| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1869 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9898 |
| Vertical Unisons |
0.0331 |
| Vertical Minor Seconds |
0.004562 |
| Vertical Thirds |
0.3143 |
| Vertical Tritones |
0.01339 |
| Vertical Perfect Fourths |
0.0948 |
| Vertical Perfect Fifths |
0.1676 |
| Vertical Sixths |
0.1565 |
| Vertical Sevenths |
0.04129 |
| Vertical Octaves |
0.1519 |
| Perfect Vertical Intervals |
0.4474 |
| Vertical Dissonance Ratio |
0.08909 |
| Vertical Minor Third Prevalence |
0.3704 |
| Vertical Major Third Prevalence |
0.4863 |
| Chord Duration |
1.878 |
| Partial Chords |
0.4075 |
| Standard Triads |
0.3929 |
| Diminished and Augmented Triads |
0.01136 |
| Dominant Seventh Chords |
0.008117 |
| Seventh Chords |
0.05195 |
| Non-Standard Chords |
0.1477 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5125 |
| Average Number of Simultaneous Pitch Classes |
2.587 |
| Variability of Number of Simultaneous Pitch Classes |
0.7398 |
| Average Number of Simultaneous Pitches |
3.163 |
| Variability of Number of Simultaneous Pitches |
0.8726 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.262 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.95 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2151 |
| Stepwise Motion |
0.6737 |
| Melodic Thirds |
0.1459 |
| Melodic Perfect Fourths |
0.08282 |
| Melodic Tritones |
0.001236 |
| Melodic Perfect Fifths |
0.03585 |
| Melodic Sixths |
0.004944 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004944 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.878 |
| Melodic Embellishments |
0.02091 |
| Direction of Melodic Motion |
0.4974 |
| Average Length of Melodic Arcs |
1.718 |
| Average Interval Spanned by Melodic Arcs |
4.309 |
| Melodic Pitch Variety |
4.776 |
| Mean Melodic Interval |
2.392 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4586 |
| Relative Prevalence of Most Common Melodic Intervals |
0.469 |
| Amount of Arpeggiation |
0.2373 |
| Repeated Notes |
0.05068 |
| Importance of Middle Register |
0.7909 |
| Importance of High Register |
0.0615 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
62.19 |
| Mean Pitch Class |
4.956 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09717 |
| Prevalence of Most Common Pitch Class |
0.1747 |
| Relative Prevalence of Top Pitches |
0.9494 |
| Relative Prevalence of Top Pitch Classes |
0.993 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.991 |
| Pitch Class Variability |
3.441 |
| Pitch Class Variability After Folding |
3.743 |
| Pitch Skewness |
-0.616 |
| Pitch Class Skewness |
-0.03861 |
| Pitch Class Skewness After Folding |
0.7098 |
| Pitch Kurtosis |
5.262 |
| Pitch Class Kurtosis |
4.975 |
| Pitch Class Kurtosis After Folding |
5.699 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1476 |
| Note Density per Quarter Note |
1.237 |
| Note Density per Quarter Note per Voice |
0.3094 |
| Note Density per Quarter Note Variability |
0.5883 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6298 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7528 |
| Prevalence of Very Long Rhythmic Values |
0.05412 |
| Prevalence of Dotted Notes |
0.1046 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.627 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3825 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6463 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.738 |
| Rhythmic Value Skewness |
1.083 |
| Rhythmic Value Kurtosis |
12.28 |
| Mean Rhythmic Value Run Length |
1.642 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.127 |
| Mean Rhythmic Value Offset |
0.03444 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5049 |
| Complete Rests Fraction |
0.001624 |
| Partial Rests Fraction |
0.4471 |
| Average Rest Fraction Across Voices |
0.1782 |
| Longest Complete Rest |
1.067 |
| Longest Partial Rest |
43.04 |
| Mean Complete Rest Duration |
1.067 |
| Mean Partial Rest Duration |
8.361 |
| Median Complete Rest Duration |
1.067 |
| Median Partial Rest Duration |
5.165 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.558 |
| Variability Across Voices of Combined Rests |
40.51 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5444 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2326 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.34 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.777 |
| Rhythmic Variability - Tempo Standardized |
0.04962 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
813.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.002 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6385 |
| Variability of Note Durations |
0.457 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.5 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.263 |
| Strength of Second Strongest Rhythmic Pulse |
0.2605 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5234 |
| Rhythmic Variability |
0.03719 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.72 |
| Duration in Seconds |
157.9 |
| Note Density |
5.148 |
| Note Density Variability |
1.712 |
| Average Time Between Attacks |
0.3979 |
| Average Time Between Attacks for Each Voice |
0.7638 |
| Variability of Time Between Attacks |
0.2155 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.5683 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.3444 |
| Relative Note Durations of Lowest Line |
1.057 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7909 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.08562 |
| Average Number of Independent Voices |
3.299 |
| Similar Motion |
0.1175 |
| Contrary Motion |
0.191 |
| Oblique Motion |
0.6059 |
| Parallel Fifths |
0.002195 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8743 |
| Voice Equality - Number of Notes |
21.95 |
| Voice Equality - Note Duration |
9.738 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
10.0 |