| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1819 |
| Prevalence of Second Most Common Vertical Interval |
0.1739 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9558 |
| Vertical Unisons |
0.02244 |
| Vertical Minor Seconds |
0.00629 |
| Vertical Thirds |
0.3054 |
| Vertical Tritones |
0.01429 |
| Vertical Perfect Fourths |
0.1147 |
| Vertical Perfect Fifths |
0.1739 |
| Vertical Sixths |
0.1616 |
| Vertical Sevenths |
0.0279 |
| Vertical Octaves |
0.1595 |
| Perfect Vertical Intervals |
0.4705 |
| Vertical Dissonance Ratio |
0.06667 |
| Vertical Minor Third Prevalence |
0.5507 |
| Vertical Major Third Prevalence |
0.4591 |
| Chord Duration |
3.665 |
| Partial Chords |
0.2679 |
| Standard Triads |
0.5383 |
| Diminished and Augmented Triads |
0.03072 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01208 |
| Non-Standard Chords |
0.1818 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.595 |
| Average Number of Simultaneous Pitch Classes |
2.726 |
| Variability of Number of Simultaneous Pitch Classes |
0.6022 |
| Average Number of Simultaneous Pitches |
3.38 |
| Variability of Number of Simultaneous Pitches |
0.6751 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.704 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2702 |
| Stepwise Motion |
0.7263 |
| Melodic Thirds |
0.1053 |
| Melodic Perfect Fourths |
0.03158 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.09123 |
| Melodic Sixths |
0.003509 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01754 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7647 |
| Melodic Embellishments |
0.01916 |
| Direction of Melodic Motion |
0.4946 |
| Average Length of Melodic Arcs |
1.944 |
| Average Interval Spanned by Melodic Arcs |
5.094 |
| Melodic Pitch Variety |
5.384 |
| Mean Melodic Interval |
2.596 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4561 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5923 |
| Amount of Arpeggiation |
0.2386 |
| Repeated Notes |
0.02456 |
| Importance of Middle Register |
0.73 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.55 |
| Mean Pitch Class |
5.613 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09582 |
| Prevalence of Most Common Pitch Class |
0.1864 |
| Relative Prevalence of Top Pitches |
0.9455 |
| Relative Prevalence of Top Pitch Classes |
0.8692 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.028 |
| Pitch Class Variability |
3.529 |
| Pitch Class Variability After Folding |
3.112 |
| Pitch Skewness |
0.119 |
| Pitch Class Skewness |
0.5214 |
| Pitch Class Skewness After Folding |
0.6047 |
| Pitch Kurtosis |
5.214 |
| Pitch Class Kurtosis |
4.923 |
| Pitch Class Kurtosis After Folding |
6.952 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.27 |
| Note Density per Quarter Note |
0.838 |
| Note Density per Quarter Note per Voice |
0.2095 |
| Note Density per Quarter Note Variability |
0.6516 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4024 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8728 |
| Prevalence of Very Long Rhythmic Values |
0.1969 |
| Prevalence of Dotted Notes |
0.169 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.906 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3676 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7488 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.588 |
| Rhythmic Value Skewness |
-0.1091 |
| Rhythmic Value Kurtosis |
7.993 |
| Mean Rhythmic Value Run Length |
1.59 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.269 |
| Mean Rhythmic Value Offset |
0.2578 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.978 |
| Complete Rests Fraction |
0.00109 |
| Partial Rests Fraction |
0.4538 |
| Average Rest Fraction Across Voices |
0.1361 |
| Longest Complete Rest |
0.7466 |
| Longest Partial Rest |
62.68 |
| Mean Complete Rest Duration |
0.7466 |
| Mean Partial Rest Duration |
12.43 |
| Median Complete Rest Duration |
0.7466 |
| Median Partial Rest Duration |
8.548 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.52 |
| Variability Across Voices of Combined Rests |
60.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6112 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1419 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.308 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7531 |
| Rhythmic Variability - Tempo Standardized |
0.05075 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
574.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7986 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
9.841 |
| Average Note Duration |
0.7486 |
| Variability of Note Durations |
0.6891 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
10.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
362.8 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
83.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.2533 |
| Strength of Second Strongest Rhythmic Pulse |
0.251 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5043 |
| Rhythmic Variability |
0.03379 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
99.82 |
| Duration in Seconds |
124.4 |
| Note Density |
4.616 |
| Note Density Variability |
1.664 |
| Average Time Between Attacks |
0.4507 |
| Average Time Between Attacks for Each Voice |
0.8266 |
| Variability of Time Between Attacks |
0.2817 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.5468 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.4669 |
| Relative Note Durations of Lowest Line |
1.002 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7962 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.06341 |
| Average Number of Independent Voices |
3.482 |
| Similar Motion |
0.1506 |
| Contrary Motion |
0.2153 |
| Oblique Motion |
0.5707 |
| Parallel Fifths |
0.003963 |
| Parallel Octaves |
0.003963 |
| Variability of Number of Independent Voices |
0.6384 |
| Voice Equality - Number of Notes |
29.01 |
| Voice Equality - Note Duration |
10.93 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
10.0 |