| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2125 |
| Prevalence of Second Most Common Vertical Interval |
0.1726 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8119 |
| Vertical Unisons |
0.02254 |
| Vertical Minor Seconds |
0.005922 |
| Vertical Thirds |
0.2917 |
| Vertical Tritones |
0.008155 |
| Vertical Perfect Fourths |
0.1125 |
| Vertical Perfect Fifths |
0.1726 |
| Vertical Sixths |
0.1402 |
| Vertical Sevenths |
0.03057 |
| Vertical Octaves |
0.19 |
| Perfect Vertical Intervals |
0.4976 |
| Vertical Dissonance Ratio |
0.07585 |
| Vertical Minor Third Prevalence |
0.3697 |
| Vertical Major Third Prevalence |
0.3719 |
| Chord Duration |
2.306 |
| Partial Chords |
0.5 |
| Standard Triads |
0.3616 |
| Diminished and Augmented Triads |
0.01374 |
| Dominant Seventh Chords |
0.0006868 |
| Seventh Chords |
0.009615 |
| Non-Standard Chords |
0.1288 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7178 |
| Average Number of Simultaneous Pitch Classes |
2.39 |
| Variability of Number of Simultaneous Pitch Classes |
0.7087 |
| Average Number of Simultaneous Pitches |
3.02 |
| Variability of Number of Simultaneous Pitches |
0.9013 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.504 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
28.95 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1877 |
| Stepwise Motion |
0.5864 |
| Melodic Thirds |
0.1093 |
| Melodic Perfect Fourths |
0.04321 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04259 |
| Melodic Sixths |
0.002469 |
| Melodic Sevenths |
0.0006173 |
| Melodic Octaves |
0.003086 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.36 |
| Melodic Embellishments |
0.009236 |
| Direction of Melodic Motion |
0.4522 |
| Average Length of Melodic Arcs |
1.936 |
| Average Interval Spanned by Melodic Arcs |
4.739 |
| Melodic Pitch Variety |
4.564 |
| Mean Melodic Interval |
1.938 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3988 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5325 |
| Amount of Arpeggiation |
0.3679 |
| Repeated Notes |
0.2123 |
| Importance of Middle Register |
0.7956 |
| Importance of High Register |
0.04557 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.3 |
| Mean Pitch Class |
4.927 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.117 |
| Prevalence of Most Common Pitch Class |
0.186 |
| Relative Prevalence of Top Pitches |
0.8895 |
| Relative Prevalence of Top Pitch Classes |
0.9967 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.836 |
| Pitch Class Variability |
3.445 |
| Pitch Class Variability After Folding |
4.152 |
| Pitch Skewness |
-0.009458 |
| Pitch Class Skewness |
-0.06381 |
| Pitch Class Skewness After Folding |
0.9836 |
| Pitch Kurtosis |
5.28 |
| Pitch Class Kurtosis |
4.719 |
| Pitch Class Kurtosis After Folding |
4.849 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1589 |
| Note Density per Quarter Note |
1.007 |
| Note Density per Quarter Note per Voice |
0.2517 |
| Note Density per Quarter Note Variability |
0.5441 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001232 |
| Prevalence of Medium Rhythmic Values |
0.5665 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7697 |
| Prevalence of Very Long Rhythmic Values |
0.1115 |
| Prevalence of Dotted Notes |
0.1145 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.01 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3362 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7546 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.151 |
| Rhythmic Value Skewness |
1.408 |
| Rhythmic Value Kurtosis |
9.753 |
| Mean Rhythmic Value Run Length |
1.699 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.095 |
| Mean Rhythmic Value Offset |
0.06897 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7788 |
| Complete Rests Fraction |
0.0006445 |
| Partial Rests Fraction |
0.5733 |
| Average Rest Fraction Across Voices |
0.2301 |
| Longest Complete Rest |
1.04 |
| Longest Partial Rest |
58.7 |
| Mean Complete Rest Duration |
1.04 |
| Mean Partial Rest Duration |
14.7 |
| Median Complete Rest Duration |
1.04 |
| Median Partial Rest Duration |
8.386 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.81 |
| Variability Across Voices of Combined Rests |
23.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5399 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2323 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.325 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7722 |
| Rhythmic Variability - Tempo Standardized |
0.04941 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1624.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.297 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6079 |
| Variability of Note Durations |
0.4958 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
308.2 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2694 |
| Strength of Second Strongest Rhythmic Pulse |
0.2322 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.16 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5016 |
| Rhythmic Variability |
0.03488 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
51.42 |
| Duration in Seconds |
320.6 |
| Note Density |
5.066 |
| Note Density Variability |
1.7 |
| Average Time Between Attacks |
0.3737 |
| Average Time Between Attacks for Each Voice |
0.7758 |
| Variability of Time Between Attacks |
0.2207 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.387 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.17 |
| Relative Note Durations of Lowest Line |
1.11 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8196 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05737 |
| Average Number of Independent Voices |
3.102 |
| Similar Motion |
0.1304 |
| Contrary Motion |
0.1754 |
| Oblique Motion |
0.6369 |
| Parallel Fifths |
0.005867 |
| Parallel Octaves |
0.001956 |
| Variability of Number of Independent Voices |
0.8964 |
| Voice Equality - Number of Notes |
28.95 |
| Voice Equality - Note Duration |
4.583 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
10.0 |