| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2244 |
| Prevalence of Second Most Common Vertical Interval |
0.1771 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7893 |
| Vertical Unisons |
0.02918 |
| Vertical Minor Seconds |
0.005889 |
| Vertical Thirds |
0.2946 |
| Vertical Tritones |
0.008162 |
| Vertical Perfect Fourths |
0.09856 |
| Vertical Perfect Fifths |
0.1771 |
| Vertical Sixths |
0.1452 |
| Vertical Sevenths |
0.0272 |
| Vertical Octaves |
0.1952 |
| Perfect Vertical Intervals |
0.5 |
| Vertical Dissonance Ratio |
0.06399 |
| Vertical Minor Third Prevalence |
0.5655 |
| Vertical Major Third Prevalence |
0.5033 |
| Chord Duration |
2.258 |
| Partial Chords |
0.3037 |
| Standard Triads |
0.521 |
| Diminished and Augmented Triads |
0.02103 |
| Dominant Seventh Chords |
0.003115 |
| Seventh Chords |
0.02648 |
| Non-Standard Chords |
0.1488 |
| Complex Chords |
0.004673 |
| Minor Major Triad Ratio |
0.9114 |
| Average Number of Simultaneous Pitch Classes |
2.684 |
| Variability of Number of Simultaneous Pitch Classes |
0.687 |
| Average Number of Simultaneous Pitches |
3.626 |
| Variability of Number of Simultaneous Pitches |
0.9876 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.491 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
187.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.188 |
| Stepwise Motion |
0.6195 |
| Melodic Thirds |
0.1009 |
| Melodic Perfect Fourths |
0.05763 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03667 |
| Melodic Sixths |
0.00262 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00262 |
| Melodic Large Intervals |
0.0006549 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.756 |
| Melodic Embellishments |
0.01371 |
| Direction of Melodic Motion |
0.4741 |
| Average Length of Melodic Arcs |
2.005 |
| Average Interval Spanned by Melodic Arcs |
4.822 |
| Melodic Pitch Variety |
4.674 |
| Mean Melodic Interval |
1.99 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4316 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4355 |
| Amount of Arpeggiation |
0.3202 |
| Repeated Notes |
0.1794 |
| Importance of Middle Register |
0.6162 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.17 |
| Mean Pitch Class |
5.416 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.0842 |
| Prevalence of Most Common Pitch Class |
0.1736 |
| Relative Prevalence of Top Pitches |
0.9302 |
| Relative Prevalence of Top Pitch Classes |
0.9474 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.527 |
| Pitch Class Variability |
3.524 |
| Pitch Class Variability After Folding |
2.909 |
| Pitch Skewness |
-0.1517 |
| Pitch Class Skewness |
0.3539 |
| Pitch Class Skewness After Folding |
0.2417 |
| Pitch Kurtosis |
5.147 |
| Pitch Class Kurtosis |
4.862 |
| Pitch Class Kurtosis After Folding |
7.758 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3838 |
| Note Density per Quarter Note |
1.132 |
| Note Density per Quarter Note per Voice |
0.2265 |
| Note Density per Quarter Note Variability |
0.5031 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002611 |
| Prevalence of Medium Rhythmic Values |
0.5346 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7781 |
| Prevalence of Very Long Rhythmic Values |
0.124 |
| Prevalence of Dotted Notes |
0.1279 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.206 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3127 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8413 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.429 |
| Rhythmic Value Skewness |
1.49 |
| Rhythmic Value Kurtosis |
9.534 |
| Mean Rhythmic Value Run Length |
1.575 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9937 |
| Mean Rhythmic Value Offset |
0.1436 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9965 |
| Complete Rests Fraction |
0.0006598 |
| Partial Rests Fraction |
0.7106 |
| Average Rest Fraction Across Voices |
0.2458 |
| Longest Complete Rest |
0.8927 |
| Longest Partial Rest |
90.02 |
| Mean Complete Rest Duration |
0.8927 |
| Mean Partial Rest Duration |
15.99 |
| Median Complete Rest Duration |
0.8927 |
| Median Partial Rest Duration |
5.401 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.22 |
| Variability Across Voices of Combined Rests |
34.69 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5461 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2363 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.311 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7824 |
| Rhythmic Variability - Tempo Standardized |
0.04965 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1532.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.868 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7655 |
| Variability of Note Durations |
0.6933 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
264.3 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2937 |
| Strength of Second Strongest Rhythmic Pulse |
0.2564 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.146 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5501 |
| Rhythmic Variability |
0.03749 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.81 |
| Duration in Seconds |
311.0 |
| Note Density |
4.927 |
| Note Density Variability |
1.598 |
| Average Time Between Attacks |
0.4027 |
| Average Time Between Attacks for Each Voice |
1.091 |
| Variability of Time Between Attacks |
0.2406 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.5145 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.2121 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.829 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
1.5 |
| Parallel Motion |
0.04664 |
| Average Number of Independent Voices |
3.796 |
| Similar Motion |
0.1102 |
| Contrary Motion |
0.1672 |
| Oblique Motion |
0.676 |
| Parallel Fifths |
0.001817 |
| Parallel Octaves |
0.001211 |
| Variability of Number of Independent Voices |
1.013 |
| Voice Equality - Number of Notes |
86.37 |
| Voice Equality - Note Duration |
7.973 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.225 |
| Importance of Loudest Voice |
8.75 |