| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2288 |
| Prevalence of Second Most Common Vertical Interval |
0.1785 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7802 |
| Vertical Unisons |
0.03001 |
| Vertical Minor Seconds |
0.005957 |
| Vertical Thirds |
0.2987 |
| Vertical Tritones |
0.01348 |
| Vertical Perfect Fourths |
0.08015 |
| Vertical Perfect Fifths |
0.1785 |
| Vertical Sixths |
0.1429 |
| Vertical Sevenths |
0.03264 |
| Vertical Octaves |
0.1988 |
| Perfect Vertical Intervals |
0.4874 |
| Vertical Dissonance Ratio |
0.07637 |
| Vertical Minor Third Prevalence |
0.5013 |
| Vertical Major Third Prevalence |
0.346 |
| Chord Duration |
2.208 |
| Partial Chords |
0.4413 |
| Standard Triads |
0.3684 |
| Diminished and Augmented Triads |
0.02969 |
| Dominant Seventh Chords |
0.00135 |
| Seventh Chords |
0.01754 |
| Non-Standard Chords |
0.1727 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.053 |
| Average Number of Simultaneous Pitch Classes |
2.496 |
| Variability of Number of Simultaneous Pitch Classes |
0.6742 |
| Average Number of Simultaneous Pitches |
3.182 |
| Variability of Number of Simultaneous Pitches |
0.807 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.99 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
55.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.178 |
| Stepwise Motion |
0.5902 |
| Melodic Thirds |
0.1613 |
| Melodic Perfect Fourths |
0.05496 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03704 |
| Melodic Sixths |
0.004779 |
| Melodic Sevenths |
0.001195 |
| Melodic Octaves |
0.009558 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.649 |
| Melodic Embellishments |
0.01781 |
| Direction of Melodic Motion |
0.4826 |
| Average Length of Melodic Arcs |
1.816 |
| Average Interval Spanned by Melodic Arcs |
4.692 |
| Melodic Pitch Variety |
4.497 |
| Mean Melodic Interval |
2.231 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4122 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4319 |
| Amount of Arpeggiation |
0.3501 |
| Repeated Notes |
0.141 |
| Importance of Middle Register |
0.7138 |
| Importance of High Register |
0.01544 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.93 |
| Mean Pitch Class |
5.913 |
| Most Common Pitch |
59.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1164 |
| Prevalence of Most Common Pitch Class |
0.228 |
| Relative Prevalence of Top Pitches |
0.898 |
| Relative Prevalence of Top Pitch Classes |
0.6823 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.927 |
| Pitch Class Variability |
3.87 |
| Pitch Class Variability After Folding |
2.609 |
| Pitch Skewness |
-0.2755 |
| Pitch Class Skewness |
0.7079 |
| Pitch Class Skewness After Folding |
0.3756 |
| Pitch Kurtosis |
5.266 |
| Pitch Class Kurtosis |
4.646 |
| Pitch Class Kurtosis After Folding |
8.112 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2708 |
| Note Density per Quarter Note |
1.062 |
| Note Density per Quarter Note per Voice |
0.2655 |
| Note Density per Quarter Note Variability |
0.5162 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6128 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7684 |
| Prevalence of Very Long Rhythmic Values |
0.1057 |
| Prevalence of Dotted Notes |
0.1093 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.97 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3812 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6075 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.321 |
| Rhythmic Value Skewness |
1.254 |
| Rhythmic Value Kurtosis |
10.5 |
| Mean Rhythmic Value Run Length |
1.715 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.3 |
| Mean Rhythmic Value Offset |
0.1378 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.103 |
| Complete Rests Fraction |
0.001142 |
| Partial Rests Fraction |
0.5188 |
| Average Rest Fraction Across Voices |
0.1806 |
| Longest Complete Rest |
0.9057 |
| Longest Partial Rest |
68.02 |
| Mean Complete Rest Duration |
0.9057 |
| Mean Partial Rest Duration |
7.346 |
| Median Complete Rest Duration |
0.9057 |
| Median Partial Rest Duration |
2.267 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.83 |
| Variability Across Voices of Combined Rests |
27.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5465 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2275 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.402 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.774 |
| Rhythmic Variability - Tempo Standardized |
0.0497 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
842.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.027 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7061 |
| Variability of Note Durations |
0.6592 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
266.0 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2685 |
| Strength of Second Strongest Rhythmic Pulse |
0.2585 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.039 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5269 |
| Rhythmic Variability |
0.03728 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.36 |
| Duration in Seconds |
180.9 |
| Note Density |
4.655 |
| Note Density Variability |
1.557 |
| Average Time Between Attacks |
0.3898 |
| Average Time Between Attacks for Each Voice |
0.853 |
| Variability of Time Between Attacks |
0.1916 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.5071 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.3183 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.696 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.04426 |
| Average Number of Independent Voices |
3.294 |
| Similar Motion |
0.1065 |
| Contrary Motion |
0.1471 |
| Oblique Motion |
0.7022 |
| Parallel Fifths |
0.001196 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7789 |
| Voice Equality - Number of Notes |
55.0 |
| Voice Equality - Note Duration |
6.179 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |