertical Sixths |
0.1395 |
| Vertical Sevenths |
0.02427 |
| Vertical Octaves |
0.1674 |
| Perfect Vertical Intervals |
0.4758 |
| Vertical Dissonance Ratio |
0.07055 |
| Vertical Minor Third Prevalence |
0.425 |
| Vertical Major Third Prevalence |
0.3455 |
| Chord Duration |
1.888 |
| Partial Chords |
0.495 |
| Standard Triads |
0.3582 |
| Diminished and Augmented Triads |
0.004975 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0199 |
| Non-Standard Chords |
0.1269 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.939 |
| Average Number of Simultaneous Pitch Classes |
2.416 |
| Variability of Number of Simultaneous Pitch Classes |
0.7053 |
| Average Number of Simultaneous Pitches |
2.92 |
| Variability of Number of Simultaneous Pitches |
0.8947 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.299 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
66.57 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1918 |
| Stepwise Motion |
0.6866 |
| Melodic Thirds |
0.1175 |
| Melodic Perfect Fourths |
0.03505 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03711 |
| Melodic Sixths |
0.004124 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008247 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.071 |
| Melodic Embellishments |
0.00818 |
| Direction of Melodic Motion |
0.4014 |
| Average Length of Melodic Arcs |
2.222 |
| Average Interval Spanned by Melodic Arcs |
5.237 |
| Melodic Pitch Variety |
5.085 |
| Mean Melodic Interval |
2.13 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4948 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3875 |
| Amount of Arpeggiation |
0.2742 |
| Repeated Notes |
0.1113 |
| Importance of Middle Register |
0.6605 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.98 |
| Mean Pitch Class |
5.626 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1002 |
| Prevalence of Most Common Pitch Class |
0.1943 |
| Relative Prevalence of Top Pitches |
0.7551 |
| Relative Prevalence of Top Pitch Classes |
0.7789 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.305 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
3.279 |
| Pitch Skewness |
0.1197 |
| Pitch Class Skewness |
0.5525 |
| Pitch Class Skewness After Folding |
0.7073 |
| Pitch Kurtosis |
5.462 |
| Pitch Class Kurtosis |
4.928 |
| Pitch Class Kurtosis After Folding |
6.634 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3395 |
| Note Density per Quarter Note |
1.109 |
| Note Density per Quarter Note per Voice |
0.2772 |
| Note Density per Quarter Note Variability |
0.568 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6462 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7546 |
| Prevalence of Very Long Rhythmic Values |
0.1022 |
| Prevalence of Dotted Notes |
0.08793 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.728 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4008 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6122 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.791 |
| Rhythmic Value Skewness |
1.22 |
| Rhythmic Value Kurtosis |
7.511 |
| Mean Rhythmic Value Run Length |
1.728 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.22 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002249 |
| Partial Rests Fraction |
0.6145 |
| Average Rest Fraction Across Voices |
0.2437 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.49 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.26 |
| Variability Across Voices of Combined Rests |
43.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5767 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2233 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.582 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8 |
| Rhythmic Variability - Tempo Standardized |
0.051 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
489.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.0 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.5683 |
| Variability of Note Durations |
0.3731 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.247 |
| Strength of Second Strongest Rhythmic Pulse |
0.2466 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4936 |
| Rhythmic Variability |
0.03518 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003967 |
| Duration in Seconds |
91.87 |
| Note Density |
5.323 |
| Note Density Variability |
2.354 |
| Average Time Between Attacks |
0.3641 |
| Average Time Between Attacks for Each Voice |
0.7093 |
| Variability of Time Between Attacks |
0.2059 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3824 |
| Relative Range Isolation of Loudest Voice |
0.5098 |
| Relative Range of Highest Line |
0.3824 |
| Relative Note Density of Highest Line |
0.5399 |
| Relative Note Durations of Lowest Line |
1.084 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7566 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.05241 |
| Average Number of Independent Voices |
3.032 |
| Similar Motion |
0.1048 |
| Contrary Motion |
0.2075 |
| Oblique Motion |
0.6352 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9065 |
| Voice Equality - Number of Notes |
25.32 |
| Voice Equality - Note Duration |
9.029 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
11.67 |