| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2311 |
| Prevalence of Second Most Common Vertical Interval |
0.1905 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8245 |
| Vertical Unisons |
0.03674 |
| Vertical Minor Seconds |
0.00238 |
| Vertical Thirds |
0.2952 |
| Vertical Tritones |
0.008039 |
| Vertical Perfect Fourths |
0.09662 |
| Vertical Perfect Fifths |
0.1796 |
| Vertical Sixths |
0.1382 |
| Vertical Sevenths |
0.02957 |
| Vertical Octaves |
0.1944 |
| Perfect Vertical Intervals |
0.5074 |
| Vertical Dissonance Ratio |
0.06295 |
| Vertical Minor Third Prevalence |
0.4916 |
| Vertical Major Third Prevalence |
0.3062 |
| Chord Duration |
2.374 |
| Partial Chords |
0.4625 |
| Standard Triads |
0.3852 |
| Diminished and Augmented Triads |
0.01899 |
| Dominant Seventh Chords |
0.0009042 |
| Seventh Chords |
0.01085 |
| Non-Standard Chords |
0.1415 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.803 |
| Average Number of Simultaneous Pitch Classes |
2.458 |
| Variability of Number of Simultaneous Pitch Classes |
0.6755 |
| Average Number of Simultaneous Pitches |
3.129 |
| Variability of Number of Simultaneous Pitches |
0.8274 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.226 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
91.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1972 |
| Stepwise Motion |
0.584 |
| Melodic Thirds |
0.1015 |
| Melodic Perfect Fourths |
0.08735 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05158 |
| Melodic Sixths |
0.004992 |
| Melodic Sevenths |
0.0008319 |
| Melodic Octaves |
0.009151 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.905 |
| Melodic Embellishments |
0.02073 |
| Direction of Melodic Motion |
0.4331 |
| Average Length of Melodic Arcs |
1.862 |
| Average Interval Spanned by Melodic Arcs |
5.007 |
| Melodic Pitch Variety |
4.608 |
| Mean Melodic Interval |
2.267 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3869 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5097 |
| Amount of Arpeggiation |
0.3236 |
| Repeated Notes |
0.1606 |
| Importance of Middle Register |
0.7993 |
| Importance of High Register |
0.05224 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.33 |
| Mean Pitch Class |
5.147 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1061 |
| Prevalence of Most Common Pitch Class |
0.2007 |
| Relative Prevalence of Top Pitches |
0.8828 |
| Relative Prevalence of Top Pitch Classes |
0.8223 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.087 |
| Pitch Class Variability |
3.327 |
| Pitch Class Variability After Folding |
3.894 |
| Pitch Skewness |
-0.09161 |
| Pitch Class Skewness |
0.1323 |
| Pitch Class Skewness After Folding |
1.477 |
| Pitch Kurtosis |
5.16 |
| Pitch Class Kurtosis |
4.774 |
| Pitch Class Kurtosis After Folding |
5.28 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1484 |
| Note Density per Quarter Note |
1.011 |
| Note Density per Quarter Note per Voice |
0.2527 |
| Note Density per Quarter Note Variability |
0.4902 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01327 |
| Prevalence of Medium Rhythmic Values |
0.5788 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7894 |
| Prevalence of Very Long Rhythmic Values |
0.102 |
| Prevalence of Dotted Notes |
0.1153 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.076 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3682 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6779 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.399 |
| Rhythmic Value Skewness |
1.346 |
| Rhythmic Value Kurtosis |
10.73 |
| Mean Rhythmic Value Run Length |
1.61 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.093 |
| Mean Rhythmic Value Offset |
0.1675 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.176 |
| Complete Rests Fraction |
0.000751 |
| Partial Rests Fraction |
0.4996 |
| Average Rest Fraction Across Voices |
0.1786 |
| Longest Complete Rest |
0.896 |
| Longest Partial Rest |
107.7 |
| Mean Complete Rest Duration |
0.896 |
| Mean Partial Rest Duration |
11.07 |
| Median Complete Rest Duration |
0.896 |
| Median Partial Rest Duration |
4.486 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
17.12 |
| Variability Across Voices of Combined Rests |
46.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5849 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2066 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.831 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7915 |
| Rhythmic Variability - Tempo Standardized |
0.05124 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1206.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.361 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7495 |
| Variability of Note Durations |
0.7195 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
263.2 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
65.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.2779 |
| Strength of Second Strongest Rhythmic Pulse |
0.2755 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5535 |
| Rhythmic Variability |
0.03773 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
27.82 |
| Duration in Seconds |
275.1 |
| Note Density |
4.384 |
| Note Density Variability |
1.486 |
| Average Time Between Attacks |
0.4256 |
| Average Time Between Attacks for Each Voice |
0.9584 |
| Variability of Time Between Attacks |
0.2546 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5294 |
| Relative Range Isolation of Loudest Voice |
0.3261 |
| Relative Range of Highest Line |
0.5294 |
| Relative Note Density of Highest Line |
0.2289 |
| Relative Note Durations of Lowest Line |
0.9614 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8002 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05646 |
| Average Number of Independent Voices |
3.279 |
| Similar Motion |
0.1367 |
| Contrary Motion |
0.1669 |
| Oblique Motion |
0.6399 |
| Parallel Fifths |
0.006547 |
| Parallel Octaves |
0.001637 |
| Variability of Number of Independent Voices |
0.8108 |
| Voice Equality - Number of Notes |
91.14 |
| Voice Equality - Note Duration |
10.74 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
10.0 |