| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.201 |
| Prevalence of Second Most Common Vertical Interval |
0.1903 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9468 |
| Vertical Unisons |
0.02255 |
| Vertical Minor Seconds |
0.007394 |
| Vertical Thirds |
0.2983 |
| Vertical Tritones |
0.004634 |
| Vertical Perfect Fourths |
0.1196 |
| Vertical Perfect Fifths |
0.1903 |
| Vertical Sixths |
0.1318 |
| Vertical Sevenths |
0.02758 |
| Vertical Octaves |
0.1785 |
| Perfect Vertical Intervals |
0.511 |
| Vertical Dissonance Ratio |
0.06259 |
| Vertical Minor Third Prevalence |
0.4573 |
| Vertical Major Third Prevalence |
0.4903 |
| Chord Duration |
2.171 |
| Partial Chords |
0.3501 |
| Standard Triads |
0.4863 |
| Diminished and Augmented Triads |
0.003805 |
| Dominant Seventh Chords |
0.001522 |
| Seventh Chords |
0.01674 |
| Non-Standard Chords |
0.1469 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9018 |
| Average Number of Simultaneous Pitch Classes |
2.685 |
| Variability of Number of Simultaneous Pitch Classes |
0.6107 |
| Average Number of Simultaneous Pitches |
3.455 |
| Variability of Number of Simultaneous Pitches |
0.7256 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.123 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.51 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2066 |
| Stepwise Motion |
0.6901 |
| Melodic Thirds |
0.1523 |
| Melodic Perfect Fourths |
0.03576 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04238 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005298 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.194 |
| Melodic Embellishments |
0.01449 |
| Direction of Melodic Motion |
0.5193 |
| Average Length of Melodic Arcs |
1.774 |
| Average Interval Spanned by Melodic Arcs |
4.206 |
| Melodic Pitch Variety |
4.497 |
| Mean Melodic Interval |
2.217 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4834 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4274 |
| Amount of Arpeggiation |
0.2742 |
| Repeated Notes |
0.07417 |
| Importance of Middle Register |
0.8564 |
| Importance of High Register |
0.05138 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.35 |
| Mean Pitch Class |
5.651 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09618 |
| Prevalence of Most Common Pitch Class |
0.1845 |
| Relative Prevalence of Top Pitches |
0.9863 |
| Relative Prevalence of Top Pitch Classes |
0.8429 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.627 |
| Pitch Class Variability |
3.597 |
| Pitch Class Variability After Folding |
3.078 |
| Pitch Skewness |
-0.5266 |
| Pitch Class Skewness |
0.5428 |
| Pitch Class Skewness After Folding |
0.4341 |
| Pitch Kurtosis |
5.336 |
| Pitch Class Kurtosis |
4.82 |
| Pitch Class Kurtosis After Folding |
7.193 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.09223 |
| Note Density per Quarter Note |
1.135 |
| Note Density per Quarter Note per Voice |
0.2836 |
| Note Density per Quarter Note Variability |
0.5329 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01054 |
| Prevalence of Medium Rhythmic Values |
0.5534 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7958 |
| Prevalence of Very Long Rhythmic Values |
0.09486 |
| Prevalence of Dotted Notes |
0.1186 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.041 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3491 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7774 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.2 |
| Rhythmic Value Skewness |
1.42 |
| Rhythmic Value Kurtosis |
10.95 |
| Mean Rhythmic Value Run Length |
1.598 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.015 |
| Mean Rhythmic Value Offset |
0.09486 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.102 |
| Complete Rests Fraction |
0.001317 |
| Partial Rests Fraction |
0.3239 |
| Average Rest Fraction Across Voices |
0.114 |
| Longest Complete Rest |
0.881 |
| Longest Partial Rest |
39.7 |
| Mean Complete Rest Duration |
0.881 |
| Mean Partial Rest Duration |
5.351 |
| Median Complete Rest Duration |
0.881 |
| Median Partial Rest Duration |
2.206 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.42 |
| Variability Across Voices of Combined Rests |
12.92 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5789 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2151 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.691 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.794 |
| Rhythmic Variability - Tempo Standardized |
0.05108 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
759.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8206 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7325 |
| Variability of Note Durations |
0.6274 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
258.9 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2846 |
| Strength of Second Strongest Rhythmic Pulse |
0.2657 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.071 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5503 |
| Rhythmic Variability |
0.03772 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.98 |
| Duration in Seconds |
156.9 |
| Note Density |
4.838 |
| Note Density Variability |
1.733 |
| Average Time Between Attacks |
0.431 |
| Average Time Between Attacks for Each Voice |
0.8016 |
| Variability of Time Between Attacks |
0.2877 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4062 |
| Relative Range Isolation of Loudest Voice |
0.1831 |
| Relative Range of Highest Line |
0.4062 |
| Relative Note Density of Highest Line |
0.3689 |
| Relative Note Durations of Lowest Line |
1.053 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8564 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.07181 |
| Average Number of Independent Voices |
3.563 |
| Similar Motion |
0.1257 |
| Contrary Motion |
0.1975 |
| Oblique Motion |
0.6051 |
| Parallel Fifths |
0.002112 |
| Parallel Octaves |
0.001056 |
| Variability of Number of Independent Voices |
0.6968 |
| Voice Equality - Number of Notes |
24.51 |
| Voice Equality - Note Duration |
3.03 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |