| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2271 |
| Prevalence of Second Most Common Vertical Interval |
0.1712 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7538 |
| Vertical Unisons |
0.03503 |
| Vertical Minor Seconds |
0.004736 |
| Vertical Thirds |
0.3059 |
| Vertical Tritones |
0.01037 |
| Vertical Perfect Fourths |
0.09914 |
| Vertical Perfect Fifths |
0.1712 |
| Vertical Sixths |
0.1399 |
| Vertical Sevenths |
0.0252 |
| Vertical Octaves |
0.1921 |
| Perfect Vertical Intervals |
0.4974 |
| Vertical Dissonance Ratio |
0.0602 |
| Vertical Minor Third Prevalence |
0.6609 |
| Vertical Major Third Prevalence |
0.5835 |
| Chord Duration |
2.856 |
| Partial Chords |
0.2543 |
| Standard Triads |
0.5397 |
| Diminished and Augmented Triads |
0.02896 |
| Dominant Seventh Chords |
0.005002 |
| Seventh Chords |
0.03352 |
| Non-Standard Chords |
0.1724 |
| Complex Chords |
0.003266 |
| Minor Major Triad Ratio |
0.9217 |
| Average Number of Simultaneous Pitch Classes |
2.811 |
| Variability of Number of Simultaneous Pitch Classes |
0.6377 |
| Average Number of Simultaneous Pitches |
3.936 |
| Variability of Number of Simultaneous Pitches |
0.869 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.102 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
81.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1854 |
| Stepwise Motion |
0.5561 |
| Melodic Thirds |
0.1457 |
| Melodic Perfect Fourths |
0.0689 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04085 |
| Melodic Sixths |
0.003659 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006707 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.274 |
| Melodic Embellishments |
0.02188 |
| Direction of Melodic Motion |
0.4651 |
| Average Length of Melodic Arcs |
1.805 |
| Average Interval Spanned by Melodic Arcs |
4.703 |
| Melodic Pitch Variety |
4.615 |
| Mean Melodic Interval |
2.15 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3707 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.3713 |
| Repeated Notes |
0.178 |
| Importance of Middle Register |
0.7866 |
| Importance of High Register |
0.06018 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.49 |
| Mean Pitch Class |
5.151 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08571 |
| Prevalence of Most Common Pitch Class |
0.1605 |
| Relative Prevalence of Top Pitches |
0.9858 |
| Relative Prevalence of Top Pitch Classes |
0.9962 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.314 |
| Pitch Class Variability |
3.442 |
| Pitch Class Variability After Folding |
3.888 |
| Pitch Skewness |
0.01496 |
| Pitch Class Skewness |
0.1319 |
| Pitch Class Skewness After Folding |
0.7707 |
| Pitch Kurtosis |
5.192 |
| Pitch Class Kurtosis |
4.697 |
| Pitch Class Kurtosis After Folding |
5.213 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1532 |
| Note Density per Quarter Note |
1.051 |
| Note Density per Quarter Note per Voice |
0.2102 |
| Note Density per Quarter Note Variability |
0.5546 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001216 |
| Prevalence of Medium Rhythmic Values |
0.4334 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8511 |
| Prevalence of Very Long Rhythmic Values |
0.197 |
| Prevalence of Dotted Notes |
0.1386 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.812 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3143 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9052 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.675 |
| Rhythmic Value Skewness |
-0.2107 |
| Rhythmic Value Kurtosis |
7.538 |
| Mean Rhythmic Value Run Length |
1.454 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.92 |
| Mean Rhythmic Value Offset |
0.1647 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.324 |
| Complete Rests Fraction |
0.0004111 |
| Partial Rests Fraction |
0.6053 |
| Average Rest Fraction Across Voices |
0.1712 |
| Longest Complete Rest |
0.6434 |
| Longest Partial Rest |
117.9 |
| Mean Complete Rest Duration |
0.6434 |
| Mean Partial Rest Duration |
12.41 |
| Median Complete Rest Duration |
0.6434 |
| Median Partial Rest Duration |
4.911 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.55 |
| Variability Across Voices of Combined Rests |
86.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6204 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1809 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.43 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8013 |
| Rhythmic Variability - Tempo Standardized |
0.0525 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1645.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.404 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.8304 |
| Variability of Note Durations |
0.7043 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
303.1 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3024 |
| Strength of Second Strongest Rhythmic Pulse |
0.2543 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.189 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5567 |
| Rhythmic Variability |
0.03672 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
81.59 |
| Duration in Seconds |
329.7 |
| Note Density |
4.99 |
| Note Density Variability |
1.379 |
| Average Time Between Attacks |
0.4279 |
| Average Time Between Attacks for Each Voice |
1.071 |
| Variability of Time Between Attacks |
0.2252 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.2421 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.2128 |
| Relative Note Durations of Lowest Line |
1.023 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9003 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04574 |
| Average Number of Independent Voices |
4.179 |
| Similar Motion |
0.1141 |
| Contrary Motion |
0.1462 |
| Oblique Motion |
0.694 |
| Parallel Fifths |
0.004732 |
| Parallel Octaves |
0.005258 |
| Variability of Number of Independent Voices |
0.847 |
| Voice Equality - Number of Notes |
93.77 |
| Voice Equality - Note Duration |
18.23 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.049 |
| Importance of Loudest Voice |
12.5 |