| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2105 |
| Prevalence of Second Most Common Vertical Interval |
0.1718 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8164 |
| Vertical Unisons |
0.02873 |
| Vertical Minor Seconds |
0.006854 |
| Vertical Thirds |
0.3183 |
| Vertical Tritones |
0.0155 |
| Vertical Perfect Fourths |
0.1087 |
| Vertical Perfect Fifths |
0.1704 |
| Vertical Sixths |
0.1183 |
| Vertical Sevenths |
0.03752 |
| Vertical Octaves |
0.1817 |
| Perfect Vertical Intervals |
0.4895 |
| Vertical Dissonance Ratio |
0.07976 |
| Vertical Minor Third Prevalence |
0.4676 |
| Vertical Major Third Prevalence |
0.3981 |
| Chord Duration |
1.938 |
| Partial Chords |
0.4557 |
| Standard Triads |
0.3596 |
| Diminished and Augmented Triads |
0.02956 |
| Dominant Seventh Chords |
0.002463 |
| Seventh Chords |
0.009852 |
| Non-Standard Chords |
0.1749 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.174 |
| Average Number of Simultaneous Pitch Classes |
2.491 |
| Variability of Number of Simultaneous Pitch Classes |
0.6701 |
| Average Number of Simultaneous Pitches |
3.106 |
| Variability of Number of Simultaneous Pitches |
0.8095 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.317 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
12.77 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2321 |
| Stepwise Motion |
0.6561 |
| Melodic Thirds |
0.09072 |
| Melodic Perfect Fourths |
0.05274 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06118 |
| Melodic Sixths |
0.008439 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004219 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.778 |
| Melodic Embellishments |
0.01255 |
| Direction of Melodic Motion |
0.4251 |
| Average Length of Melodic Arcs |
1.8 |
| Average Interval Spanned by Melodic Arcs |
4.426 |
| Melodic Pitch Variety |
4.35 |
| Mean Melodic Interval |
2.184 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4241 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5473 |
| Amount of Arpeggiation |
0.2827 |
| Repeated Notes |
0.1266 |
| Importance of Middle Register |
0.7908 |
| Importance of High Register |
0.1485 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
64.72 |
| Mean Pitch Class |
5.1 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.113 |
| Prevalence of Most Common Pitch Class |
0.182 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.818 |
| Pitch Class Variability |
3.28 |
| Pitch Class Variability After Folding |
3.651 |
| Pitch Skewness |
0.03314 |
| Pitch Class Skewness |
0.09183 |
| Pitch Class Skewness After Folding |
0.8388 |
| Pitch Kurtosis |
5.417 |
| Pitch Class Kurtosis |
4.849 |
| Pitch Class Kurtosis After Folding |
5.668 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.06067 |
| Note Density per Quarter Note |
1.104 |
| Note Density per Quarter Note per Voice |
0.276 |
| Note Density per Quarter Note Variability |
0.4437 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004184 |
| Prevalence of Medium Rhythmic Values |
0.5753 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8159 |
| Prevalence of Very Long Rhythmic Values |
0.0523 |
| Prevalence of Dotted Notes |
0.07531 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.858 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3912 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8289 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.837 |
| Rhythmic Value Skewness |
1.401 |
| Rhythmic Value Kurtosis |
14.08 |
| Mean Rhythmic Value Run Length |
1.671 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.204 |
| Mean Rhythmic Value Offset |
0.05021 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4458 |
| Complete Rests Fraction |
0.00229 |
| Partial Rests Fraction |
0.575 |
| Average Rest Fraction Across Voices |
0.1974 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.999 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.785 |
| Variability Across Voices of Combined Rests |
24.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6393 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1964 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.254 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8357 |
| Rhythmic Variability - Tempo Standardized |
0.05399 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
478.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.812 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6058 |
| Variability of Note Durations |
0.4416 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2823 |
| Strength of Second Strongest Rhythmic Pulse |
0.2695 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.047 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5518 |
| Rhythmic Variability |
0.03683 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003872 |
| Duration in Seconds |
90.21 |
| Note Density |
5.299 |
| Note Density Variability |
1.809 |
| Average Time Between Attacks |
0.3573 |
| Average Time Between Attacks for Each Voice |
0.7048 |
| Variability of Time Between Attacks |
0.151 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3448 |
| Relative Range Isolation of Loudest Voice |
0.3853 |
| Relative Range of Highest Line |
0.3448 |
| Relative Note Density of Highest Line |
0.6109 |
| Relative Note Durations of Lowest Line |
0.9822 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8138 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06823 |
| Average Number of Independent Voices |
3.218 |
| Similar Motion |
0.1557 |
| Contrary Motion |
0.1855 |
| Oblique Motion |
0.5906 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.006397 |
| Variability of Number of Independent Voices |
0.8015 |
| Voice Equality - Number of Notes |
12.77 |
| Voice Equality - Note Duration |
5.119 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
10.0 |