| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2796 |
| Prevalence of Second Most Common Vertical Interval |
0.183 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6547 |
| Vertical Unisons |
0.06559 |
| Vertical Minor Seconds |
0.006998 |
| Vertical Thirds |
0.3155 |
| Vertical Tritones |
0.01825 |
| Vertical Perfect Fourths |
0.04378 |
| Vertical Perfect Fifths |
0.122 |
| Vertical Sixths |
0.1376 |
| Vertical Sevenths |
0.04349 |
| Vertical Octaves |
0.214 |
| Perfect Vertical Intervals |
0.4454 |
| Vertical Dissonance Ratio |
0.113 |
| Vertical Minor Third Prevalence |
0.3242 |
| Vertical Major Third Prevalence |
0.2418 |
| Chord Duration |
1.995 |
| Partial Chords |
0.7205 |
| Standard Triads |
0.1295 |
| Diminished and Augmented Triads |
0.03636 |
| Dominant Seventh Chords |
0.002273 |
| Seventh Chords |
0.003409 |
| Non-Standard Chords |
0.1466 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.235 |
| Average Number of Simultaneous Pitch Classes |
2.039 |
| Variability of Number of Simultaneous Pitch Classes |
0.6653 |
| Average Number of Simultaneous Pitches |
2.489 |
| Variability of Number of Simultaneous Pitches |
0.8125 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.29 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
30.35 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2305 |
| Stepwise Motion |
0.6724 |
| Melodic Thirds |
0.1365 |
| Melodic Perfect Fourths |
0.04954 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04651 |
| Melodic Sixths |
0.01011 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.547 |
| Melodic Embellishments |
0.03625 |
| Direction of Melodic Motion |
0.4685 |
| Average Length of Melodic Arcs |
1.858 |
| Average Interval Spanned by Melodic Arcs |
4.499 |
| Melodic Pitch Variety |
5.089 |
| Mean Melodic Interval |
2.232 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4419 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5217 |
| Amount of Arpeggiation |
0.2679 |
| Repeated Notes |
0.08493 |
| Importance of Middle Register |
0.6536 |
| Importance of High Register |
0.003021 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
56.84 |
| Mean Pitch Class |
5.456 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09768 |
| Prevalence of Most Common Pitch Class |
0.1813 |
| Relative Prevalence of Top Pitches |
0.8763 |
| Relative Prevalence of Top Pitch Classes |
0.8667 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.433 |
| Pitch Class Variability |
3.526 |
| Pitch Class Variability After Folding |
3.197 |
| Pitch Skewness |
0.1549 |
| Pitch Class Skewness |
0.3881 |
| Pitch Class Skewness After Folding |
0.5471 |
| Pitch Kurtosis |
5.245 |
| Pitch Class Kurtosis |
4.821 |
| Pitch Class Kurtosis After Folding |
6.794 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3434 |
| Note Density per Quarter Note |
0.9052 |
| Note Density per Quarter Note per Voice |
0.2263 |
| Note Density per Quarter Note Variability |
0.4471 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5076 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8167 |
| Prevalence of Very Long Rhythmic Values |
0.05438 |
| Prevalence of Dotted Notes |
0.1138 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.904 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3434 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9443 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.633 |
| Rhythmic Value Skewness |
1.662 |
| Rhythmic Value Kurtosis |
9.962 |
| Mean Rhythmic Value Run Length |
1.535 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9049 |
| Mean Rhythmic Value Offset |
0.01208 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2196 |
| Complete Rests Fraction |
0.00455 |
| Partial Rests Fraction |
0.8304 |
| Average Rest Fraction Across Voices |
0.34 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
88.0 |
| Mean Complete Rest Duration |
1.664 |
| Mean Partial Rest Duration |
19.63 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.5822 |
| Variability of Partial Rest Durations |
23.01 |
| Variability Across Voices of Combined Rests |
71.59 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5835 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2189 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.666 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8024 |
| Rhythmic Variability - Tempo Standardized |
0.05131 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
993.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.754 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
3.31 |
| Average Note Duration |
0.6034 |
| Variability of Note Durations |
0.3544 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2672 |
| Strength of Second Strongest Rhythmic Pulse |
0.2475 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.08 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5148 |
| Rhythmic Variability |
0.03543 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003381 |
| Duration in Seconds |
227.0 |
| Note Density |
4.375 |
| Note Density Variability |
1.639 |
| Average Time Between Attacks |
0.3818 |
| Average Time Between Attacks for Each Voice |
0.8771 |
| Variability of Time Between Attacks |
0.2032 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.3077 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.2618 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8097 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04192 |
| Average Number of Independent Voices |
2.652 |
| Similar Motion |
0.1054 |
| Contrary Motion |
0.1641 |
| Oblique Motion |
0.6886 |
| Parallel Fifths |
0.001198 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8494 |
| Voice Equality - Number of Notes |
30.35 |
| Voice Equality - Note Duration |
14.81 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |